Cannes at Home: Day 5 – A Tale of Two Victors

by Cláudio Alves

The fourth day of Main Competition screenings saw the premiere of two films by former Palme d'Or winners. First up, Swedish auteur Ruben Östlund returned to the Croisette after taking the festival's top honor with The Square. Triangle of Sadness is the director's first film since then, perchance indicating a newfound obsession with geometrical titling. Reactions have skewed positive, though there are dissenting voices. Then, it was time for Cristian Mungiu to present R.M.N, this year's first major Palme contender as far as critical reception is concerned (Elisa's review). It should be noted that this is the fourth time Mungiu has presented a film in the Main Competition – all three previous projects won prizes, setting a good precedent for the Romanian master. 

Logically, when discussing these laurelled artists, the mind drifts to their victorious flicks. Today's Cannes at Home selections are The Square and 4 Months, 3 Weeks and 2 Days…

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Cannes Diary #5: Genies, Spies, Influencers, and Xenophobia

by Elisa Giudici

Sometimes I wish people who plan the daily schedule of festivals would love their audiences more. Placing a Cristian Mungiu movie at the end of very long day of screenings is a challenge. Even the most hardy of festivalgoers might have trouble. Why not use a more energetic movie for the 10 PM slot like Ruben Östlund’s Triangle of Sadness? Sorry for whining a little, but sometimes the real struggle is to give every movie the right chance to shine. Revising titles after seeing them at festivals throughout the years, I've noticed that late night spots sometimes result in harsher reviews than the film deserved.

After the jump three main competition films plus the buzzy Three Thousand Years of Longing from George Miller starring Idris Elba and Tilda Swinton... 

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Yes No Maybe So 'Downhill'

by Murtada Elfadl

They went and remade Ruben Östlund’s brilliant Force Majeure (2014) with Juia Louis Dreyfuss and Will Ferrell and called it Downhill. The story, as those of you who saw the original know, is about the repercussions on a marriage after the husband cowardly runs away from the sight of an avalanche, leaving his wife and children to face it alone. The original was a funny smart satire about manhood and patriarchal responsibilities in the modern age.

After premiering at next month's Sundance Film Festival, the movie will be released on February 14th. Let’s give the newly released trailer the YES NO MAYBE SO treatment.

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European Film Awards - Much Love to "The Square"

by Nathaniel R

The annual European Film Awards have logged many frequent flyer miles over the years as they hop around to various host countries. Today they were held in Berlin Germany and multiple Oscar hopefuls in Best Foreign Language Film took home prizes. The Cannes Palme d'Or winner The Square won the most statues and Hungary's Alexandra Borbely who stars in the weirdly compelling On Body and Soul (reviewed here) took Best Actress. You can see all the winners after the jump...

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Interview: Claes Bang on 'The Square,' the Monarchy and Being Starstruck at the Governors Awards

By Jose Solís.

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Like Christian, his character in The Square, Claes Bang speaks with impressive assertiveness. Even when he’s poking fun at himself, he sounds like a man who’s never had any doubts or gotten himself into something he couldn’t get out of. Perhaps it’s this quality that makes his performance in Ruben Östlund’s award winning film so magnetic, and has also raised comparisons to Jon Hamm and James Bond. At age 50, the Danish actor who has mostly worked on stage and television, finds himself in the unlikely position of movie star. Position which he’s filled extraordinarily, having become the sensation of the Cannes Film Festival, as well as a dark horse for the European Film Awards where he’s competing against Colin Farrell and Jean-Louis Trintignant for Best Actor.

Watching Bang (even his name’s cool!) in The Square one gets the sense of both knowing Christian, but also feeling like he could deceive you at any moment. He’s the kind of man who seems so secure of his position in the world, that he could drag you with him without you realizing it. When I spoke to director Östlund he explained that he saw Christian as a man who, despite appearances, isn’t as free as we’d think. Earlier this fall, Bang took a break from his publicity tour to do a play in Denmark, and he also makes New Wave-like electronica - think darker Depeche Mode - under the moniker This Is Not America, making him the ultimate renaissance man. If awards season wasn’t so partial to English speaking roles, Bang would be a serious contender for Best Actor, since he delivers the kind of performance that combines unique thespian talents, with pure star power. I spoke to him about taking on a character as complex as Christian, his thoughts on the monarchy, and his favorite part of awards season so far. Read the interview after the jump...

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