On "Marriage Italian Style" and "The Shop on Main Street"

by Nathaniel R

Have you either of these classics of mid 60s international cinema? In one of the strangest timetables in Oscar history, both of these two film's leading ladies were honored with Best Actress Oscar nominations but neither in the year their film was honored:  Sophia Loren (Marriage Italian Style) was nominated for Best Actress in 1964; Ida Kaminska (The Shop on Main Street) was nominated for Best Actress in 1966; inbetween those Oscar years the films themselves were nominated for Best Foreign Language Film of 1965 (now called Best International Feature Film).  

I was thrilled to rejoin Juan Carlos Ojano on "One Inch Barrier" to discuss 1965's Best international race, a strong vintage, which also included the family drama Blood on the Land (Greece), the very horny Dear John (Sweden), and the supernatural Kwaidan (Japan). We discuss Best Actress, Oscar's resistance to Asian cinema, sex in cinema, and Sophia Loren's magnetism...

Denmark names three Oscar finalists including "Flee"

by Nathaniel R

As we've long noted for the rest of the online world that doesn't pay super close attention to this category even if they'll dutifully share press release, Denmark is currently Oscar's favourite country (statistically speaking). In the past 12 years they've been nominated six times, won twice, and also made the finals twice more without actually snagging the nomination. That's the best run of any country in quite a long while in this category. They're the defending champion since the brilliant boozy Another Round took the gold at the 93rd Oscars. It's rare for countries to win this category in consecutive years but Denmark could given their hot streak. They've actually done that once before (1987 & 1988 with Babette's Feast and Pelle the Conqueror). Here are their three finalists for submission this time around...

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SXSW: Portraits of motherhood in "Ninjababy" and "Bantú Mama"

by Cláudio Alves

Motherhood is one of cinema's favorite subjects, ever since narrative pictures emerged as a force to be contended with. One can go so far as saying that ever since the origins of drama, of storytelling, tales of mothers have dominated audiences' attentions, defined cultures, were made into the foundations for moral and religious belief. Perhaps because of such history, such conceptual weight, mainstream cinema rarely attempts to subvert or question the precepts of dramatized maternity. Even in more independent circuits, there's still reverence there, a willingness to prop up the mother figure into a saintly paragon, idealized caretaker, matriarch of humanity.

Because of it, one feels grateful when artists turn their back on all that baggage and decide to subvert what cinematic mothers are, what they look like, what they represent. The irreverent Ninjababy and the beautiful Bantú Mama, both presented at the SXSW film festival, are prime examples of this…

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Interview: BAFTA nominee Mikkel E.G. Nielsen on finding the balance and structure of "Sound of Metal"

by Nathaniel R

Talking to film editor Mikkel E.G. Nielsen (A Royal Affair, Beasts of No Nation), is a bit dizzying. His conversation moves around our subject, Sound of Metal, in circular fashion regularly bringing up both the films beginning, a raucous noisy concert where we first experience Ruben (Riz Ahmed's) hearing loss with him, and the films very quiet yet symmetrical ending. It doesn't surprise us then when he describes his job holistically. "My job is to try and create a whole from start to finish where you feel that you've been on this journey. Either it's revealing or it's fulfilling or emotional."

Nielsen divides his time between movies, music videos, and commercial work and though he loves the immersive challenge of cinema, he appreciates the mix. "Molding a movie" for months, he explains, becomes all encompassing. Working on a spot for three weeks, though, "Wow, that was almost like a vacation!'"

Another 'vacation' will have to wait. We're deep in awards season and Nielsen's fine work, honing the film's structure, and finessing the movies internal and external rhythms alongside its much praised sound design, has been honored with a Critics Choice Award for Best Editing and, this morning, a BAFTA nomination as well. We recently spoke to him about his work and international career...

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Showbiz History: Ingmar Bergman's Rise and Vera-Ellen's Centennial

6 random things that happed on this day, February 16th, in showbiz history

1938 Screwball classic Bringing Up Baby premieres in San Francisco with a release following two days later. It's one of the best films of 1938 or maybe even the best... but it was not appreciated in its day.

1957 The Seventh Seal premieres in Sweden and becomes the first of four consecutive Swedish Oscar submissions from Ingmar Bergman. Unfortunatly Oscar ignores it...

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