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Entries in sci-fi fantasy (192)

Saturday
Apr252015

4 Movies That Introduced Artificial Intelligence (As An Afterthought)

Michael C here to celebrate some of cinema's lesser known machine life.

Artificial Intelligence is such a rich idea, if it is introduced into a film more often than not it is going to be the centerpiece of the story, as is the case with titles ranging from 2001 to Blade Runner to Her. Even when it is not the main attraction, like with the droids from Star Wars or the synthetics of the Alien movies, those films still have to take the care to craft a world in which these robots make sense.

That said, there are those rare films that introduce A.I. into the storyline seemingly at random. “Oh yeah, forgot to mention. There are sentient machines in this world.” To introduce such a big concept in such an offhand manner is always jarring, and can often be unintentionally hilarious. 

Jor-El Hologram in Man of Steel (2013)
By the time the Superman finds the last recording of his deceased father late in Man of Steel, the audience is primed for some variation on the scene from the original Superman where hologram Brando boots up to impart some prerecorded wisdom to his son. Instead we essentially get Russell Crowe’s Jor-El brought back from the dead. He can respond to new information and run around the ship opening doors for Lois Lane. Hologram Jor-el even has an emotional confrontation with Zod about things that happened after Zod murdered him. The idea that this is even possible is frankly way more interesting than the giant space jackhammer the audience is supposed to care about at that point during the climax.

Sico in Rocky IV (1985)
So the fourth film in the Rocky franchise is plugging away, hitting all the typical, roided out, 80’s sports movie beats, when out of the blue Rocky gives Uncle Paulie SICO, a fully intelligent robot butler, as a Christmas gift. Paulie and the bot proceed to develop a wacky odd couple relationship, at least until things go next level bonkers and Paulie reprograms the robot to be female (which for some reason dumb old Paulie is capable of doing). The Rocky films weren’t exactly bastions of realism by the fourth entry but it is difficult to put into words just how bizarre it is to have this A.I. subplot dropped into the middle of a boxing movie. It is the equivalent of the next Fast and the Furious sequel having an appearance by The Great Gazoo who floats next Ludacris during chase scenes dispensing wise cracks.

Alsatia Zevo in Toys (1992)
Unlike the total randomness of Rocky IV’s subplot, everything in Barry Levinson’s Toys should prepare the audience for the appearance of a humanoid robot. After all, Toys is little more than two hours of elaborate gizmos. Yet it is still so very weird when it’s revealed that (20 year old spoiler warning) Joan Cusack’s character was a robot the whole time, built by Robin Williams’ toy maker father as companion for his oddball son. Like the rest of Toys, the twist is designed to be sweet and charming but lands squarely on unsettling. It’s a combination of the way the twist doesn’t add up and the movie’s bizarre foreshadowing that Alsatia is not quite human (She enjoys mayonnaise sandwiches…just like a robot would?)

Box in Logan’s Run (1976)
Around the 2/3 mark of the dystopian thriller Logan’s Run, Michael York and Jenny Agutter are trying to escape through an ice tunnel to the mythical “sanctuary” when they encounter Box, a giant tin foil robot who speaks with the warm tones of Babe narrator Roscoe Lee Brown and who looks like he was designed for the original Star Trek show after it had blown the whole budget on tribbles. At first it seems like Box is going to be like all the other soulless computer programs in the movie, but he is different, describing himself as “More than machine or man. More than a fusion of the two.” Not only is Box a conscious being but it quickly becomes clear that he has been down in that ice cave alone waaaay too long and has lost his little robot mind. For five minutes our heroes listen to Box ramble like a street corner prophet, making grandiose nonsense declarations (“The deep grottos whisper my name. Box…BOX…BOOOOOX!”) going on and on about plankton, and finally attempt to murder them while cackling like a loon. Nothing in Logan’s Run is explained with too much depth but the Box interlude is especially nutty - nothing about it makes a lick of sense or even attempts to - but damned if it isn’t one of the most memorable scenes in the film, random or not.

 

Do you have any other "favorite" examples?
 

Friday
Apr242015

A.I. "Ghost in the Shell"

Artificial Intelligence Week, our way of saying "hey, Ex-Machina and soon Age of Ultron are in theaters so it's trending, sort of" continues with Tim Brayton on an anime classic...

If we're going to talk about artificial intelligence in animation - sci-fi in animation generally, to be honest - we can't help but eventually find our way to the wonderful world of anime. Something about the combination of Japan's willingness to see animation as a medium for all kinds of storytelling, not just kiddie flicks, along with Japan's longstanding obsession with high-tech toys, makes Japanese animation a miraculous breeding ground for complex, philosophically overheated stories of life in the future and the impact of technology on humanity.

And possibly no movie in all of anime is so eager to explore the weirdest, thorniest issues of human vs. robot life, of consciousness vs. the electronic simulation of consciousness, and of self-determined identity as it is constrained by or transcends the body, as director Mamoru Oshii's Ghost in the Shell...

Click to read more ...

Thursday
Apr232015

A.I. "WALL•E"

Dancin' Dan here to continue TFE's Artificial Intelligence Week with a little something on my favorite dancing robots.

If there’s a common thread in stories of artificial intelligence, it’s that we can think that we, the programmers/creators, can control it all we like, but if we’re truly successful - if we succeed in creating actual artificial intelligence - we can’t do a damn thing to control it. It will grow and learn and eventually decide things for itself.

In Pixar’s masterpiece WALL•E, we don’t know exactly how our hero gained what for lack of a better word we have to call a “personality,” but we can imagine. Human ingenuity can do a lot of things, but one thing it is notoriously terrible at, on the whole, is predicting the future correctly. Which, coincidentally, is one of the ideas at the heart of Pixar’s masterpiece. [More...]

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Wednesday
Apr222015

Team Top Ten: Best Sci-Fi Films (Pre-1977)

Amir, welcoming you back to Team Top Ten! We are returning after a long hiatus with not one, but two top ten lists for April. In connection to our theme of the week, Artificial Intelligence on the big screen, we are here to celebrate science fiction cinema. As with the horror genre and to help ourselves a bit by narrowing down our options, we're cutting the list in two halves. Our dividing point is 1977, when two of the cinema's most enduring science fiction films were released: Close Encounters of the Third Kind and Star Wars ushering in an era of huge advances in popularity and visual effects technology. And yes, those are both science fiction films and your contrarian arguments will not be heard.

We were spoilt for choice for the second part of this poll, for the simple reason that far more science fiction films have been produced since 1977 than before it. Still, this first list is comprised of eleven films that have all become part of the canon and among the best in film history in any genre. Without further ado...

Team Experience Top Ten
Best Science Fictions Film Produced Before 1977...

Click to read more ...

Monday
Apr202015

Beauty vs Beast: Full Metal Maria

Tis I, Jason from MNPP, here, with another week's new edition of our "Beauty vs Beast" series. So over the next several days The Film Experience is going to be diving into the cinematic realm of Artificial Intelligence (known as "A.I." to people in a hurry and Haley Joel Osment fans), and to get the ball rolling I figured we'd make ourselves like science-fiction and hop in the way-back machine to the year 1927, when a little chap who went by the name Friedrich Christian Anton Lang, known to his friends as Fritz, made a little movie called Metropolis. In case you don't know the story, it goes like this: Boy meets Girl, Girl Gets Clones Into Evil Robot, Dystopian Nightmare Explodes, and a Kiss, The End. Somewhere in there dancing happens, and it is crazy awesome.

But thanks to a ferocious performance from actress Brigitte Helm you really couldn't get more of a clean split between the two Marias to choose from - Original Maria is all Goodness and Light, while her robot counterpart is Sex and Chaos. But what Sex and Chaos! Where does your heart belong?

Whose team are you on?
Team Maria0%
Team Robot-Maria0%

You have one week to vote!

PREVIOUSLY While I was out of town last week Nathaniel took the chance to sneak a musical (a genre I'm somewhat allergic to) in - can I just tell you that even though I've lusted for The Ten Commandments era Yul Brynner a'plenty I've never seen The King and I? So I'll be damned if I know the right choice for this round, but y'all went with Anna (Deborah Kerr) by only a slight margin (54%). Said Jija:

"I'm maybe biased because I'm Thai but I find Yul's performance ... irritating. I don't expect accurate history or anything. It's a very lovely musical but I can't get past his overacting, silly gestures and ..that accent. He's very cartoonish. Deborah Kerr, on the other hand, is everything."