Blueprints: "The Marvelous Mrs. Maisel"

As we approach the Emmys, Jorge is looking at the pilot episodes of Best Series contenders. 

Amy Sherman-Palladino made a name for herself with dialogue. Best known as the creator of Gilmore Girls, but also behind the one-season wonder Bunheads, her newest series The Marvelous Mrs. Maisel follows a 1950s housewife who finds refuge in standup comedy after her husband leaves her. The delightfully twee vintage setting and the world of verbose comedy sets and big performer personalities is a perfect fit for her now immediately recognizable patter-chatter, all anchored by a revelatory performance from Rachel Brosnahan. 

Let’s take a look at the climax of the pilot episode: Midge’s drunken, cathartic stand-up set. How she slowly wins the audience. How it escalates on the page. How the endless sentences, tangents, and colorful adjectives create explosive tension...

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Blueprints: "The Americans"

Jorge continues to look at the pilot episodes for the Best Series contenders of this year’s Emmys. 

The Americans did a lot of things at once. It was a spy show, a family drama, a heavy exploration of the human psyche, a look into a broken marriage, and a workplace series, all neatly tied into one disguise-heavy package. That multi-tasking is what made it one of the greatest shows in the so-called New Golden Age of Television. 

The series premiered in 2013, and ended this spring after six seasons, so the pilot may be a bit removed from our collective memories. But let’s take a look at the very first sequence of the entire show, anyway. It immersed us immediately in the world of these people, no explanations given, and put us on high gear from the get-go...

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Blueprints: "Eighth Grade"

While we’re still caught in a wave of summer releases, Jorge takes a look at the script for what has become the indie comedy darling of the moment.

Capturing the essence of a teenager on screen is not easy. Since most screenwriters are decades removed from that time in their lives when they develop their scripts, the language and sentiment around it can feel removed or separate from reality. If this was true during the teen comedy heyday of the 80s, it’s even truer today, when the quickly evolving culture and technology make even a couple years’ difference a generational gap with young people...

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Blueprints: Emmy Nominees for Outstanding Writing in a Limited Series, Movie or Dramatic Special

Jorge has been taking a look at the Emmy history for this year’s writing nominees.  

Let’s take a look at the various shows that made up the six nominees for Writing in a Limited Series, TV Movie, or Dramatic Special. Even with the longest title in the writing categories, which aim to include made-for-TV films or broadcast theater performances, all of the nominees are from a limited series with multiple episodes (even Black Mirror, where every episode is self-contained, is part of a larger anthology). Some series submitted the entirety of their episodes, while others only a single standout episode (I ignore the specific rules, but I assume it has something to do with overall series length).

Since we’re huge fans of statistics here, let's take a look the elevator pitches and Emmy history stats after the jump…

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Best Casablanca Quotes

Tomorrow is your last day to vote on the Supporting Actress Smackdown of 1943. Casablanca wasn't nominated in that category but it took the Oscars for Best Picture, Best Director and Best Screenplay. In addition to being economically constructed -- those 102 minutes fly by every time (in fact, it's the 8th shortest Best Picture winner ever) -- it's got generous helpings of contenders for 'best line ever'. So I asked this month's panel to share their favorite line or exchange from that immortal classic.

Here's what we all chose...

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