Links: Misunderstood Meryl, Angry Leo, Cheap Deadpool

• MNPP All is well since Jason has seen The Witch and loves it. It's so spooky, guys. Go see it this weekend
• Pajiba "11 Things I Learned from 'Star Wars and the Power of Costume' Exhibit"
• Playbill Bull Durham: The Musical (?) may be headed to Broadway soon
• Scriptnotes how to introduce characters in screenplays without being mocked on Twitter. (For those of you are like what? This is in reference to a recent writing controversy that we spoke of right here)
• i09 says Zootopia is the best film Disney Animation has made in 20 years (!) 

• MNPP freaks out over the new Pee Wee Herman Netflix trailer
• Simply Streep Screencaps of Meryl Streep in the Florence Foster Jenkins teaser
• Boy Culture have you heard about Strike a Pose, the documentary about the Madonna documentary Truth or Dare?
• Boy Culture your semi-annual reminder that Miriam Margolyes is an international treasure and gay hero 
• Awards Daily "everyone owes Meryl Streep an apology"
• /Film Julianne Moore offered the villain role in The Kingsmen 2. This historically hasn't gone well for her (See: The Seventh Son or Hunger Games) Why Julianne? You already have tons of money.
• Hairpin "how not to write something" 
• Toyland the coolest stuff from Toy Fair 2016 including *gasp* female action figures

Deadpool at #1
• i09 everything they cut out of Deadpool to get the budget way down (which now means its going to be insanely profitable)
• /Film Rumors are that Wolverine 3 is considering an "R" rating following Deadpool's success 

And James Gunn, who did the superheroes being mocking and sarcastic before Deadpool, took to Twitter to hype his forthcoming blockbuster...

Official Photography on Guardians of the Galaxy Vol. 2 has begun. You're very welcome. pic.twitter.com/741upZ21g7

— James Gunn (@JamesGunn) February 17, 2016

Oscar Mania
• The Guardian on why The Big Short should win Best Picture. I haven't to admit I couldn't follow this argument at all (perhaps you can?) but maybe I was just thrown because they start the video talking about surprise winners and cite Forrest Gump. Forrest Gump? Of all movies. That was a behemoth that year and couldn't lose. People say such strange things when they're talking about the Oscars!
• THR Robert Richardson and other cinematographers calling for a separate category for VFX heavy films. I absolutely agree that this is a problem - this year not so much but usually
• RED CARPET RAMPAGE. Help Leonardo DiCaprio finally win his Oscar! I tried to play this on my phone last night. It's actually hilarious. Especially the bonus round "Act Harder!" LOL...

Red Carpet: BAFTA PreParty, Sci-Tech, and WGA

Eight beauties for you this afternoon as we get closer and closer to Oscar and more and more awards are handed out. We'll know the BAFTA winners in a few hours (though they still don't televise it live making it hard to take seriously in this day and age) but here are four women from the pre-party.

Sandy Powell (just interviewed!), Dakota Johnson, Cate Blanchett, and Bel Powley. Was the dress code black and white? 

Olivia Munn co-hosted the Academy's Sci-Tech Awards. Meanwhile at the WGA Awards, Adepero Oduye (gorgeous in yellow!) showed up to support The Big Short, Gina Gershon, and Diane Lane were also out on the red carpet. Olivia's busy but these other three deserve bigger roles than they've been getting -- they've got the talent and the charisma for them. Hopefully the guild members, all writers after all, will be inspired by their presence to create richer roles for them or actresses like them. 

WGA WINNERS
Original SPOTLIGHT
Adapted THE BIG SHORT
Documentary GOING CLEAR
Television FARGO

We've every reason to expect that Original and Adapted will tilt the same way at the Oscars on the 28th but what do you think is running second in both races? We're guessing Inside Out (Original)  in distant second and Room (Adapted) a closer second.

Introducing Jane

In case you've missed it, LA based producer Ross Putman has been tweeting out the funny-if-they-weren't-so-awful introductions for female characters in the scripts he's been receiving. It's a dismal glimpse into the reality of female representation in cinema, featuring a strong emphasis on how attractive the character is and plenty of 'cool girl' types who are attractive but don't know it.  

JANE, 28, athletic but sexy. A natural beauty. Most days she wears jeans, and she makes them look good.

— Ross Putman (@femscriptintros) February 10, 2016

JANE (late 20s) sits hunched over a microscope. She’s attractive, but too much of a professional to care about her appearance.

— Ross Putman (@femscriptintros) February 10, 2016

A gorgeous woman, JANE, 23, is a little tipsy, dancing naked on her big bed, as adorable as she is sexy. *BONUS PTS FOR BEING THE 1ST LINE

— Ross Putman (@femscriptintros) February 10, 2016

Whilst these scripts are likely never seeing the light of day (fingers crossed), it's an unavoidable truth that for every Therese Belevit there are ten Michael Bay Hot Girl who runs 2 metres behind the gawky hero.

To compare, let's look after the jump  at how some of this year's iconic female characters have been introduced in their films after the jump...

Click to read more ...

Oscar Screenplays Quotability Index

Manuel here. In a lot of people’s minds, a great screenplay requires at least one quotable line. Look no further than the poster for the 2006 awards which celebrated great lines from Academy Award winning films. Lines like "Rosebud", "Show me the money!" and "I coulda been a contender" — or more recently, "You know what's cooler than a million dollars?" and "Argofuckyourself" — immediately remind you of the film's in question, functioning as helpful shorthand. A good line is sometimes all you need. And so, since we know TFE readers love themselves a list, we had to rank the 10 films nominated for screenplay categories in order of quotability:

10. Ex Machina
Is there such a thing as "visually" quotable? Because that's certainly the case here.

9. Bridge of Spies 
The one truly iconic catchphrase in these screenplays but otherwise, not much else, no?

8. Brooklyn
News of that TV spinoff means more vintage banter!

7. Spotlight and more after the jump...

Click to read more ...

Screenplay Categories: Gender by the Numbers

Manuel here. Much of the conversation following the nominations has deservedly been about the way this year’s nominees function in many ways as a litmus test for the larger pitfalls of the Academy and the industry at large. Take the screenplay categories. As Phyllis Nagy urged us, we should be celebrating the fact that four female screenwriters were nominated for four different films. It sounds like a cause worth celebrating until you realize a total of twenty screenwriters were cited overall. You have to admit, those are appalling (if yes, unsurprising) numbers. Actually, in the past ten years, only 17 out of 156 nominated screenwriters have been women. Three quick stats about this year's categories and how they may show we might be turning a corner.

01 The last time we had two female nominees in the Best Original Screenplay category was in 2011 when Kristen Wiig and Annie Mumolo earned a nomination for their Bridesmaids script. If you remember that was the first time a female duo had been nominated since Nora Ephron and Alice Arlen were cited for Silkwood back in 1983. 

02 The last time two female nominees came from different films?  2007 when The Savages’s Tamara Jenkins and Lars and the Real Girl’s Nancy Oliver joined eventual winnerDiablo Cody (Juno). That was, coincidentally, the last time a female writer was on stage for a screenplay win. 

03 On the Adapted Screenplay side, we have two female screenwriters coming from two different films (Room and Carol). That’s the first time its happened since 2003 when Shari Springer Berman (co-writer of American Splendor) joined eventual winner Fran Walsh (co-writer of Return of the King) in the nominee roster. And yes, you have to go back to 1995 to find a sole female screenwriter taking the gold (Emma Thompson for Sense and Sensibility), a year that also nominated Anna Pavignano for co-writing Il Postino.

Obviously, by the rule of statistical analysis -- which is foolproof and understands that subjective awards must follow mathematical calculations-- this means we're going to get a female writer up on stage this year, right?

Bets on whether Donoghue (Room), Nagy (Carol), Berloff (Straight Outta Compton) or LeFauve (Inside Out) will get to give a speech on February 28th?