Crazy in Link

I Need My Fix Kate Winslet for St. John. I want to bury my hands in that rug. Look at it! So comfy.
The Atlantic remembers the worst January releases in recent memory. Ah, the toxic dumping ground.
Towleroad Madonna's new album will be called M.D.N.A ... maybe. So she said but was she serious?
THR reports from the NBR awards ceremony where Hugo was honored. Their photo gallery is from last year though so save the clicking on that.

IndieWire Catherine Deneuve will be honored at Lincoln Center this spring, receiving the Chaplin Award
Gold Derby The DGA's television nominees include actresses!
AWFJ Female film critics name their award winners with The Artist taking the top prize
Animation A big informative piece on Oscar finalist The Fantastic Flying Books of Mr Morris Lessmore.
Carpetbagger Jean Dujardin tries to impress Robert DeNiro... who is not easily impressed (at the NYFCC awards)

Guardian much about about nothing. They've closed the Natalie Wood case again in case you were wondering.
Scanners doesn't believe film critics should read screenplays until after they've seen the movie (but is happy to dissect them afterwards (Moneyball & Tinker Tailor Soldier Spy). I kind of agree but I keep wanting to read Django Unchained. It is tempting me!
Gunaxin on Oscar nominations that look baffling in retrospect to some. Unfortunately it sounds like they didn't even see Howard's End before dissing it. I cry foul. Howard's End is GREAT. Merchant/Ivory movies get no respect and it makes me so angry. They were great filmmakers and that was the best film nominated that year.

P.S. "Do not weep for Beyoncé..."

BREAKING: Witch Who Granted Beyoncé Fame Returns To Claim Firstborn Child

[maniacal laugh maniacal laugh]

Writers Guild Nominees and Their Oscar Competition

The Writers Guild of America nominations are always interesting to look at -- we love discovering what other writers admire --  but they are greatly overvalued in terms of Oscar prognostication. The tricky part is remembering what's not eligible. The Academy doesn't require you to be a member to receive nominations for your cinematic achievement. Some guilds do and the Writers Guild is notoriously strict about qualification. So several key Oscar-seeking movies were NOT eligible for these honors.

Bridesmaids won a WGA nomination but the Oscar shortlist is far more competitive.

Not Eligible, Therefore We Know Nothing About Their Oscar Prospects: 
(Original) Take Shelter, Martha Martha Marcy May Marlene, Beginners, The Artist, Shame, Margin Call, The Iron Lady, Rango, Melancholia, and Like Crazy
(Adapted) Drive, My Week With Marilyn, Tinker Tailor Soldier Spy, Jane Eyre, Carnage, Albert Nobbs, and The Skin I Live In

 ... and quite a few of those -- especially the originals -- seem like definite threats in the Oscar Screenplay races. 

The WGA Nominations (Three Categories) are  AFTER THE JUMP

Click to read more ...

Interview: Sean Durkin on "Martha Marcy May Marlene"

Oscar ballots hit the post office one week from today but movies often live well beyond the confines of awards season if they're any good.

One film that I suspect will be vying for the great honor of Best Future Shelf Life, with or without Oscar nominations, is Sean Durkin's cult drama Martha Marcy May Marlene. Durkin was recently named one of Forbes "30 Under 30" and a week ago the prestigious Los Angeles Film Critics Association named the creative team the recipients of this year's "New Generations" award. It's one of the best critical calls this season; who wouldn't be eager to see what this team comes up with next?

I spoke to Durkin recently about his debut feature which hits BluRay and DVD on February 21st, 2012. That happens to be one week before the Oscars but let's not get hung up on dates since Martha herself never knows what time it is.

There are no clocks or calendars in those places. People totally lose track of time..."

The FYC Original Screenplay shipped to votersSo Durkin tells me while discussing his research for the film and interviews he'd had with former cult members like the fictional Martha. "They don't remember anything about the first couple of weeks. But they get flashes and then they remember lying to everyone about where they've been. They're always paranoid." Piecing together the past when your identity has been systemically reprogrammed is difficult work. The decision to crosscut between the past and present, Martha never quite able to keep them separate, seemed like the only way to go. "It just made sense to me"

The challenging movie favors ambiguity in its storytelling. The writer/director laughs when asked which question he most hates getting during the ambiguous-averse tradition of Q&As. (He's been promoting the movie for nearly a year now, starting at Sundance, and I figure he's heard some doozies.)

That's an original question! Whatever people feel when they're watching it or if they walk out, it's all fine."

[Ambiguity, That Title and What's Next? after the jump]

Click to read more ...

'oh, oobee doo. i wanna link like you-oohooh ♫'

Empire Eddie Murphy could play Washington mayor Marion Barry for Spike Lee in a new biopic.
Carpetbagger wonders if Meryl Streep is the oldest person to ever grace the cover of Vogue? We assume she is, unless some male designer once posed there with an 18 yr old supermodel. 
Movie|Line 5 pieces of Elizabeth Taylor's Memorabilia worth paying for...
Time profiles Tilda Swinton

Indie Wire because Martin Scorsese hasn't won enough awards in the past several years, the Santa Barbara Festival is going to honor him with the American Riviera Award 
Yahoo Movies a rundown of awardage thus far. No consensus really.
Rope of Silicon lists the top five movie tattoos. I was happy to see Seth Gecko.
Awards Daily Sasha gets angry at the Shame haters. The movie not the emotion. Feel free to hate on shame the emotion. It's an annoying one. 
Guardian in "Obituaries of 2011" has Shirley Maclaine's memories of La Liz. 
24 Frames The Hollywood Blacklist... hottest screenplays 

Hero Complex on Anthony Lister's Rise of the Planet of the Apes mural at Melrose Avenue.

Love it, don't you? How many pictures do you think are going to be snapped there every day while it's up. 

And finally congratulations to the directors cited by Variety as "10 to Watch". In case the pay wall traps you like it did me they are:

• Zal Batmanglij (Sound of My Voice)
• Valérie Donzelli (Declaration of War) -French Oscar submission
• Gareth Evans (The Raid)
• Philippe Falardeau (Monsieur Lazhar) -Canadian Oscar submission
• Gerardo Naranjo (Miss Bala) -Mexican Oscar submission
• Matt Piedmont (Casa de mi Padre)
• Michaël R Roskam (Bullhead) -Belgian Oscar submission
• Lynn Shelton (Your Sister's Sister)
• Benh Zeitlin (Beast of the Southern Wild)
• The Bandito Brothers (Act of Valor)

Off Cinema
in case you need a wee break in which case what the hell are you doing here?
Pitchfork Top 100 Songs of the Year 
Billboard The Year in Music
Stale Popcorn Madonna's greatest soundtrack hits. (Okay that one is not totally off cinema I suppose.) 

"Speak as you might to a small child or golden retriever"

This past week I've become concerned with the awards prospects of Shame (is Carey Mulligan going to win anything?) and Martha Marcy May Marlene (which I loved) on account of its loss of every breakthrough actress and best first film contests thus far (in the admittedly young awards season.)

I began to wonder if the problem wasn't the constant withholding of the comfort food that is exposition. So I put in my screener to Margin Call, which keeps beating MMMM to prizes and while I enjoyed the film, I was immediately struck at the ginormous difference in verbosity. One movie tells you everything through it's play-like dialogue. The other tells you only so much and nearly always through its visuals.

So I wrote about ambiguity vs. directness in my Oscar column for Fandor.

There's even an infographic! Apparently I believe in both showing AND telling.