Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Sicario (24)

Sunday
Sep272015

Podcast: Sicario & Stonewall

Katey, Joe, Nathaniel and Nick, all returned from TIFF (where the four of us were actually in the same place at the same time for the very first time ever!), return to "Now Playing" cinema to catch shrapnel coming off of Sicario & throw bricks at Stonewall

43 minutes 
00:01 TIFF postscript & Room
03:30 Sicario dark, haunting, superbly crafted, POV politics
21:00 Stonewall (2015) what were they thinking?
33:00 Stonewall (1995), Stonewall Uprising (2010), and other final thoughts 

You can listen to the podcast here at the bottom of the post or download from iTunes. Related reading: Katey on Room, Nathaniel on Stonewall, Nick on Sicario, Noah Tsika's negative reaction to Sicario, Jeffrey Wells's super-weird war on fans of Room.

And in case you missed it, here's the photo of the podcast team at TIFF.

Sicario and Stonewall

Sunday
Sep272015

Box Office: Vampire Hospitality, Unique Internships, and Drug Wars

Though Hotel Transylvania 2 and the Anne Hathaway/Robert DeNiro pairing in The Intern surprised no one by taking the top two spots at the weekend box office, the big story was at the tail end of the top ten chart where Denis Villeneuve's possibly Oscar nomination bound cartel-drama Sicario landed despite still being in very limited release still, with less than 60 locations. That's what's called playing to sold out crowds. I split the charts below into limited and wide release though so Sicario takes the #1 spot on the limited half of the cinema equation. We just talked about that stunning drama on the podcast

There don't seem to be estimates on SPC's German Oscar contender Labyrinth of Lies which is a pity since we're curious.

BOX OFFICE WIDE
800+ screens (Sept 25th-27th)
01 Hotel Transylvania 2 $48 NEW Tim on the director Genny Tartakovsky
02 The Intern $17 NEW 
03 Maze Runner: The Scorch Trials $13.8 (cum. $51.4)
04 Everest $12.1 (cum. $22.1) 
05 Black Mass $11 (cum. $42)
06 The Visit $6.5 (cum. $52)
07 The Perfect Guy $4.6 (cum. $48.7)
08 War Room $4.2 (cum. $55.9)
09 The Green Inferno $3.5 NEW
10 A Walk in the Woods $1 (cum. $27.2)
11 Mission: Impossible - Rogue Nation $.9 (cum. $193.4)
12 Grandma $.8 (cum. $5.1) Review, Poster

BOX OFFICE LIMITED
Under 800 Screens - Excluding Previously Wide (Sept 25th-27th)
01 Sicario (59 screens) $1.7 (cum. $2.2) Podcast, Emily on a roll
02 Pawn Sacrifice (781 screens) $1 (cum. $1.3)  
03 Lost in Hong Kong (28 screens) $.5 NEW
04 Un Gallo con Muchos Huevos (364 screens) $.2 (cum. $8.8) 
05 Meet the Patels (63 screens) $.2 (cum. $.4)
06 Unbranded (58 screens) $.1 NEW
07 Sleeping With Other People (102 screens) $.1 (cum. $.3) Review
08 Stonewall (129 screens) $.1 NEW InterviewReview, Podcast
09 Goodnight Mommy (28 screens) $.1 (cum. $.2) Interview, Oscar Submission
10 Phoenix (85 screens) $.08 (cum. $2.8) Interview
11 Black Panthers: Vanguard of the Revolution (10 screens) $.04 (cum. $.2)
12 The New Girlfriend (45 screens) $.04 (cum. $.09) Review

Sicario's success excepted, it was a bloodbath at the arthouse. Stonewall met vitriolic reviews (my "D" grade review is somehow comparatively nice!) and a disastrous less than $1000 per screen average despite a fairly well publicized opening weekend. In other weak openings, 99 Holmes, the housing crisis drama with Michael Shannon and Andrew Garfield debuted on only 2 screens and Mississippi Grind, a pool shark drama with Ben Mendelsohn and Ryan Reynolds, on only one (what the hell, movies !?) and with those extremely nervous toes in movie theater waters, neither made even the top 12 at the arthouse despite well liked indie directors pairing famous stars with reliable well loved character actors to the tune of positive reviews.

Finally, we neglected to mention the opening of the French trans drama The New Girlfriend (starring Romain Duris, left) last week and though the François Ozon drama hasn't made much of a stir at the arthouse (an entire year's wait for a release after its festival debut can't have helped) but it adds to 2015's strong impression that the floodgates are now open for the T to be amply represented in LGBT cinema.

What did you see this weekend?

Thursday
Sep242015

Emily Blunt is on a roll

Here's Murtada on a long time TFE favorite...

Blunt earlier this week at Sicario's London premiere

It’s a good week to be Emily Blunt. Her latest movie Sicario opened to strong reviews and scored the year’s best on screen average for a limited release indicating it might become a substantial hit when it goes wide. She’s one of the favorites mentioned for that Mary Poppins sequel. And her next movie The Girl on the Train just got a couple of high profile co-stars; an Oscar winner and Captain America himself.

Jared Leto and Chris Evans are set to join Blunt, Rebecca Ferguson and Haley Bennett in the adaptation of the best selling novel that will be directed by The Help’s Tate Taylor. The book, written by Paula Hawkins, is a publishing sensation, a la Gone Girl, having spent 20 weeks at the top of the hardback fiction charts. The plot is about alcoholic Rachel Watson (Blunt) who still pines for her ex husband (Evans) who is now married to Anna (Ferguson) while concocting a fantasy about the seemingly perfect couple (Bennett & Leto) she watches from the train on her daily commute. The story chronicles Bennett’s character disappearance and its effect on both Rachel and Anna. Though the book was set in London and Blunt will keep her English accent, the movie has been transplanted to the suburbs of New York City.

Clockwise L-R : Bennett, Leto, Ferguson and Evans

It’s exciting to see Blunt mixing it up. It would’ve been easy to be pigeonholed in action roles after her much lauded turn in Edge of Tomorrow. Even Sicario in which she plays an FBI agent is very different than her “full metal bitch” in Edge. Her Kate Macer is aces at her job but also overwhelmed by the grim reality of the drug trade along the US-Mexico border, a more nuanced characterization than the straight action-heroine of Edge. In a recent interview with Indiewire she talks about why only a handful of women are sought for all the action roles :

I think it’s because the list is very short, because we don’t see women in these kind of roles. So I think as soon as you do a role like that, like Charlize did or I did, or Rebecca’s done -- there’s like four of us or something. And Jen Lawrence. So I feel like us four, we get talked about -- and Angie, Angelina. So it’s a list of like, four women who are going to be considered for those kind of roles. So I think that’s why the rumors happen, because they’re like, "who else? Surely not another girl can wield a gun," you know what I mean? "A woman doing push-ups? There’s only one who can do that."

Sicario should take her to the next level, whether or not it brings her that first Oscar nomination. The film succeeds as both a vivid and violent thriller and a brilliant character study. At the center of it is Blunt’s Kate Macer who is by turns ferocious, steely, determined and also vulnerable and uncertain. It’s a great showcase of not only Blunt’s giant talent but Denis Villeneuve’s assured direction. Excellent word of mouth should translate into box office gold soon.

Have you seen Sicario yet? Isn't it funny that the two actresses who stole movies from Tom Cruise are going to be on screen together?

Sunday
Sep202015

Box Office: Johnny Depp gets Scorched

Tim here with the weekend box office estimates. After an exciting nailbiter last weekend, things got a lot more sedate. Maze Runner: The Scorch Trials took the #1 slot without too much effort, continuing the dominance of YA adaptations about attractive 20something teenagers fighting their way through a post-apocalyptic wilderness. Let's not crack open a bottle of champagne for all those Chosen Ones just yet, though; The Scorch Trials came up just short of the first Maze Runner's debut weekend last September, suggesting that if the franchise isn't necessarily on death's door, it seems to have already hit its theoretical peak.

WEEKEND TOP 10, ESTIMATED
01 Maze Runner: The Scorch Trials $30.3 new
02 Black Mass $23.4 new
03 The Visit $11.4 (cum. $42.3)
04 The Perfect Guy $9.6 (cum. $41.4) Tim's Review
05 Everest $7.6 new
06 War Room $6.3 (cum. $49.1)
07 A Walk in the Woods $2.7 (cum. $24.8) Reviewed at Sundance
08 Mission: Impossible - Rogue Nation $2.3 (cum. $191.7) Tim's Review
09 Straight Outta Compton $2.0 (cum. $158.9) Podcast
10 Captive $1.4 new

The weekend's other major wide release, Black Mass, opened to a satisfactory number for what it is - a crime drama for adults, which means it's likely to hold on much longer than Scorch Trials - but it's not quite the triumphant return for Johnny Depp that some of us were quietly hoping for. Compared to his last couple of mega-bombs, it's already an unqualified success: by the end of Sunday, it will have already grossed more than three times as much as the notorious Mortdecai from last winter, and its opening weekend is about as much as the entire lifetime domestic gross of Transcendence. Still, aspiring thinkpiece writers can put away their "Depp is a major movie star again!" ledes for right now.

The most impressive performance in the top ten probably belongs to Everest: the star-packed thriller had a smallish platform opening, mostly limited to IMAX and other large format screens, that propelled it up to an impressive $13,872 per-screen average, by far the biggest of any film in the top ten. But even that pales next to the film that I suspect most of the Film Experience faithful want to hear about: Denis Villaneuve's Sicario, starring Emily Blunt, opened to $390,000 on 6 screens. If that doesn't sound like much, try this on for size: the film's $65,000 per-screen average is the highest of any 2015 release so far. Let's keep out fingers crossed that this means great things for the film as it starts to expand over the next two weeks.

How did you spend your moviegoing weekend?

Tuesday
Aug042015

Imaginary Couples: Villeneuve & Vallée

An unexpected treat from our neighboring country to the north and a hat tip to Kevin LaForest for sharing it with us.

Two of Canada's greatest directors Jean-Marc Vallée (Wild) and Denis Villeneuve (Prisoners) recently posed for the photographer Olivier Ciappa's anti-homophobia series which photographs heterosexual celebrities as gay couples. (For a long time I actually thought Vallée was gay because his breakout hit C.R.A.Z.Y., which Canada submitted for the Oscars back in its day a decade ago, was a fine LGBT coming out drama in addition to the other things it was good at, but it turns out he's straight.) 

Vallée is riding quite an Oscar wave at the moment post The Dallas Buyers Club and Wild and his next film Demolition with Jake Gyllenhaal premieres at TIFF. (It's planning on 2016 for its US release but don't expect that plan to stick if reviews are sensational.) Villeneuve's career has been building for some time as well. Canada has actually submitted his work three times in the foreign language film category and the last of them Incendies (2010) was nominated for the big show. His newest feature Sicario (see that intense trailer) stars Emily Blunt and Benicio del Toro in a drug trafficking drama and could be one of the fall's mightiest films and a possible Oscar player. We shall see. 

Do you like these directors?