Visual Effects Shortlist - Scene Breakdown

By Ben Miller

The 10 finalists for the Best Visual Effects Oscar were announced last week.  Though once reserved for films that pushed the boundaries of what films could visualize, the Oscars have since gravitated towards spectacle and bombast.  Of the 10 films, none came from an independent studio or had a budget less than $100 million.  That isn't to say their effects should be discounted, but don't expect to see something like Ex Machina or shortlisted documentary Welcome to Chechnya from last year.  This category is usually reserved for outright spectacle, and these shortlisted films reflect that.

Let's focus on one specific setpiece per film that highlights the visual effects artists...

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Tweet the Season

Tweet of the Year incoming!

time to check twitter pic.twitter.com/DEljkvkb9R

— what are you ᑐᑌᑎᑕ (@clumsyghost_) December 20, 2021

Hahahaha. But seriously Twitter is good for somethings. Unexpected moments of frivolity, silly memes, amusing notes about movies and television, mutual lust appreciation societies for celebrities, tweet threads that can become great movies (like Zola) and so on. So, anywhere, here are some tweets we enjoyed this holiday week...

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"No Way Home" and Oscar Dreams. Or, When advocacy goes wrong...

by Nathaniel R

There are some that argue that Oscar pundits shouldn't be critics or vice versa. Prognostication and film criticism both require analytical skills but they're different jobs. The lines get murkier when it comes to advocacy. Each media outlet produces more Oscar coverage than we have ever had in the past. It's subversively hilarious that as Oscar ratings have steadily dwindled in the era of splintering audiences, discussion and analysis of the awards race is noisier and more populated each year! Yet, if the proliferation of film critics organizations has taught us anything it's that if you get enough film types in a room to talk "Best"... they will immediately, whether consciously or not, begin to equate Best with Oscars. That's how successful the Oscars have been as a name brand and institution. You can see it in the prizes given each year in the precursor awards and how eagerly space is handed over to presumed Oscar hopefuls that don't really need the boost. Even while the same journalists and outlets, who vote on the preliminary prizes, regularly bemoan that 'Oscars never get it right'. Advocacy doesn't equal prognostication but it looks too much like it at times.

Into this mess of adjacent but not always compatible agendas, comes the superhero blockbuster. In this case, Spider-Man: No Way Home which is suddenly getting the "nominate it for Best Picture!" discussion...

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Tweetweek

Accurate, this!

seems like the pandemic is structured like buffy the vampire: each season has a lot of mini crises but is about one big bad. (new Variant, etc) by that logic does will the series finale will find us sinking into a hole in the earth as the hellmouth consumes us? plz, yes. hurry.

— Allison P Davis (@AllisonPDavis) December 16, 2021

After the jump many more curated tweets including reactions to Time's Person of the Year, Spider-Man No Way Home, various awards things, and relatable and/or amusing tweets...

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Yes No Maybe So: Spider-Man No Way Home

Hello, Peter! The internet has gone stark raving mad dissecting the first trailer for Spider-Man No Way Home, for easter eggs. We're less interested in trying to figure it out (we like to be surprised!) and more in what it's promising us. The familiar Tom Holland/Zendaya chemistry, mystical mayhem courtesy of Doctor Strange, and an attempt to relive the glory days of Sam Raimi's original Spidey trilogy (2002-2007).

We're in but let's do the Yes No Maybe So™ as we watch the trailer together after the jump...

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