Venice: Opposing Views on "Contagion"

Gwynnie expires in the first scenes of Contagion

Ferdi from Italy, reporting from Venice for TFE and, for Italian readers, longer pieces at Loud Vision.

Soderbergh remains one of the most influential and crafty American filmmakers but he has won my love only on one occasion, with Erin Brockovich (perhaps thanks to Julia Roberts). Soderbergh knows how to use star power but how all these stars agreed to make this movie is beyond reason, especially the beautiful Marion Cotillard who seems to be asking what she's even doing there, she's so out of place. (Did the stars infect each other?)

After the first few minutes you realize that this is all very serious stuff which is not always a good thing. If the movie had turned into a sort of "guess who’s going to die next?" thriller, it might have been a smart and fun, if cruel, meta cinematic exercize about killing off your stars.  If you imagine a movie like Contagion without all these flashing names over the title, it would be much more realistic, poignant and affecting.  Blindness, for example, was scarier and more artistically cohesive with a similar subject.

The problem with Contagion is that it tries to be a disaster movie, a thriller, a drama and a documentary; it doesn’t work as any of these genres. From an ideological point of view, too, especially when it comes to the Jude Law character, it's contradictory and stiff. Contagion plays more like a little b-movie or a television series, with a straight narrative line and a visual style that is simple, clear and very very flat. Perhaps this was just a transition project between other movies the director cares much more about. But if you’re looking for a simple message, here you are: Remember to wash your hands carefully every time you touch other people or you could spread a new mortal disease. Thanks, Steven. 

Damon, Paltrow, Fishburne and Soderbergh at the Contagion Photo Op in Venice

[Editor's Note: Manolis, our other Venice correspondent had back to back to back to back screenings yesterday and was unable to write much. But I thought it would interest you to know that he called Contagion a "crowd pleaser" and found it to be "a fully satisfying thriller". So it's a split vote from our Venice team if we imagine them as Siskel & Ebert or Statler & Waldorf. Manolis did send two noteable bits from the press conference. -Nathaniel.]

At the press conference, Soderbergh said that he was happy to have a protagonist (the virus) which has no lines but everyone else in the movie talks about him. He also addressed the ongoing rumors of his retirement: he does intend to take a break from directing, but is not planning to quit entirely. 

Beauty Break: The Cast of "Magic Mike"

Channing Tatum: The Early YearsSteven Soderbergh's Magic Mike, must be nearing cameras, since casting news is dropping regularly now. No one can ever claim that Soderbergh dawdles... though wasn't he supposed to be retiring? He seems awfully busy for someone winding down. The film is a pet project of Channing Tatum's and loosely based on his experience as a stripper at 19. He had never hidden his body as cash machine past (see also: much modelling) so the surfacing of that video a couple years back was more novelty than scandal. 2012 is going to be a huge year for Tatum as he has not one not two but five movies that'll be hitting theaters.

Channing plays the title character of Magic Mike and will school rising star Alex Pettyfer (of I Am Number Four)  on the fine art of hustling. Earlier this week we heard that Matthew McConaughey had joined the film as their pimp boss and just last night news came that White Collar's Matt Bomer has also signed on. I've never watched an episode of White Collar but I've watched several episodes of Bomer photographs (His fans be feverish with the posting of them, you know). TWO MORE ANNOUNCED: True Blood's Joseph Mangianello also added to the cast as "Big Dick Richie" and now Cuban model/actor William Levy update again (08/29) Levy has turned down the role. Bad move. He's not famous and this is a major director we're talking about with a starry cast.

Other rumored members of the cast include Shiloh Fernandez and Demi Moore (!!!) who, well, ⇒⇒⇒

I'm not sure I believe either rumor -- especially the Demi one. But if it's true, I guess Soderbergh isn't superstitious about invoking the ghost of infamous bad-movie Striptease (1996)!

Care to help Soderbergh out with the rest of the casting? Who should join Pettyfer, Bomer, Levy, Manganiello, McConaughey and Tatum in bum-shaking and tip-taking?

Poor Johnathon Schaech. Anyone remember him from the 90s? Wasn't he supposed to star in (or wanted to star in) a Chippendales movie? It never happened but he's still working and still beautiful at 42. So come on Soderbergh, isn't there room for a middle manager or a McConaughey rival?

Tatum, Pettyfer, McConaughey, Bomer, Fernandez

Striptastic photos of the cast after the jump... (if you're into that. if you aren't don't go clicking)

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Sick Character Posters for "Contagion"

 

Paolo here, apologizing for the pun. If you'd like, you can leave yours in the comments section unless you think it's too early for that kind of fun.

Because the 'city' poster for Steven Soderbergh's new film Contagion wasn't enough, MovieLine via Yahoo! has uploaded the new character posters for the film, bearing the images of its six major stars. This is much better than the boring poster designs wherein actors faces are separated by boxes. The sepia tone also works well here. But the unfortunate thing about character posters in this case is that it doesn't convey the interpersonal and global reach that should come with films about diseases or plagues. But if we're looking to see how these characters are connected to another, the trailer (previously discussed) conveys that pretty well.

Gwyneth Paltrow (the first victim) has the strongest poster. The other ones aren't as exciting, with Beth's husband (Matt Damon) being scared, Marion Cotillard running or driving away from something within the big city, Jude Law in plastic and Laurence Fishburne and our girl crush Kate Winslet's character Dr. Erin Mears frantically talking on their phones. Someone tweeted to me that only Larry and Kate look good in these posters, the rest of the actors rightfully mangled within the drama of their scenes. [For larger images, click the actor names.]  

A little factoid that you all probably know is that Gwynnie and Kate to the left were both in the running for the Oscar winning role of Viola de Lesseps in Shakespeare in Love. Both women frequently show up in Miramax/Weinstein films but they're lending their talents to the Warner Brothers this year.

Why aren't we getting Bryan Cranston and John Hawkes character posters? You want to see them right?

Toronto & Venice Lineups: Full of Contenders & Sleepers

Robert here (of Distant Relatives) with some thoughts on the lineups for the Toronto and Venice International Film Festivals which were announced Wednesday morning. And Oh Canada (and Viva Italia!) are they impressive.

Let's begin with Venice since it's up first.

VENICE
First up, the many films that will be vying for awards and spots on prestigious top 10 lists at the end of the year. I mention them first because while there's much to anticipate about them all, there's not too much left to say. They've staked their claim and now we must wait for word to start rolling in. So we can see if Roman Polanski's late career semi-resurgence can continue with the impressive cast of Carnage, or whether Steven Soderberg's Contagion can live up to that buzzy trailer. Meanwhile David Cronenberg's A Dangerous Method sets out to prove that just because he doesn't make movies with gynelogical tools that look like alien lifeforms anymore, he's still a master of psychosexual pathos. George Clooney's The Ides of March will try to be more than Primary Colors redux and Tinker, Tailor, Soldier, Spy (from Let the Right One In's Tomas Alfredson) may finally get Gary Oldman some recognition in the form of little statues. And of course Madonna reinvents herself yet again, this time as feature film director with W.E.

Meanwhile I feel like the lineup has reminded me of how many films have fallen under the radar so far this year. Did you know Jonathan Demme has made a post-Katrina documentary entitled I'm Carolyn Parker? Underachiever James Franco has found time to direct a film about Sal Mineo called Sal. Todd Solondz is back at it with the romance Dark Horse, which I'm sure will be more fun for the whole family. Further representing the ladies are Marry Harron who jumps into the vampire fray with The Moth Diaries, Andrea Arnold who gives us a new version of Wuthering Heights, and Marjane Satrapi of Persepolis fame who, with co-director Vincent Paronnaud presents her sophomore effort Chicken With Plums.

If that weren't enough there's Shame, Steve McQueen's follow up to 2008's Hunger which pairs Michael Fassbender with Cary Mulligan. If you liked 2007's sweetly sad The Band's Visit, director Eran Kolirin presents The Exchange. And if you liked last years not-so-sweetly sad Dogtooth, Giorgios Lanthimos is back with Alps. Plus new films from Philippe Garrel, Abel Ferrera, William Friedkin and more. Exhausting. The full list is available for your perusal at The Guardian.

TORONTO
Now on to TIFF, the official unofficial start of award season. Along with some films from Venice that will be here too (The Ides of March, The Dangerous Method, W.E.), we'll get our first look at "Sad Clooney" in Alexander Payne's The Descendants, "Angry Woody" in Oren Moverman's Rampart, and "Mathy Brad" in Bennett Miller's Moneyball. Rodrigo Garcia's Albert Nobbs rings the bell on the Glenn Close/Meryl Streep steel cage Oscar match we're all looking forward to and/or feeling conflicted about. Meanwhile Francis Ford Coppola continues the "we hope this one will be his big comeback" era of his career with Twixt.

Of course, Toronto could be comeback central. Fernando Meirelles is premeiring 360 in an attempt to put Blindness out of sight. Lasse Hallstrom is back (actually I can't remember if he went anywhere or if we all stopped paying attention). Anyway if he has his way the title Salmon Fishing in the Yemen will be on all of our lips. Also did you know that Roland Emmerich has apparently grown tired of destroying the world and made a film about Shakespeare called Anonymous... seriously. And his subtler and more stylish French counterpart Luc Besson has maybe put thrillers on hold for The Lady.

The list seemingly never ends, but I must. So I'll finish off with two films you might be anticipating if you enjoyed 2004's My Summer of Love and 2007's Away From Her. Pawel Pawlikoski is back with The Woman in the Fifth and Sarah Polley returns to the director's chair for Take This Waltz. As usual there's still plenty more and The Guardian has that list too.

Once your head has stopped spinning with the promise of a busy end of the year sound off. Which of these are you looking most forward to? Which are you having trouble getting worked up for?

Yes, No, Maybe So: Haywire

Jose here with a new edition of Yes, No, Maybe So. Just a few days ago we brought you the trailer for Steven Soderbergh's Contagion and now here's the trailer for Haywire, a movie he will release a mere four months later. Apparently the whole retirement thing just helped to crank the creative juices inside him...

YES. Once again, that cast!

How did he handle two casts with these people? Can you imagine working with Fassy, Ewan, Gwynnie, Kate, Marion and Channing in the same year? Maybe they are the ones who are more like "can you imagine working with Soderbergh?".

Keep on reading for more awesome Soderbergh-ness...

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