Review: Dead to Me (Season 2)

By Spencer Coile 

We’re living in a strange time right now. Yet if these past few weeks have taught us anything, it’s that it’s a good time to acknowledge feelings - anxiety, anger, disillusionment - and find ways to channel them into healthier outlets. Personally, I’ve been using this time to catch up on TV I’ve been missing out on. And what I’ve found is that, in their own strange way, these shows have helped me tap into my own complicated emotions - something that may not have happened without the circumstances surrounding it. 

Dead to Me, returning for its second season on Netflix, is exactly the type of show I needed during this time...

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Emmy Watch: Contenders for "Limited Series"

by Abe Fried-Tanzer

We’re turning today to a new category of Emmy races: limited series and TV movies. Limited series is an entirely different ballgame, though changing rules and eligibility make this category just as fascinating as any. For instance, Big Little Lies, which won this prize three years ago, is now a potential contender for Best Drama Series. A number of shows featuring different storylines and characters each season, including American Crime Story, Fargo, and Genius, continue to be nominated, though all three of their latest iterations won’t premiere until after this season ends as a result of delays in filming and postproduction. American Horror Story earned four bids here before its eighth season got reclassified as a regular series with overarching threads. With no high-profile returning shows eligible this year, we have a whole slew of new contenders… 

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Review: "Normal People" on Hulu

By Spencer Coile 

To adapt a work of fiction is to play with fire. I can only imagine that nimbly capturing the spirit of the original text while imbuing it with new levels of creativity is no easy feat. Discourse surrounding literary adaptations usually focuses on how the movie or series fails the original text - either it doesn’t cover everything sufficiently (like The Time Traveler’s Wife, a personal tragedy), it overstays its welcome (The Handmaid’s Tale), or an abundance of creative liberties are taken (recently Little Fires Everywhere). Comparisons are easy to make, and book lovers are quick to critique. 

On its surface, Normal People, now streaming on Hulu, masquerades as a straightforward adaptation. Born from Sally Rooney’s novel of the same name, it follows Connell (Paul Mescal) and Marianne (Daisy Edgar-Jones), two Irish secondary students who forge a connection despite their uneven social standings. The novel,  and now the BBC/Hulu limited series, chronicles their years-long relationship in all its complexities...

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Streaming Roulette May: Circus of Books, Song of the Sea, Etc...

by Nathaniel R

If you're new to the site this is how we share new streaming offerings for the month. We select a handful or two of titles and just randomly hit a place on the scroll bar to see what the film looks like - no cheating.  Ready? Let's play...

I'm sorry it's just upsetting to me to hear that.

Circus of Books (2020) on Netflix
Sometimes expectations can get too high when you hear nothing but raves (including one right here). This documentary about nice Jewish parents running a gay porn shop, is a good film and you absolutely should watch it, don't misunderstand. But the clumsy hand-held camera took us out of the picture way too often. It's curious to land on this image of the daughter/director  because though the scene is moving and the movie wouldn't have been possible without the insider feel, we kept wanting more context from/about the adult children to better illuminate the family drama... which isn't really a sidebar topic, though it often feels that way.

More after the jump including The Half of It, and all-too familiar rants about Angela Bassett's career, and Oscar's Best Animated Feature category...

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Jean Arthur on Criterion

by Cláudio Alves

Charming and witty, Jean Arthur was one of the great actresses of Hollywood's Golden Age. While nowadays she's most famous for her comedic works, Arthur wasn't constricted to only humorous movies, being able to play everything from melodramas to crime pictures. Still, it's easy to see why her comedy talents are her calling card to this day. The actress was able to bring the manic, unstable energy of screwball comedy to all of her movies, imbuing them with an electrifying unpredictability. Like a black hole can bend light, so did Arthur bend the tone of every film she was in, making projects bow to the power of her screen presence and helping them become better, more complicated cinema in the process.

Her filmography is full of greatness. The Criterion Channel is celebrating her enviable resume with a new collection of 16 of her films available to stream. Here are some major highlights from that sterling selection…

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