Emmy Watch: Lead Actress in a TV Movie or Miniseries

by Abe Fried-Tanzer

Will "Unbelievable" score big with nominations... or will its early release in the eligibility period be a problem?

This year’s Best Actress lineup for limited series and TV movies is populated with a LOT of deserving contenders. This category is no stranger to double nominees from the same project, with four instances occurring in just the past four years. In 2017, there were two sets of nominated actresses from the same shows, and it’s pretty likely that’s going to happen again this time…

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Ryan Murphy's "Hollywood" Finale

by Cláudio Alves

Sometimes artists dig their own graves by badly promoting or describing their works. Ryan Murphy's Hollywood is, to me, a good example of that. First off, the title is too vague, promising a portrait of Hollywood history instead of the fantasy the series presents. "Dreamland" would be an infinitely better name, both as a descriptor of the content and a tie-in to the narrative's details.

Titles aside, another big problem surrounding Hollywood is how many have been calling it revisionist history. It's no such thing…

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Review: Dead to Me (Season 2)

By Spencer Coile 

We’re living in a strange time right now. Yet if these past few weeks have taught us anything, it’s that it’s a good time to acknowledge feelings - anxiety, anger, disillusionment - and find ways to channel them into healthier outlets. Personally, I’ve been using this time to catch up on TV I’ve been missing out on. And what I’ve found is that, in their own strange way, these shows have helped me tap into my own complicated emotions - something that may not have happened without the circumstances surrounding it. 

Dead to Me, returning for its second season on Netflix, is exactly the type of show I needed during this time...

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Emmy Watch: Contenders for "Limited Series"

by Abe Fried-Tanzer

We’re turning today to a new category of Emmy races: limited series and TV movies. Limited series is an entirely different ballgame, though changing rules and eligibility make this category just as fascinating as any. For instance, Big Little Lies, which won this prize three years ago, is now a potential contender for Best Drama Series. A number of shows featuring different storylines and characters each season, including American Crime Story, Fargo, and Genius, continue to be nominated, though all three of their latest iterations won’t premiere until after this season ends as a result of delays in filming and postproduction. American Horror Story earned four bids here before its eighth season got reclassified as a regular series with overarching threads. With no high-profile returning shows eligible this year, we have a whole slew of new contenders… 

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Review: "Normal People" on Hulu

By Spencer Coile 

To adapt a work of fiction is to play with fire. I can only imagine that nimbly capturing the spirit of the original text while imbuing it with new levels of creativity is no easy feat. Discourse surrounding literary adaptations usually focuses on how the movie or series fails the original text - either it doesn’t cover everything sufficiently (like The Time Traveler’s Wife, a personal tragedy), it overstays its welcome (The Handmaid’s Tale), or an abundance of creative liberties are taken (recently Little Fires Everywhere). Comparisons are easy to make, and book lovers are quick to critique. 

On its surface, Normal People, now streaming on Hulu, masquerades as a straightforward adaptation. Born from Sally Rooney’s novel of the same name, it follows Connell (Paul Mescal) and Marianne (Daisy Edgar-Jones), two Irish secondary students who forge a connection despite their uneven social standings. The novel,  and now the BBC/Hulu limited series, chronicles their years-long relationship in all its complexities...

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