Podcast: Festival Goodies Opening Very Soon

Nathaniel, Nick, Joe and Chris (who all attended TIFF together) discuss highlights from this past month of festivals, some of which are just opening in theaters.

Index (42 minutes)
00:01 Florida Project, Professor Marston...
07:00 Mudbound, First They Killed... and BPM
14:50 Under the radar beauties like Disappearance and A Fantastic Woman (and the joy of festivalling with Nick Davis)
27:00 Hoping to see again: Lady Bird, On Body and Soul, Three Billboards
34:00 We JUST saw: Mr Gay Syria, Spoor, and Wonderstruck
41:00 Byeeee

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Related Reading
Three Billboards (Chris's review)
Downsizing (Nathaniel's first impression)
First They Killed My Father (Joe's review)

Festival Fun. Coming Soon

Dystopias Large (Blade Runner 2049) and Small (The Florida Project) at the Box Office

by Nathaniel R

Weekend Box Office (October 6th-8th)
BLADE RUNNER 2049	BATTLE OF THE SEXES
1.🔺 BLADE RUNNER 2049  $31.5 on 4000+ screens new BEST OF | SHORT FILMS	6. AMERICAN MADE $8 on 3000+ screens (cum. $30.4)
2.🔺 THE MOUNTAIN BETWEEN US $10.1 on 3000+ screens new	7. LEGO NINJAGO MOVIE $6.7 on 3600+ screens (cum. $43.8)
3. IT $9.6  on 3600+ screens (cum. $304.9) REVIEW | 5 TAKEAWAYS	8.🔺 VICTORIA & ABDUL $4.1 on 732 screens (cum. $5.9) BEST ACTRESS
4. 🔺 MY LITTLE PONY  $8.8 on 2500+ new	9. FLATLINERS  $3.8 on 2500+ screens (cum. $12.3) TRAILER
5.  KINGSMAN: GOLDEN CIRCLE  $8.1 on 3400+ screens (cum. $79.9)  REVIEW OF THE ORIGINAL	10. 🔺 BATTLE OF THE SEXES $2.4 on 1800+ screens  (cum.$7.6) BEST OF... | TRAILER
🔺 = new or significant expansion numbers (in millions unless otherwise noted) from box office mojo

T'was a quieter weekend than forecasters predicted at the box office with the Blade Runner sequel having more trouble than expected (which wouldn't be trouble but for that $150 million budget -- hey, at least it's all on the screen!) The Mountain Between Us didn't turn into a towering counter-programming option but with a much much lower budget $35, it should be fine in the long run.

The week's most crowded theaters (albeit only 4 of them) belonged to A24's The Florida Project, which Chris reviewed and Jason shared a personal essay about here already. We highly recommend it. The film is off to a very solid platform start of $153,000. For context that's about 2½ times the first weekend of Sean Baker's previous awards worthy critical darling Tangerine , which also happened to be a supremely empathetic, wickedly funny, moving look at a marginalized community. We love Baker for his consistent great skill with first time actors and that singular but versatile niche. Much less popular but far more of a specialty audience only item was the debut of Agnes Varda's delightful new documentary Faces Places which Murtada reviewed.  

What did you see this weekend? Apart from Blade Runner 2049 (which, more soon) I had a theater weekend taking in "The Play That Goes Wrong" on Broadway and a very wacky very naked modern dance performance inspired by the films of Almodovar. No, really! 

NYFF: The Florida Project

by Jason Adams

When I was eight years old my mother and I finally moved out of the room we had been renting since my parents had divorced into our own house. The house was so small the movers had to break our bed-frame in half to get it up the staircase, but it was ours. A house! A home. The day after we moved in the police showed up at our door and took my mother away - in order for us to get our own place she had stolen money from the laundromat she worked at. I went and lived with my grandmother for awhile after that.

I take films about poverty as a deeply serious business...

Click to read more ...

C O N S I D E R - Favorites of 2017, 3rd Qtr

by Nathaniel R

Blade Runner 2049 is our current prediction for "Most Nominations Without Best Picture" though maybe it'll snag that, too.Here at The Film Experience I like to keep track of favorites all year long for two reasons. The first is to not to be unduly influenced by the studio shenanigans of backloading the film year with their intended Oscar hopefuls. The second is to prevent forgetfullness when it comes time to give out the Film Bitch Awards, my own virtual awards fest to close out each film year.  When I don't keep careful track it's much harder to wrap things up at year's end.

Being a bit late this quarter, here are Best ofs per Oscar category from films released from July through October 6th (an extra week added on because we're running late). This list does not include films with known release dates from now until the end of the year. We'll save those films till we get there. Unreleased films without a future date are marked with an asterisk. Got it?

Key movies I missed this quarter  (that I'll try and catch up with on screeners hopefully): It, Valerian, Logan Lucky, Patti Cake$, Tulip Fever, Good Time, Lady MacBeth, and A Ghost Story

PICTURE and/or DIRECTOR and/or SCREENPLAY
(i couldn't decide which to cut so this first grouped selection is 8 wide)

     released
ATOMIC BLONDE (David Leitch) The lack of audience turn out for this uber-stylish, inventive actioner, with Charlize Theron showing all the other movie stars how to do action hero performances  (again!) was one of the bummers of summer '17.
BATTLE OF THE SEXES (Jonathan Drayton & Valerie Faris) Such a surprisingly strong history lesson and funny resonant drama, too
BLADE RUNNER 2049 (Denis Villeneuve) Hypnotic if already overrated (calm down! If you're claiming that it's better than the original if it's not your #1 of 2017 with ease you'll have to explain why you've dissed one of the greatest and most influential movies ever made)
DUNKIRK (Christopher Nolan)
THE FLORIDA PROJECT (Sean Baker) The new criticism that I keep seeing online that this film romanticizes poverty is a head-scratcher as it's an exceedingly dark movie that merely looks like candy (due to all that color). The imagined future of virtually all the characters is outstandingly bleak and politically aware for those who are willing to see it. Sean Baker's recent (also terrific) movies Starlet and Tangerine are similarly focused / staged / and tonally nimble with gallows humor, character specificity, and socioeconomic concerns. If having this much empathy for marginalized people is romanticizing poverty, I say bring it on!
mother! (Darren Aronofsky) Sorry not sorry.

more after the jump including best unreleased pics, highlights in cinematography, costumes, and the like...

Click to read more ...

TIFF: Sean Baker's Wondrous "The Florida Project"

by Chris Feil

With Sean Baker’s compassionate ingenuity, The Florida Project is a heartbreaking (and heart-renewing) fable of American poverty seen through the resilient eyes of children. Set in a slum motel just a stone’s through away from Disney World, the film follows a boisterous toddler names Moonee and her mother Halley as they struggle to get by. But like Baker’s other tales of people on the fringes, Project lives more in their joy than their pain.

Click to read more ...