"The best kind of music comes from experimentation and messing up" - on Scoring 'Steve Jobs'

Daniel PembertonAs we move towards the Oscars each year the public tendency is to look back and reassess the most interesting contributions to cinema in a given year. From this impulse, a good one we'd argue, top ten lists, "best ofs" and awards traction are born. Though the legendary names of film scoring all seemed to be quite active this year -- even recently absent giants like Morricone and Williams -- some of the most innovative and exciting work was being done by the relative newcomers.

One of the buzziest among them is the 38 year old composer Daniel Pemberton. He made an award-winning name for himself in British television but his feature film work only began in force just a few years ago with highly praised work on the supernatural period drama The Awakening (2011). It's safe to say that 2015 will be regarded as his breakout year. He did stylish rethink work on The Man From U.N.C.L.E. and in just a few weeks he'll presumably be at the Golden Globes where he's nominated for his innovative triple-scoring of Steve Jobs. 

Will an Oscar nomination follow? It's tough to say given the temperament of Oscar's notoriously insular music branch but it would not be undeserved. He recently spoke with The Film Experience about innovation, 80s synthesizers, and how he'll keep it fresh moving forward.

NATHANIEL R: So I'll be up front with you. I find music, particularly scoring, completely mysterious. I can read music and play piano a bit but it feels like a foreign language. How does a film composer even discover their talent for it? 

DANIEL PEMBERTON: I basically started messing around with on the piano when I was very young, and I just started writing music just for fun. And then one day I saved up enough money to buy myself a synthesizer and a tape recorder, and I started making music. Pretty much from that is how I got to here!

NATHANIEL R" But there are so many different careers in music. Did you imagine yourself as this type of composer or did you want to be a rock star when you were young? [More...]

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BluRay/DVD: Get high with Kristen & Jesse

Since we haven't done one of these in awhile here is what is new or newish on DVD and BluRay as you try to catch up for your personal year-in-review mania.

• American Ultra - Kristen Stewart and Jesse Eisenberg headline this pot-smoking action comedy. Which begs the question...

• Amy - Glenn recently wondered aloud about the ethics of posthumous privacy invasions but that hasn't stopped audience and critics from rallying around this one.
• Cooties -It only took this horror comedy two years since its Sundance premiere to show up for home entertainment.
• Goodnight Mommy -Jose interviewed the directors of this Austrian horror film, one of the most unusual Oscar submissions for 2015. It's done well at the arthouse, breaking the increasingly difficult 1 million mark
• Grace of Monaco - what a long and tortured ride this biopic starring Nicole Kidman has had, huh? We've been covering it for 3 years! A year and a half since its Cannes debut and one cable premiere later and only now is it on DVD?
• The Man From U.N.C.L.E. -This franchise hopeful adaptation of the spy TV series was a pleasant summer surprise featuring Guy Ritchie's best work in ages, heaps of style, and a disgustingly beautiful cast.
• Meru - An Oscar seeking documentary abou t
• Mississippi Grind - Ryan Reynolds & Ben Mendlesohn are pool sharks

• Mistress America - The latest divisive comedy from Noah Baumbach & Greta Gerwig. I didn't like it much but Jason loved it. As stated, divisive.
• Outlander S1 - Somehow I fell off this series after that super hot super costumed Wedding episode. Should I tune back in?
• Ricki & The Flash -in which Meryl Streep does some of her best and most relaxed work in ages as an aging unsuccessful rocker ... naturally there was little audience reaction and no Oscar buzz as a result! They like to see her sweat for it. Anyway... I liked it. How about you?
• Shaun the Sheep - It shall remain a mystery why this hilarious & sweet Aardman animation effort didn't get US families into theaters to see it (it earned three times as much abroad) considering the absolute garbage parents will take their kids to. The new question is will it be Oscar nominated given the strangely low number of qualifying films in that category this year?
• Stanford Prison Experiment -This ensemble indie (filled with a ton of promising young male actors) about the infamous titular study didn't really catch on but years from now people might look back on it as a "look how many stars are in this!" petri dish.

Podcast: Straight Outta U.N.C.L.E. and Into Old Lady Movies

For this week's edition of the podcast, Nathaniel and Nick gab about old lady movies (I'll See You In My Dreams, Ricki & The Flash, and Grandma). Nick hasn't seen The Man From U.N.C.L.E. and Nathaniel hasn't seen Straight Outta Compton so they tell each other about them, too.

Contents (43 minutes)
00:01 Grey Gardens to Straight Outta Compton?
06:45 I'll See You In My Dreams, Ricki & The Flash
19:30 Grandma
27:00 The Man From U.N.C.L.E.
30:00 Sam Elliott
33:00 Miscellania: The Gift, Tom at the Farm, Sand Dollars, and being over Helen Mirren

You can listen to the podcast here at the bottom of the post or download from iTunes. 

Straight Outta Old Lady Movies

What's the best scene from summer movie season?

Team Experience will be sharing highlights of their summer viewing in a week but until then, out of curiousity... What would you name the best single scene of the summer movie season? Here are a bakers dozen of candidates that thrilled yours truly...

• Chez Andie. Magic Mike XXL 
• The Opera House. Mission: Impossible - Rogue Nation (and where the hell has this Rebecca Ferguson woman been all our lives?)
• The Dream. Inside Out
• A Dangerous Dance. Tom at the Farm 
• Furiosa vs. Max. Mad Max: Fury Road - That chained throwdown with Immortan Joe's harem as audience
• Saving the Barn. Far From the Madding Crowd. Schoenaerts to the rescue!
• Karaoke Night. I'll See You In My Dreams 
• Birth of The Vision. Avengers: Age of Ultron. Damn but it's good to see Paul Bettany floating, mysterious, forehead bejewelled, and airbrushed red 
• Laced Drink. The Man From U.N.C.L.E. Elizabeth Debicki is everything, in OR out of focus
• Nested Flashback. Ant-Man. Starring Michael Peña 
• Commercial on Loop. The D Train Jack Black's James Marsden obsession begins
• Stepmom Stakes Claim. Ricki and the Flash. It's always special and too rare to see an actress challenge Meryl Streep to a duel in a face off scene. Go Audra!
• Visiting an Old Friend. Grandma. It's been a good summer for Sam Elliott. See also: I'll See You In My Dreams

I wanted to list something from A Pigeon Sat on a Branch Reflecting on Existence but since the whole thing is brilliant short vignettes, it would take up half the list.

Please do share your favorites! 

Two Guys and Two Gals from U.N.C.L.E.

Here is Kyle with a review of Guy Ritchie's The Man From U.N.C.L.E.

 

Last week, if you told me that I’d be in love with a Guy Ritchie film, I’d have snatched you by your smoking barrels and given you what for. Yet here I am, utterly enamored of The Man from U.N.C.L.E. In a summer bloated with franchises and (ugh) reboots that willfully avoid originality—save Mad Max: Fury Road, of course—Man from U.N.C.L.E. is a welcome demonstration that a flick can be fun without being dumb. The film subverts the formula of “action” blockbusters to make us feel tense or anxious most of the time. Fight/chase scenes are not suspenseful tent poles but undercut by humor or condensed through stylish montages. Indeed, style is the subject of the film; the narrative is so patently pat that it shifts focus to the way it’s told. It’s upsetting that audiences did not flock to it in its all-important opening weekend, though it may almost be a compliment these days that the name recognition of the original property is so low that it didn’t push audiences into theaters. If Man from U.N.C.L.E. succeeds—and I still hope it will—it will be based on its own merits, of which it has plenty...

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