Team Experience: "Maleficent" and More

I'm always curious about your film experiences out there in the dark. That curiousity extends to the contributors here at TFE, not all of whom I know in real life given that they're spread across the globe. You know them, virtually speaking. Hopefully you love them. But I thought we'd ask them a couple of questions each week. Feel free to answer yourself in the comments and join the conversation.

WHAT'S THE BEST THING YOU SAW THIS WEEK?

JA: A tie between every single second of Emmanuel Lubeszki's photography for The Tree of Life (it's a gorgeous film that left me cold), and that probably photoshopped image of Jake Gyllenhaal doing the Grace Jones pose in his underpants. I see beautiful things!

Andreas: John Carpenter's The Thing -- after several viewings, it retains all of its original power.

Robert: Ramin Bahrani's short film Plastic Bag. I stumbled upon it while attempting to keep my Herzog high going after being enthralled by Cave of Forgotten Dreams. Bahrani's film follows and anthropomorphized plastic bag (shades of American Beauty are minimal) and finds itself spiraling into themes of life, death, and meaning and best of all, it's narrated by Werner Herzog himself... as the plastic bag of course!

Michael (Unsung Heroes). The best thing I saw this week was, without question, the montage of drunk cast members from the latest episode of Parks and Recreation. I want an episode length edit of all the improv that went into that scene.

Jose: Since theaters here are only playing four movies (Rio, Fast and Furious 5, Thor and Priest) I re-watched Gone With the Wind in HD. Mind blowing!  Sure gives any new movie a run for its money. It also felt much shorter than Thor.

WHAT'S THE WORST?

Michael : the worst thing I saw, or rather didn't see, was screen time for Rene Russo in Thor. It's been forever since Russo had a high-profile gig and she gets 30 measly seconds of screen time? You can't tease me like that Thor.

Andreas: The first 10 minutes of I Know Who Killed Me. (Nonetheless, I may revisit it later; I'm a glutton for punishment.)

JA: The worst thing I saw was the original ending to Alexander Payne's Election. Truly, stupefyingly awful.

TIM BURTON HAS OFFICIALLY LEFT DISNEY'S "MALEFICENT".

Robert: The marriage between Tim Burton and Disney makes me so sad. They're like two people who were really sexy back in high school, still trying to fit into their cheerleading and football uniforms, telling each other how great they still look, and wondering how that dorky kid Quentin got so popular (this metaphor has gotten away from me). But I still want to like them very much. So I guess what I'm saying is I wish they'd split and find new partners who could convince them to hit the gym... cinematically speaking.

JA: Never much loved Sleeping Beauty as a kid - I was all up in Alice in Wonderland and Fantasia - so I was never attached, beyond really liking the way the word "Maleficent" rolls off the tongue. Maaaalefahcint! I don't understand why people didn't take it up as a name for their children. Little Maleficent would rule pre-school with an iron fist.

Jose:  Maleficent would serve itself better from a director with an eye for actual Gothic, I say call Jane Campion or Catherine Breillat!

YOUR TURN...

• Who do you think should direct MALEFICENT with Burton gone? 
• What's the best & worst anything you saw this week? I've been enjoying True Blood and Ishtar (more on the later in a bit.)

Quickie Poll

What? Hollywood always goes so phallic in the summer.

poll by twiigs.com

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Thor, Bridesmaids, Game of Thrones  Kristen Wiig

Box Office Prophecy: Kristen Wiig's Legs

I've been in Boston for my girlfriend's birthday. Yesterday on the last day of the weekend birthday-ing, our group filed into a very crowded house for Bridesmaids. Perfect movie choice for a rainy day after brunch with a group o' friends. Given how consistently the entire theater was LOLing -- including our row -- you'd think the film could've knocked Thor right off the Bifrost.

A Truth: Wiig's Penis Imitation > Thor's Hammer. 

But I guess a great audience response and word of mouth is what second weekends are for. I expect Bridesmaids will have major box office legs and the tiniest of percentage dips next weekend. It's much funnier than The Hangover (2009) to which it's often compared (for plot and especially marketing reasons) and that film, which opened stronger, only dipped 27% and 18% in its 2nd and 3rd weekends going on to a very substantial gross. I'm guessing we see something very similar with Kristen Wiig & Co, at least percentage wise, in the next couple of weekends. I hope The Hangover II doesn't eat into its potential audience in the coming weeks. The wolf pack already had its turn.

The Box Office (Actuals)

01 THOR $34.7 (cumulative $119.4) [review]
02 BRIDESMAIDS new  $26.2
03 FAST FIVE $20.4 (cumulative $169.6)
04 PRIEST new $14.9
05 RIO $8.2 (cumulative $125.2)
06 JUMPING THE BROOM $7.0 (cumulative $25.7)
07 SOMETHING BORROWED $6.8 (cumulative $25.5)
08 WATER FOR ELEPHANTS $4.2 (cumulative $48.5) [review]
09 TYLER PERRY MADEA'S BIG HAPPY FAMILY $2.2 (cumulative $50.2)
10 SOUL SURFER $1.8 (cumulative $39.2)

What did you see this weekend? I'll try to write up Bridesmaids soon. I have a few things to say about it but they feel too entirely jumbled and disparate to make sense of this morning.

Box Office: The Slightly Mighty Thor

Thor discovers he isn't as strong as he looksOnline coverage of weekend box office is often dry, repetitive and facty. We respond to it as we do to sports stats, with curiousity that people care so much. This week is slightly different. Thor's box office take is actually a case study in how flexible numbers are, how perception is everything. FACT: Thor did not break box office records, did less impressive numbers than many summer heroes (if you want a comparison he's slightier mightier than The Incredible Hulk or Fantastic Four but far far weaker than Iron Man -- which no one remembers that people were  nervous about in terms of audience interest until the trailer arrived since history tends to rewrite itself after huge successes -- or Wolverine and such. FACT #2 Just last week, Fast Five was a bigger draw with less of a marketing push in a franchise you'd think would be weakening. Yet many online reports, or at least the headlines, were all about Thor's "super" box office weekend or how it "hammered", "smashed" and "crushed" its competition or somesuch.  LESSON LEARNED: the web roots for superheroes like young children clap for fairies in Peter Pan, in a show of enthusiastic solidarity.

USELESS FACT #3 The theater I saw it in had no more than 20ish people in it. Admittedly it was a morning show and for some reason people don't go to movies in the morning (Why not? Start the day off right!) but still... opening day.

The Box Office (Actuals)

01 THOR new $65.7 [my review]
02 FAST FIVE  $32.4 (cumulative $139.7)
03 JUMPING THE BROOM new $15.2
04 SOMETHING BORROWED new $13.9
05 RIO $8.5 (cumulative $115.2)

The success story of the weekend is Jumping the Broom; it's opening take was more than double its budget! FACT #3 I really wanted to see it given the Loretta Devine / Angela Bassett face off. But then I saw the trailer. Interest dwindled.

In other box office news, the new limited releases had a really difficult time: The Beaver and Last Night failed to find much of an audience despite big stars in the lead roles. If you have big stars who are typically bigger box office shouldn't you risk a wider opening with more advertisements? It seems strange that a movie starring Mel Gibson and Jodie Foster is going to make less than a period piece with no typically bankable names like The Conspirator (which opened much much wider). Kelly Reichardt's Meek's Cutoff, just discussed on the podcast, is also having a rough time. It's up to just $200,000. That's more than Wendy & Lucy (the previous Reichardt/Michelle Williams combo) had made at this point but the per screen average is much lower indicating it will probably not have that earlier film's very sturdy legs despite similarly ecstatic reviews. Wendy & Lucy neared the million dollar mark at the end of its long run.

What did you see over the weekend?

Thor and His Mighty Hammer

I once lived in Tønsberg Norway so imagine my shock at seeing it name-checked on screen for the first time in my life. According to Thor the movie that's where Odin (Anthony Hopkins in the role usually played by Liam Neeson or, well, Anthony Hopkins) and the Gods of Asgards battled the Frost Giants way back in... I've forgotten the date but it's ages and ages ago. That's the ancient war that prefaces the entire epic hooey of Marvel's new superhero flick THOR. Who knew? I saw no traces of this epic magical battle in Tønsberg soil but I am neither a geologist nor a wormhole chasing astrophysicist like Natalie Portman so maybe I didn't know where to look?

My Thor review for Towleroad.
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