Cannes winds down. What's winning the Palme?

by Nathaniel R

Margot Robbie at Cannes for "Once Upon a Time in..."There are 21 titles competing for the Palme d'Or at Cannes this year. We've already talked about seven titles. Pedro Almodovar's Pain & Glory (Spain) is a potential prize winner (and a legit Oscar hopeful) and Mati Diop's Atlantique (France/Senegal), and Celine Sciamma's Portrait of a Lady on Fire (France) could be the key films in ensuring prizes to female directors (something Cannes has historically been bad at) since they were both extremely well-received.

In addition to those three potential Palme d'Or or Best Director winners (Cannes most important prizes), Ladj Ly's contemporary French drama Les Misérables and Kleber Mendonça Filho's Brazilian oddity Bacurau are also threats for jury love.  Diao Yinan's The Wild Goose Lake and Jim Jarmusch's The Dead Don't Die got decent notices but we don't expect prizes there.  

With Cannes ending this weekend we've run out of time so here are quick notes on responses to the other 14 Competition titles and our predictions after the jump...

COMPETITION TITLES

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Xavier Dolan

by Samantha Craggs

It's been 10 years since Xavier Dolan, age 20, burst out of the gate at the Cannes Film Festival with his first ever movie, I Killed My Mother. It was a raw, imperfect effort. The deeply autobiographical narrative rambled at times. A plethora of shots framed the subject in the middle lower third of the screen, leaving space for blank white walls and reams of extraneous information. But it was a first-hand look at being a queer teenager fighting with his parents in the new millennium. For taste-makers at Cannes, it was more than enough. His movie showed in the Director's Fortnight, and Dolan, a former Québecois child actor who'd never even directed a short film, became the arthouse's youngest rock star. 

We've watched him learn the craft in two-hour intervals ever since. He works at a frantic clip, so he's made eight movies in 10 years. The now 30 year old filmmaker will premiere that eighth feature Matthias et Maxime at Cannes on May 22nd. Love or hate his offerings so far, one thing is guaranteed – this one will look nothing like I Killed My Mother. Let's do a ranking of his movies so far, after the jump... 

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Cannes Competition Lineup

by Nathaniel R

This year's poster features Agnes Varda climbing on an assistant for a shot.The lineup for the 72nd edition of the Cannes Film Festival has been unveiled. 19 films will compete for the Palme d'Or and 16 films will compete in the secondary lineup Un Certain Regard (we'll get to those in a bit) though those numbers might expand should they add a couple more entries to either program. They usually do that after the official unveiling. Mexico's Alejandro Gonzalez Inarritu (Birdman) and Lebanon's Nadine Labaki (Capernaum) will preside over the Competition and Un Certain Regard juries, respectively. 

COMPETITION

These films are the ones gunning for the Palme d'Or. There are four female directors in the competition lineup and two black directors both of which are way more than usual at Cannes... 

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Tweetweek: Bradley's Losing Streak and the Queen's Command

"Rami Malek for Best Actor"pic.twitter.com/q2xnt9w8QF

— Jaime Rebanal (@ItsJaimeHere) February 1, 2019

After the jump, a good Sarah Silverman joke, homos lacking sophistication, Bradley Cooper's losing streak and more...

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Coal in our stocking. 'Worst' of the Year

Each day a different year in review list. Here's Nathaniel R...

2018 was unpleasant in so many real life ways that grousing about unpleasant things within our favorite escape hatch from reality seems ungrateful. By and large, we love the movies here at TFE and I think I speak for most of the team in saying that we can all pretty much find something to love even in the worst ones. Nevertheless, allow me a quick exorcism of the things I disliked the most this year to get them out of my system. A very important caveat though: As my own boss I can skip whichever films I have no interest in or which receive intense critical drubbings. Therefore my "worsts" are rarely the worsts and sometimes not even terrible just unsatisfying, if you catch the drift. But these films and performances just didn't work for me or actively discouraged benefit of the doubt.

Much kvetching after the jump...

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