Daniel Gives Thanks, 2020

Somehow it’s November! Any retrospective look back at 2020 is surreal, particularly given that this feels like the 9th month of March and we're speeding into another lockdown here in New York City. But I suppose the year really is almost over! So here are some of the movie and TV-related things I’m thankful for this year.

• The opera-obsessed hotel clerk in The Whistlers

• Taco Chronicles on Netflix, which is addictive and charming, and which has turned me into a Lady Tacos de Canasta superfan

• This couch in Shirley:

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"Virtual" Moviegoing - What's New?

by Nathaniel R

Tired of aimlessly scanning choices on Netflix? Treat yourself to a newish movie tonight that you might have been seeing in a theater in a better world! Increasingly the small indie distributors like Kino Lorber and Music Box Films are releasing their movies to pay per view streaming systems which share the ticket purchase price with the movie theater of your choice! So this weekend make some popcorn and pretend you're going to your local arthouse with one of these gems...

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Posterized: Romanian Cinema

by Nathaniel R

Whistlers, the Romanian submissions for this past Oscar race opened in a few US cinemas this past week (we reviewed it in November). It's a blackly comic noir that's been compared to the work of the Coens and it comes from one of the most celebrated Romanian New Wave auteurs, Corneliu Porombiou.

Romanian cinema was largely neglected and underfunded until after the fall of Communism in 1989. Things began to pick up after that. In the mid-Aughts the country's cinema became a critical cause with prize-winning films emerging with great frequency. The country's most acclaimed cinema is often categorized by gallows humor and incisive or satiric socioeconomic and political commentary.

For the second episode of this new season of "Posterized" and  "Making Waves" a retrospective of Romanian cinema currently playing a US tour, we've selected the (arguably) 15 most famous and/or acclaimed films from the country over the past 30 years. How many of these  have you seen? Don't feel bad if your number is very low (we haven't seen the majority of them either) but do you see anything you've been meaning to catch up with or that now piques your interest? 

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The Whistlers: Film Noir Romanian-Style

by Cláudio Alves

As Noirvember comes to an end, it's interesting to peruse the current Awards hopefuls in search of some examples of film noir. Lynn Lee already defended the merits of Edward Norton's Motherless Brooklyn, but my attentions were drawn, as usual, to the Best International Feature category. Amid the record-breaking 91 submissions, we can find a peculiar experiment of deconstructed noir archetypes and mechanisms. It comes from one of those countries whose historical lack of a nomination is an absurdity and reflects poorly on the Academy.

I'm talking, of course, about Romania's The Whistlers…

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Cannes winds down. What's winning the Palme?

by Nathaniel R

Margot Robbie at Cannes for "Once Upon a Time in..."There are 21 titles competing for the Palme d'Or at Cannes this year. We've already talked about seven titles. Pedro Almodovar's Pain & Glory (Spain) is a potential prize winner (and a legit Oscar hopeful) and Mati Diop's Atlantique (France/Senegal), and Celine Sciamma's Portrait of a Lady on Fire (France) could be the key films in ensuring prizes to female directors (something Cannes has historically been bad at) since they were both extremely well-received.

In addition to those three potential Palme d'Or or Best Director winners (Cannes most important prizes), Ladj Ly's contemporary French drama Les Misérables and Kleber Mendonça Filho's Brazilian oddity Bacurau are also threats for jury love.  Diao Yinan's The Wild Goose Lake and Jim Jarmusch's The Dead Don't Die got decent notices but we don't expect prizes there.  

With Cannes ending this weekend we've run out of time so here are quick notes on responses to the other 14 Competition titles and our predictions after the jump...

COMPETITION TITLES

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