Box Office Blather: Rango, Poetry, Gods/Men, Robbers

Bereft of inspiration today, Nathaniel turns to box office, the thing everyone else talks about elsewhere on the interwebs. Endure it! I have questions.

Top Ten
01 new RANGO $38
02 new THE ADJUSTMENT BUREAU $21.1
03 new BEASTLY $9.8
04 HALL PASS $8.8 (cumulative: $26.8)
05 GNOMEO & JULIET $7.2 (cumulative: $84)
06 UNKNOWN $6.5 (cumulative: $53)
07 JUST GO WITH IT $6.4 (cumulative: $88.1)
08 THE KING'S SPEECH $6.2 (cumulative: $123.5)
09 I AM NUMBER FOUR $5.7 (cumulative: $46.4)
10 JUSTIN BIEBER: NEVER SAY NEVER $4.2 (cumulative: $68.8)

Because I am finally free of Oscar season time constraints, I'll let you choose which new release from this week and next I should watch next to remount the "right now" movie horse. Obviously I need no push to get to JANE EYRE (Fassy! Mia!) so I left it off the list. Which other one should I write about?

poll by twiigs.com

Also how sad is it that a movie no one seems to like at all (Just Go With It) will now be one of Nicole Kidman's highest grossers in many years? The world -- and by world I mean movie theaters. Duh! -- would be an infinitely better place if this and Rabbit Hole ($2 million) switched cumulative grosses. Imagine the ripples in Hollywood moviemaking if female-led dramas with tremendous performances won default ticket purchases and sexist lazy comedies had to earn Oscar nominations to win any attention at all! Heh.

Other new releases: Take Me Home Tonight ($3 million), Happythankyoumoreplease ($35,000) and Uncle Boonmee reviewed ($27,800) which had a great first weekend take for a difficult movie that waited 10 months to capitalize on its Cannes hoopla. It should easily outgross Apichatpong Weerathesakul's biggest US market hit which was Tropical Malady (2005) which didn't earn that much until its fifth week in theaters.

Top 10 Foreign Films This Year (Thus Far)
01 BIUTIFUL w/ Javier Bardem $4,200,000+
02 YAMLA PAGLA DEEWANA  $993,000+
03 OF GODS AND MEN $818,000+
04 DHOBI GHAT (MUMBAI DIAIRIES) $576,000+
05 7 KHOOM MAAF $268,000+
06 EVEN THE RAIN w/ Gael García Bernal $230,000+
07 IP MAN 2 $182,000+
08 WHAT WOMEN WANT w/ Gong Li and Andy Lau $123,000+
09 THE HOUSEMAID $117,000 +
10 POETRY $114,000+ don't miss it!

Asian hits of 2011

So happy that people are noticing South Korean's actressy cinema (#9 & #10) post Mother (2009).

At the subtitled speciatly box office we continue to see that if you want to make any money at all it helps to be a Bollywood feature (even with zero media attention you can earn money. See: #2,4,5). The second easiest way to sell tickets is to have a beloved star in the lead role.

Of Gods and Men's terrific opening and Even the Rain's pretty solid one suggests -- at least to this foreign film Oscar enthusiast -- that they should not have waited for a nomination for release. If there was this much interest despite snubs, imagine how much extra sympathy press they would have gotten had they already had "hit" status and then got snubbed. Of Gods and Men obviously didn't need the Oscar buzz to sell tickets and Even the Rain always had Gael García Bernal and instant recognition factor (Christopher Columbus related) going for it... Meanwhile, below this top ten lay the remains of other Oscar snubbees who waited to see how the Academy would treat them before sticking a toe in the US market: Argentina's Carancho ($39,000) German's When We Leave ($19,000) and Romania's If I Want to Whistle, I Whistle ($12,000). The biggest foreign flop this year has to be Ong Bak 3 right? The first film in this Tony Jaa muay thai trilogy was a major art house hit earning nearly  $5 million stateside and $20 million worldwide but the novelty wore out fast and/or they waited way too long to capitalize on interest and/or the sequels weren't very good? For the record I suspect it was a lethal combo of all of the above. I enjoyed the first one a lot and couldn't stomach the second which flopped in the US but it surprised me how long it took for them to make a sequel. For a year there in the mid Aughts I totally thought Tony Jaa was going to be the next international action star but then... crickets.

Heartbeats cast: Dolan, Schneider and ChokriIn other news, just because I like the film quite a lot, Xavier Dolan's Heartbeats has earned $18,000 to date but is still in theaters and available on demand. I feel like this would have done much better had his debut film I Killed My Mother had a real release in the States to build awareness of the new auteur. (I still read conflicting reports about whether or not it actually ever opened in the US and if it's that hard to know...).

On the subject of teeny tiny grosses, Germany's crime drama The Robber, which I didn't particularly "like" but which was unquestionably exciting and well-made on a technical level, has earned $5,000. It's already lined up for an English language remake (possibly with Andrew Garfield) and while I can see them trumping the film on an emotional engagement level, I think they'll be hardpressed to duplicate this one's technical virtuosity and cumulative white knuckle effect. It is scary intense.

Here's the trailer for The Robber which actually does a good job of not giving the movie's best moments / surprises away.

Review: Heartbeats

"The only truth is love beyond reason" goes the quote from French poet Alfred de Musset that opens Xavier Dolan's moody dreamy French Canadian film Heartbeats. That sounds beautiful in theory, sure, but living it is messier. Immediately the film cuts to a funny frank series of talking head interviews from people who have been unlucky in love. One woman compares herself to Glenn Close in Fatal Attraction and describes panicking at her computer, waiting for emails that never come.

If somebody died every time I hit refresh, there'd be nobody left alive. 

Poetic idealized notions of love clashing with humiliating darkly comic reality? It's a pretty apt way to introduce and describe this arguably slight but beautiful film...

Read the rest at Towleroad

Heartbeats is currently available in select theaters from IFC and On Demand. I'll have an interview with one of the actors shortly after Oscar weekend wraps up. 2011 Index of Movies. This will undoubtedly pick up soon.

Randomness: Xavier, Fassy, Pedro, Hathaway and "Best" Directors

My New Plaid Pants reminds us that Michael Fassbender and Steve McQueen are reuniting (YES) post Hunger for a movie called Shame, which is not a remake of the Ingmar Bergman flick but a contemporary drama about sex addiction. Carey Mulligan, who looks nothing like Fassy, is playing his sister. Filming now!

It just occurred to me that I've been calling The King's Speech "Royalty Porn" for months now. It has a whole new meaning now.

In Contention does some investigative journalism about that gay porn / King's Speech controversy we were just discussing last night. As for Guy's note that the porn was shot before production on The King's Speech began I have no idea what to think. I can only assume that the wall treatments discussed in the film experience interview were done to emphasize preexisting conditions -- Stewart didn't claim she made up the look, only that she was recreating it and layering it (perhaps to make it read better on film?). Not to get all serious about a very funny news story, but I do hope this doesn't overshadow Stewart's accomplishments. I mean, Christ, Topsy-Turvy. You know?

Less smutty links!
The Movies Were Wrong About Everything TRILOGY METER.
In Contention Kris Tapley's annual good (cinematography) read: top ten shots of the year. Love the inclusion of a sweet moment from Cairo Time as it's quite unexpected.
The House Next Door on writer/director/actor/wunderkind Xavier Dolan (Heartbeats, I Killed My Mother)
i09 interesting interview with Andrew Chambliss, a sci-fi television writer on what that particular grind is like.
The Wrap Costume Design Guild winners: The King's Speech (period), Black Swan (contemporary) and Alice in Wonderland (fantasy)
The AV Club ponders the age-old question: Can Natalie Portman act? I wish Nick's piece on Portman were done to be in conversation with this one.
OMGBLOG Natalie Portman cries a lot, a supercut.

Here's the latest Oscar Host in Training Videos. These are SO fun. This one features Anne Hathaway vs. the teleprompter.

Finally, EW releases a "25 Greatest Working Directors" list. To save you all the trouble of viewing 25 pages. The list goes like so:

1. David Fincher
2. Christopher Nolan
3. Steven Spielberg
4. Martin Scorsese
5. Darren Aronofsky
6. Joel & Ethan Coen
7. Quentin Tarantino
8. Terrence Malick
9. Clint Eastwood
10. Pedro Almodóvar
11. Paul Thomas Anderson
12. Guillermo Del Toro
13. Roman Polanski
14. Danny Boyle
15. Kathryn Bigelow
16. David O. Russell
17. David Lynch
18. James Cameron
19. Peter Jackson
20. Edgar Wright
21. Spike Lee
22. J.J. Abrams
23. Brad Bird
24. Mike Leigh
25. Wes Anderson

It's a curious lineup for sure. And it's absolutely bizarre to see Almodóvar below 9 other people but whatevs. He makes films that require US list-makers to read (GASP). Most of the obvious casualties (Weerathesakul, Haneke, Assayas, Audiard, Desplechin, Denis, etcetera) are wildly acclaimed filmmakers working outside the English language so it's kind of a miracle to see Pedro up so high even though he should be higher. Despite its curious choices, it's also just as expected since you can always tell when a list was made based on what's on it. And you can tell that this list was made within the past 5 or so months since 4 of the 5 current Best Director nominees and heat from the Oscars last year is also accounted for. I'm still chuckling about everyone suddenly claiming they've been a fan all along of Kathryn Bigelow last year. (I have been which is why I know people are lying through their teeth about their devotion! It was a lonely fandom.)

P.S. [UPDATED] Speaking of Almodovar though... People are getting excited for this new reportedly horrific film The Skin That I Inhabit which released this curiousity-inducing original teaser poster to the left and now this fan art has popped up which I'm sure it well intentioned (as fan art always is) but it makes the movie look a bit like a Saw knockoff.

And if there's one thing one could never say about Almodóvar, it's that he's not imitative. People steal from him. Not the other way around ;) [Thanks to Iggy for sharing the link]

P.P.S. Pajiba offers a compare and contrast list to EW's list 25 Most Profitable Directors and Awards Daily responds with a 50 They Forgot list.