TIFF '23: Final Farewells and a Jury of One

by Cláudio Alves

Since THE BOY AND THE HERON opened the festival, there was a Studio Ghibli pop-up store. Sadly, I didn't take either of these giant fur babies home. But it was tempting!

All things in life must come to an end, so it's time to say goodbye to TIFF '23. Words will never be enough to express my gratitude to Nathaniel and the Media Inclusion Initiative, whose help made this coverage possible. Overall, I watched 59 features and six shorts, reviewing most of them along the way, and getting positively drunk on cinema. It was especially incredible to experience so many of these films on giant screens, unlike the sort I get to experience in Lisbon-based festivals. To watch something like Rosine Mbakam's Mambar Pierrette on the Scotiabank Theater's IMAX screen is an experience I won't soon forget.

Beyond the films, I met amazing people at TIFF, from fellow critics to festival programmers and ex-directors, editors, and the like. I even got to take a selfie with Abe, my fellow Team Experience member who I only knew through Zoom until now. Pardon the sentimentality, but this was a dream come true…

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TIFF '23: Zar Amir Ebrahimi mesmerizes as "Shayda"

by Cláudio Alves

"Shayda" is coming to US theaters on December 1st from Sony Pictures Classics.

Though I've hardly been running after Oscar contenders while at TIFF – apologies if that's what you wanted out of this coverage – the Best International Film race remains at the forefront of my mind. With new daily announcements, the festival's an excellent opportunity to catch some titles that could be hard to track down later in the season. So, a lot of my scheduling has been built around productions that might end up in that race or have already been confirmed for the 96th Academy Awards. Not all of the experiences are positive, but  a few of them are revelatory.

Such is the case of Noora Niasari's feature debut, Shayda, representing Australia. If you thought Zar Amir Ebrahimi was remarkable in last year's Holy Spider, wait to see what she does here…

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International Oscar Race - Australia's Choice. Plus Mexican and Swedish submission finalists

by Nathaniel R

"Shayda" will be Australia's Oscar submission

We've already shared some news in our favourite non-acting Oscar category. The most exciting thing at the moment is the Danish finalists which include a film called either Promised Land or Bastard (depending on where its playing). Elisa tells us that its going to be a major contender and could even bag Mads Mikkelsen the Best Actor win in Venice. Other recent Oscar updates for this category involved submissions from Estonia, South Korea and Uruguay and a finalist list from Netherlands, and news from Switzerland, Chile, and Tajikstan. We now have 13 submissions. The charts have been updated. The latest exciting news is the finalist lists from two important countries who historically perform well in this category, Mexico and Sweden... 

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Review: "Holy Spider" weaves a web of provocations

by Cláudio Alves

"Holy Spider" | © UtopiaThe world's obsession with true crime is as old as crime itself. With every new format and possible presentation, another wave of such media arises, making us think, each time, that the collective obsession is a new phenomenon. Oh, how wrong we are, for as much as things change, they remain the same. One aspect constant with every iteration of the true-crime craze is the glorification of the killer. False equivalencies manifest, equating human monsters to criminal geniuses. Great purposes are projected unto them, ideas of grandeur and abstract magnetism. From popular podcasts to Netflix's Jeffrey Dahmer show, true-crime narratives make celebrities out of murderers and exploit truth into legend.

Ali Abbasi's latest film challenges this state of affairs. Reenacted violence and political commentary are at the center of Holy Spider's controversial reputation, but its demystification of the serial killer figure constitutes the picture's most radical provocation…

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Cannes Gowns, Round 8

Previous Cannes 2022 Fashion Polls: 1, 2, 3, 4, 5, 6, and 7

Cannes closing ceremony hits this weekend and so many stars have already been strutting to the premieres and parties that we have to wonder who will stick around to the bitter end? Or, more excitingly, who might be called back to town for the closing ceremony. They don't tell people what they're winning, from what we've heard, but they do supposedly contact some filmmakers people to suggest that the team should be in town if you catch the drift. But we're getting ahead of ourselves. That's this weekend. In today's roundup, Sharon Stone, Maggie Gyllenhaal, Crimes of the Future's Kristen Stewart, and Zar Amir Ebrahimi who is the star of Ali Abassi's buzzy serial killer film Holy Spider. It's based on a true story though her reporter/protagonist role is an invention.

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