Rosemary's Baby Pt 2: This is Really Happening!

Rosemary's Baby print by Jonathan Burton. For sale here.50th Anniversary Three-Part Mini-Series
Occasionally we'll take a movie and baton pass it around the team and really dive in. 

Rosemary's Baby (1968) is 50 years old now but it feels both ancient and fresh. It's always alive when you watch it. Having seeped into the very DNA of both the movies and our nightmares, it deserves a deep dive. In Part One by Seán McGovern we watched as Rosemary (Mia Farrow) and Guy Woodhouse (John Cassavettes) moved into a strange new apartment building, saw a neighbor mysteriously die, and become socially entangled with an intrusive neighbor couple Minnie and Roman Castavet (Ruth Gordon and Sydney Blackmer), who are both eccentrically endearing and very possibly sinister. 44 minutes into the film we can scratch out "very possibly" and just make that sinister. Full stop. We return to Rosemary just as we realize she's been drugged by Minnie's chocolate mousse "mouse" and has begun to dream... - Editor

Part 2 by Jason Adams

44:21 It seems appropriate to jump right in in the middle of a dream about to turn nightmare, for what else is Rosemary's Baby but that?

44:21 So much of this sequence will come back to haunt us later when Rosemary makes her final horrific discovery...

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Lorrell loves Jimmy... it's true 🎵

Blueprints: "Moonlight"

To celebrate Pride Month, every week of June Jorge has been highlighting the script of a movie that focuses on a different letter of the LGBT acronym. For “G”, he looks at the poetry in Moonlight. 

When La La Land took the Best Picture statue at the 2016 Oscars for about five minutes, it wasn’t an Earth shattering surprise. It was the kind of movie that wins Oscars. The twist, from a mixed up envelope, was the fact that a small independent film about queer people of color had actually managed to go above all the other nominees for the big trophy was what had made the Earth shatter.

Moonlight is not a traditional Best Picture winner, in everything from themes to distribution model to narrative structure to protagonist. It won three Oscars in total, including Best Adapted Screenplay. It is also not a traditional screenplay. Let’s see how the script transmitted emotion through descriptive lines...

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In New York, A Repertory Film Renaissance

by Murtada Elfadl

The Bitter Tears of Petra Von Kant

A film I desperately wanted to see that had eluded me for a long time was Rainer Werner Fassbinder’s The Bitter Tears of Petra Von Kant (1972). I promised myself that I wouldn’t succumb to watching it at home;  I’d wait and hope that it would eventually appear soon in a repertory theater. And sure enough it did, three months later. I got the full theatrical experience of the classic film, screened in celluloid glory. I’m glad I waited. My first screening of A Place in the Sun (1951) happened only last year, and was so exhilarating it was my favorite film I’ve seen in a cinema in 2017. Ditto Claire Denis’ Beau Travail (1999). I enjoyed all these films and more without distraction, in the dark, projected big and among fellow cinephiles...

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Months of Meryl: Marvin's Room (1996)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#24 —Lee, a frazzled single mom and aspiring hairdresser who reunites with her ailing sister.

JOHN: Marvin’s Room begins with a slow outward zoom of assorted pill bottles and other medical paraphernalia scored to whimsically upbeat music that immediately establishes the film’s split personality between dysfunctional family comedy and sentimental illness drama. We soon learn that the titular Marvin is the bedridden and near-death father of Bessie (Diane Keaton) and brother of Ruth (Gwen Verdon), three members of a looney Floridian family. No sooner than Marvin’s illness and medical routine is introduced, Bessie is herself diagnosed with leukemia by Dr. Robert De Niro (who also produced the film). He recommends that Bessie's family members be tested for a possible bone marrow transplant. This diagnosis is the film’s engine, reuniting her with her sister Lee (Meryl Streep) and nephews Hank (Leonardo DiCaprio) and Charlie (Hal Scardino), bridging a twenty year gap between this estranged family...

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