Revisiting "Frida"
Friday, December 22, 2017 at 4:00PM by Ilich Mejía
Frida came out in my native Honduras towards the end of 2003, nearly a year after it was released in the United States. Back then, it wasn’t uncommon for Honduran theaters to get films much later, but it was uncommon for them to show anything that wasn’t a blockbuster—regardless of the amount of Oscars or movie stars under their belt. Despite featuring niche themes like political art and unconventional family dynamics, Frida offered Latin American audiences something else: visibility in an optimistic, familiar context. This was not a film about a Latin American drug lord knowingly putting their family’s life at risk to meet wealth or about an immigrant leaving their roots behind to see if the American dream is a real thing: it was the story of a woman trying to make her native Mexico proud, ironically funded by Hollywood to be seen by more without the condescending, stingy distribution of a foreign film.
Frida,
Salma Hayek 






