Ireland's "Kneecap" leads the BIFA nominations

by Cláudio Alves

In a fascinating turn of events, the official Oscar submission from Ireland is the most nominated film at the British Independent Film Awards. Kneecap, a comedy about the homonymous Belfast hip-hop group, scored a grand total of 14 nods, including five for its director, Rich Peppiatt. In the second place, we find Rose Glass's Saint Maud follow-up, Love Lies Bleeding. A thriller flirting with body horror, it nabbed 12 honors. Coming in third, there's The Outrun which continues to grow its awards season profile. The Scottish drama scored nine nominations overall, but its best bet is probably Best Actress, where Saoirse Ronan is aiming for gold. If things go according to Sony Picture Classic's plans, the film might add an Oscar nomination to its bounty before the season's over…

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Almost There: Judy Garland in "The Wizard of Oz"

by Cláudio Alves

On a stressful day such as this, cinema can be a comfort. The movies are often prized for their escapist properties, so why not escape into their celluloid dreams once one's civil duty's done? I propose a trip to Oz before the first Wicked movie redefines what future generations will picture when they think of that magical land with emerald cities and yellow brick roads. But we're not here to talk fairytale architecture, good or bad witches. Instead, our focus shall be on the little girl who adventures into that world, swept by a Kansas tornado, from sepia-toned monochrome into three-strip Technicolor. It's time to talk about Judy Garland's Dorothy, a performance on the cusp of an Oscar nomination once upon a time. She was almost there…

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Category Confusion '24: LEAD or SUPPORTING – Part One

by Cláudio Alves

With the first batch of awards season honors coming in hot, questions of category fraud are bound to come up. And this year will be a doozy in that regard, with various leading actors campaigning as supporting for convenience's sake. It's a tried and true strategy that tends to block actual supporting and character actors from getting their flowers, forever living in the shadow of big stars in the wrong category. Well, if you're a regular at The Film Experience, you probably have read all this before, so let's not belabor the point. Instead, let's have some fun with polls like we did last year. This is just part one, of course, since many contenders still haven't been released beyond the festival circuit...

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"The Room Next Door" and "Emilia Perez" lead the EFA Nominations

by Nathaniel R

Nominations are in the for 37th annual European Film Awards which will take place on December 7th in approximately one month's time. You may recall that last year was dominated by Anatomy of a Fall which took home six awards (Film, Director, Actress, Screenplay, and special awards like Editing and the European University Film Award). It also proved popular with Oscar voters. Here are your nominees for the 2024 prizes. The awards ceremony moves each year. In December it moves to Switzerland for the first time. Oscar hopefuls The Room Next Door (hitting US theaters in December) and Emilia Perez (which hits Netflix next week) lead the nominations with four citations each. International Feature Film Oscar contenders like Denmark’s The Girl with the Needle, Germany’s The Seed of the Sacred Fig, Italy’s Vermiglio, Latvia’s Flow, Norway’s Armand and Senegal’s Dahomey were also popular with voters, scoring multiple nominations. 

Although people don't tend to think of the EFAs as an Oscar precursor, their collective taste does align fairly well with Oscar voters. It's been 9 years, for example since the winning film wasn't also Oscar nominated for either Best Picture and/or Best International Feature Film...

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Review: "Soundtrack to a Coup d'Etat" is Essential Viewing

by Cláudio Alves

One of the year's best and most essential documentaries is finally in theaters! Johan Grimonprez's Soundtrack to a Coup d'Etat is 50% history lesson, 50% jazz concerto, and 100% political essay if you can believe it, a mad dash rollercoaster of a documentary that brings together a litany of ideas under the same cinematic roof, illuminating their connective tissue like few films before it. The entire thing might run for two and a half hours, but you'll hardly notice the time passing since there's no opportunity for passive, apathetic spectatorship. Instead, the filmmakers demand full attention and a modicum of curiosity, trusting the viewer to keep up with Rik Chaubet's miraculous cutting as Soundtrack to a Coup d'Etat approaches midcentury decolonization movements through a musical prism…

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