VistaVision @ the Oscars

by Cláudio Alves

With The Brutalist, Brady Corbet and cinematographer Lol Crawley revived VistaVision for a 21st century cinema. In the process, they also brought the format back to the Oscar stage, becoming the first film since Alfred Hitchcock's To Catch a Thief to win the Best Cinematography Oscar for a VistaVision lensing. If you've read my reviews over the years, you might have noticed I have a passion for film form. This fascination encompasses the innovations that took over the medium in the midcentury, with the introduction of new aspect ratios, processes, and techniques after decades under the 4:3 Academy ratio hegemony. 

I really love VistaVision, a happy medium between more extreme widescreen propositions and the classical square-ish proportions that dominated pre-1950s cinema. It's quite beautiful, harmonious and the technique itself lends itself to rich images, full of detail, crisp yet not in the sometimes bloodless way of digital filmmaking. But what is VistaVision exactly? And how have films shot in this widescreen variant performed at the Oscars? Let's find out…

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Drag Race RuCap: “Ross Matthews vs The Ducks”

Jewels wasn't the only one yawning through this acting challenge.

CLÁUDIO ALVES: After last week’s shitshow of an episode, the follow-up would necessarily feel like something of a disappointment. Don’t get me wrong - it’s a fine hour of reality TV, but not especially exciting in terms of drama, nor spectacular as far as the queen’s performances are concerned. It culminated in some dubious judging and a tragic elimination, fair as it might have been. Oh well, not every episode can be a winner. Overall, I’m still liking this season, in no small part, because of the contestants. It’s been a while since we had such dynamic characters on Drag Race, messy and rough around the edges, not untalented but generally unpolished. Well, most of them. If you call Samantha Star unpolished, she might just kill you.

NICK TAYLOR: It’s a genuinely great cast, and you can tell because they bring real personal stakes to such a mediocre acting challenge. And the elimination order is still surprising enough I don’t feel totally comfortable predicting a top four. We haven’t had a shocker of a frontrunner going home like Plasma last year, but neither has anyone been as generously over-protected despite some patent limitations as Q was. No one feels like they’ve snuck through the competition to make it this far, and give or take some bold judging, the track records for our seven queens (now six) feel fair to me...

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Actressexual Honors - Best Leading Actresses of 2024

 By Nathaniel R

It took me a second viewing to appreciate what Margaret Qualley was up to in "The Substance". Great work!

Reckless sex workers, repressed CEOs, witches-in-training, and a triple helping of “Elizabeths” (!?!) factor into the incredible characterizations offered up by gifted actresses in leading roles this past film season. As we say goodbye to the year in cinema just behind us, a tribute to my personal dozen favourites (alpha order) from leading ladies. Though it’s a full dozen I still had to leave out highly enjoyable star turns from June Squibb in Thelma and Scarlett Johansson in Fly Me to the Moon, as well as Amy Adams' funny and underappreciated juggling of dowdy and feral as “Mother” in Nightbitch. The actual shortlist for my own Best Lead Actress honors is revealed at the end. 

top dozen - alpha order

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A Supporting Actress Dozen (aka Nathaniel's Favourites)

by Nathaniel R

Joan Chen would have made such a magnificent Oscar nominee for "Didi"

While I realize my advocacy for actual supporting performances would do more good earlier in the year, I am who I am and my clock refuses to run on schedule. Nevertheless I shall carry the banner for genuine supporting players until the end of days. Movies just wouldn’t be the same without the undergirding of story beats, thematic reflections, and emotional contours that supporting players add to movies – often even elevating the lead performers as a result! Moreso than in ANY year in memory, there was shockingly little conversation about any actually supporting female performances this year so I'm here to rectify that by citing 12 favourites...

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Final Best Actor & Best Supporting Actor Thoughts

Dearest Reader, we know you want to move on from 2024 but please allow us our final indulgences for only one more week - promise! 

Jason Schwartzmann (Queer) was one of MANY supporting performances that might have been discussed this past year if Leads weren't usurping the supporting actor oxygen

by Nathaniel R

The film year has ended with Adrien Brody (The Brutalist) and Kieran Culkin (A Real Pain) taking their Oscar categories. So... on account of the timeless procrastinator's slogan 'better late than never' I'm now sharing my own ballot. It was rather shocking / unpleasant (given my predilections) to realize that the men had arguably outdone the women (or at least equalled them) in acting achievements this past cinematic year. Nevertheless, since I far prefer watching / discussing actresses on the silver screen, I’m forcing the men to share one constrained listicle article. Take that, men – you can’t keep a good actressexual down.

Herewith the finalists (i.e. top dozen) for my own ballots in both Supporting Actor and Best Actor at the Film Bitch Awards. The official nominees are also announced... 

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