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As we've noted several times in the past, SAG nominations are often among the most surprising for two reasons. First, the nominating committee changes each year, drawn randomly from the Screen Actor's Guild enormous body of dues paying members. Second, because the members are randomly selected and (presumably) spread out more geographically than the easier to target Academy and Globe members, their nominations can often feel like they were voted on earlier and that's the case this year with more summer films nominated than other awards bodies went with.
The nominees with commentary are after the jump...
Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...
On January 22, 1964, CBS announced the inevitable: The Judy Garland Show would be cancelled after just one season. Though the network stated that the cancellation was so that Judy could spend more time with her family, the subpar ratings and tumultuous backstage difficulties had made the show untenable for the studio. In fact, less than a month after the announcement - after Episode 22 was shot - Judy ended the longest artistic partnership she'd had on the show when she fired Mel Torme. Musical director replaced and show revamped for the fifth time, Judy still ended the series looking and singing like a million bucks.
The Show: The Judy GarlandShow Episode 22 The Songwriters: Charlie Chaplin (original score), John Turner & Geoffrey Parsons The Cast: Judy Garland, directed by Dean Whitmore
The Story: The style the show settled on was one with which Judy was familiar, and which had inspired the series to begin with: the concert. Guests were winnowed down to one or two (or none) per episode, sketches were cut, and instead the series focused on producing mini-concerts beamed directly to American living rooms. No longer needing to memorize lines or force interactions, Judy instead used the format to let her talent and the emotion of the songs carry her away, as she did in this bittersweet version of "Smile." Though the show would not go off the air until late March, it left a lasting impression on fans. A fan-led write-in protest was even started to try to resurrect it. The series had an effect on Judy, as well. With her third marriage and her television career over, Judy turned back to tours to spend time on the two things she loved most: her children, and her fans.
So hard to keep up each December! But we get by with a little help from our links...
Variety we hadn't noticed this but it's true - Major studios were nearly entirely shut out of the Best Picture lineups. TFE in case you missed it our SAG Ensemble predictions... they announce tomorrow morning AV Club talks to 80s funny lady Terri Garr of Tootsie and Mr Mom fame Screencrush forever undervalued Patrick Wilson just got a possibly big deal role. He'll play the villain of sorts Orm in Aquaman
Lots more after the jump including the NAACP Image Award nominations, Madonna, men's tuxes on the red carpet, and The Accused...
Oscar's music branch has sorted through all the tuneful submissions and made two gigantic lists. They've deemed 145 original film scores eligible for "Best Original Score" and 91 songs eligible in Oscar's most divisive category "Best Original Song". As long as I've been alive people have objected to this category even existing (when far more prevalents crafts like "casting" and "stunts" don't have Oscar categories) but without it we wouldn't get all those memorable musical performances on the show. Please note the word "memorable" comes with no connotations as to quality. You can be memorable for all sorts of reasons from brilliance to embarrassing yourself!
This year has the usual array of films you've never heard of, plentiful documentary and cartoon theme songs, songs from movies you saw but didn't realize they had a song (Sully anyone?!), and a whole lot of Sia from multiple movies though her best shots are probably the theme song from The Eagle Huntress or Zootopia's "Try Everything" (people think of it as a Shakira song but Sia wrote it so she'd get the nomination). Since single movies are only allowed two nominees in this category (the rule was changed after the 2007 Oscar race with 3 nominations from Enchanted), you'll find that most movies don't submit more than that, now. Pop Star: Never Stop Never Stopping only went with one, Sing Street narrowed their plentiful options down to two and La La Land submitted three. Sadly Hail Caesar either didn't submit or they deemed "No Dames" ineligible, we're guessing the former. The 91 songs are listed after the jump with their videos so you can hear them where we could find them...
Belgium’s Oscar submission The Ardennes feels like Drive by way of Fargo and Bullhead, i.e. it’s a gritty neo-noir that thrills and disturbs in equal measures. The quasi-Biblical (or Greek) plot follows two brothers who are like night and day, Dave (Jeroen Perceval who wrote the play the film is based on) is a kind soul who works in a carwash and is trying to set up a home with his girlfriend Sylvie (Veerle Baetens), the problem is she was his brother Kenneth’s (Kevin Janssens) girl before he went away to prison. His release brings the family happiness and pain, as they try to help him adapt to the new situation. First time director Robin Pront crafts a smart thriller with colorful characters and testosterone to spare. I sat down with the director and leading man Janssens to discuss the film’s themes, the Oscar race and Belgian cinema.
Wednesday, December 14, 2016 at 11:35AM 
