Doc Corner: Netflix's Big Oscar Push

A flurry of documentaries are having their premieres on Netflix and in their own way serve as glowing examples of the positives and the negatives of the streaming platform. Netflix made an impression very early in their life as original content providers; the Academy’s documentary branch has already warmed to their productions and acquisitions. They deserved the statue for The Square in 2012 (losing to music doc 20 Feet from Stardom), and proved their keen eye (and deep pockets) were no fluke with subsequent nominations for Virunga (losing to Citizenfour), What Happened Miss Simone?, and Winter on Fire (both losing to music doc Amy) 

This year it’s entirely feasible to imagine an Oscar line-up with five Netflix titles. I can't imagine the doc branch ever letting that happen, but they have the product and it’s looking entirely possible they could finally win in a memorable and game-changing first. But what about the films themselves: Into the Inferno, Amanda Knox, and Audrie & Daisie?

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Chloe Moretz For "Suspiria"

Chris here with some casting news for one we're keeping an eye on: Luca Guadagnino's Suspiria remake.

Chlöe Grace Moretz has signed on to Guadagnino's passion project retelling, one that has been long in the making with directors (Darren Aronofsky and David Gordon Green) and stars (Isabelle Huppert) dropping off. The casting is curious considering that Moretz had quite recently dropped out of all upcoming projects to refocus her career. I guess that's a quick turnaround!

Horror redos haven't been the actress's sweet spot, with Carrie and Let Me In both being big misses (though consider me a fan of the latter) that didn't use her particularly well. This remake will also come with a higher pedigree than those previous efforts and she might welcome the challenge that will likely come with the ballet-focused film. But maybe the Guadagnino pairing foretells Moretz repositioning her career through the hands of autuers - don't forget that Olivier Assayas was maybe the first to "get" her in Clouds of Sils Maria.

Moretz joins a cast that includes Tilda Swinton, Dakota Johnson, and Mia Goth. What do you think of the casting?

Now Streaming: Luke Cage's Day Off - A True Story

The following titles are now streaming for your pleasure. We've freeze framed them at entirely random places and shared the first thing that came up as is our whimsical practice. Do you have any desire to see (or revisit) these based on this evidence? 

NOW STREAMING ON NETFLIX

Breakfast at Tiffany's (1961)
LOL. Totally forgot about this sly partners in crime shopping scene. Have you seen this recently? It's so great but for every cutaway to Mickey Rooney (sigh). Nominated for five Oscars including Best Actress. (It's actually kind of a surprise that this hasn't been remade since it was originally envisioned for Marilyn Monroe and could have obviously been an entirely different sort of movie.)

seven more after the jump including Marvel's Luke Cage and a 1940s Best Picture winner...

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George Sidney Centennial: Anchors Aweigh

It's George Sidney Centennial Week!

Dancin' Dan here to begin our mini-celebration of one of Hollywood's more undersung directors.

George Sidney was an MGM workhorse who got his start on Our Gang shorts. Though he was nominated for the DGA Award four times between 1952-1957, he never received an Oscar nomination. No, not even for 1945's Best Picture nominee Anchors Aweigh. And really, you could make a very persuasive argument that he was robbed.

Anchors Aweigh is a strange picture, one that feels more like a fantasy than anything else, and to the extent that it is remembered today, it is remembered for one thing:

You would be forgiven, of course, for thinking that the film really was a fantasy based on that one number...

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The Scene at NYFF with Naomie Harris and Kenneth Lonergan

Murtada reporting from a weekend at the NYFF.

The New York Film Festival enables local cinephiles to catch a finely curated collection of films that have screened at other festivals earlier in the year. It is also a veritable hotbed of casual sightings of the New York film crowd: there’s Todd Haynes entering the Alice Tully Hall animatedly chatting with his Carol editor Alfonso Gonçalves (who has two films in the festival: Gimme Danger and Paterson). Here's Mikhail Baryshnikov posing with his daughter Anna who’s in Manchester by the Sea; I see Bob Balaban making his way through the security line. And, look, Edie Falco introducing herself to Casey Affleck after the Q and A for his movie.

Lonergan in conversation with Jones

Most interesting though are the stories filmmakers tell as they screen their films...

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