NYFF: Paterson and The B-Side: Elsa Dorfman's Portrait Photography

Here’s Manuel reporting from the New York Film Festival with two projects on unassuming artists.

Paterson
In Paterson, Adam Driver plays a bus driver named Paterson. He lives in the New Jersey town by the same name and, living up to the town's poetic tradition (it was home to both Allen Ginsberg and William Carlos Williams), jots down verses in between bus shifts.

Jim Jarmusch's latest is just as precious as that description makes it sound and that's before I tell you that it's structured around a week in the life of Paterson, with every day marked by the same routine...

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Stage Door: Believing in Breaking the Waves, the Opera

Daniel here to discuss the latest transfer from big screen to live stage. 

Bess McNeill, the golden-hearted islander at the center of Breaking the Waves, is a woman of astonishing faith. It is the source of her resilience and it is her undoing, though the salacious facts of her downfall can distract from the strength of her conviction. However, the whirlwind of anonymous sex, medical trauma and social exclusion that characterize the second half of the film do not undo the romantic catechism of its first scene. 

Bess sits in church, beset by the stone-faced Calvinist elders of her community. They demand to know why she wishes to marry an outsider, an act they clearly interpret as a spiritual betrayal. She responds to their questions with an irrepressible joy. Her confidence in her own love, as well as that of her fiancé, is as compelling a testament of faith as has ever been put to film. 

Or, as the case may be, as has ever been put to music...

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Exhuming Hitchcock's Grave... Again

Alfred Hitchcock was not above a remake. Or adaptations. Or self referencing. But this latest news is taking things too far in posthumous Hitchcock mania. A new show called Welcome to Hitchcock is going to "reimagine" Hitchcock stories one season-long mystery/crime at a time. The news gets worse: Chris Columbus will direct the pilot. Because, you know, Columbus has always excelled at taut psychologically provocative suspense (wtf?).

Sigh. After all the Hitchcock rip-offs and "sequels" and homages and "recreations" over the years, we do not need a ten episode reimagining of Psycho or Rear Window or Notorious; they're perfect the way they are. With the TV-making community scrambling to jump on the hot hot hot anthology train we all should have assumed that remakes were next. But if they must do this, let's hope they find a young director with an actual voice and gift for suspense to flesh out some of Hitchcock's less successful efforts instead. Any suggestions? 

Cast Begins to Board "Orient Express"

Chris here. Remember what fun we had awhile back fantasy casting Kenneth Branagh's upcoming Murder on the Orient Express remake? Well, now some official names have been added to the cast and it should be just as much of a delight.

The two biggest names come as something of an unexpected Dark Shadows reunion (sorry for the reminder about that Tim Burton misfire): Michelle Pfeiffer and Johnny Depp will be the headliners to Branagh's own Poirot. Pfeiffer becomes the natural successor to Lauren Bacall as Mrs. Hubbard, a casting coup that feels both inspired and accurate. With Beat-Up Little Seagull and Darren Aronofsky's next film which is also probably coming in 2017, we'll be grateful to be seeing quite a bit of her. Depp will be playing Ratchett, the victim of the titular murder.

But they weren't the only names signing up, and the others make for quite an exciting assemblage: Daisy Ridley, Dame Judi Dench, Michael Peña, Derek Jacobi, and Hamilton's Leslie Odom Jr. are all coming on board. That may sound like a lot of names, but this massive cast still has quite a few roles to fill. Stay tuned!

Some Brain Vomiting About "Finding Prince Charming"

By Nathaniel R

Outside of talent-based competitions like Project Runway and RuPaul's Drag Race, I rarely watch reality television. Sure, I've seen an episode here and there of some of the big ones (mostly due to Emmy races or being around friends who were watching them) but I've never seen an episode of anything from the Housewives subgenre or Kardashians anything and never will. I've also never seen an episode of The Bachelor or Bachelorette.

This avoidance is less about artistic judgement than a lifelong aversion to famous people who are famous for no good reason. Celebrity that comes from talent or a contribution to society is easy to respect even if you don't personally admire that particular celebrity. Nevertheless after becoming obsessed with UNReal last season (have you finished S2?) its brilliant acting, disturbing psychology, and its evisceration of The Bachelor I suddenly had all these curiousities about this particular subgenre. 

Enter Finding Prince Charming on Logo which bills itself as the 'first' all gay dating show and is basically The Bachelor with old school Shakespearean casting; men play all the roles...

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