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Thursday
Feb112016

Silence of the Lambs Pt 4: Screaming and Coveting

Team Experience is revisiting 1991's Best Picture winner for its 25th Anniversary...

Previously... We learned about the case and met Clarice as she went on "an errand," Buffalo Bill caught his next victim, and Starling & Lecter played a game of Quid Pro Quo

an FYC ad from the time

Pt. 4 by Jose Solis

When Nathaniel left us, Dr. Lecter was Scheherezade-ing the crap out of Clarice by telling her about Baltimore. Do you ever get a sense that just like the King from Arabian Nights, Agent Starling craves to return for more?

01:08:18 “Everything you need to find him is right there in those pages...” he says about the case files. As Clarice paces left to right, Dr. Lecter decides it’s time for another lesson by quoting Marcus Aurelius. He suggests Clarice decipher what is the nature of the killer. As she lists every reason why serial killers kill in lesser thrillers, the doctor loses his patience and gives her the answer.

01:08:57 “He covets”

01:09:45 Clarice begs him to help her out, as the philosophizing cannibal reminds her it’s her turn to share, after all “this is all the time we’ll ever have”.

01:10:28 Clarice recounts the tale which gives the book/film its name, as she shares a memory that haunts her from her days in the ranch in Montana with her relatives. Something woke her up early one day…

Click to read more ...

Thursday
Feb112016

Best Actor: The Year of the Ham

As noted by the recently departed Alan Rickman on his BAFTA win for Robin Hood: Prince of Thieves "Subtlety isn't everything." As far as Oscar is concerned, this year Best Actor was go big or go home. Take a look the leading men outside the bubble and you'll find mostly nuanced performances like those from Michael B. Jordan, Tom Courtenay, and Tom Hanks with their scenery unchewed. Rewarding more broad work has made this the Year of the Ham.

Some of the bigger choices have been more welcome than others in this field, so let's have some fun assessing the hammage:

Bryan Cranston - Trumbo
Clearly the most guilty of going big for its own sake, Cranston's nomination leaves quite a sour taste in your mouth. The performance feels built upon arched shoulders and mustaches, even if Cranston is a game actor admirably going along with the film's schlocky tone. It's not just the scenery getting chewed, but the script, the costumes, the camera, and poor Diane Lane. It's so hammy, he even shows us his hams in a prison scene.
Level of Ham: SPAM - some people like it? ¯\_(ツ)_/¯

Matt Damon - The Martian
Here's a role that actually calls upon the actor to be a ham. Matt Damon gets to use more of his natural charm than he has in anything outside of the Ocean's franchise and spends much of his performance breaking the fourth wall. He leans in on the nerd humor that's heavy on puns and dirty words, but thankfully never goes full broski. Everything lands, including his unexpected emotional moments, but this a performance playing right to the crowd. The visible hams are an obvious emaciated stunt double.
Level of Ham: Honey-Baked - generally pleasing to everyone

Click to read more ...

Thursday
Feb112016

Charlize Theron Plays Fast & Furiosa With Her Action Star Potential

Daniel here. If your Charlize senses have been tingling lately then it’s fair to assume your road rage has set in: Variety reports that Universal is circling Imperator Furiosa herself to star as the lead villain in Fast 8, the latest model in their rubber-burning line of Fast & Furious flicks. 

Gallons of credit go to this high-octane franchise for encouraging onscreen diversity and staging sky-is-the-limit set pieces, sure, but just because Charlize Theron can drive, it doesn’t mean she needs to take your wheel.

The main attractions in a Fast & Furious are smash ‘em up automotive melees with basic visuals broken up by character-light screeds on the true meaning of family; you’ll find none of Mad Max: Fury Road’s kinetic wizardry or redemptive arcs. Pitting their rogue gallery of villains against Charlize Theron is like straight-up reaching for the wrong Ben & Jerry’s pint. Jason Statham or Luke Evans’ unhinged, kitchen sink nutsos are more Everything But The… whereas her slow burn Coffee Coffee BuzzBuzzBuzz charisma sneaks up on you before you realize your heart’s about to explode.

Surely we can find a better action franchise for our feminist warrior to throttle into high gear. And, yes, options are aplenty.

• ALIENS. The logical place to start is unfortunately a moot point. The Aliens series already had their chance for another fearless Ripley type in Ridley Scott’s underrated franchise refraction Prometheus, where you’ll remember (or not) that she was relegated to playing comatose corporate ethics incarnate, Meredith Vickers.

• BOND. Although her co-star Idris Elba is everyone’s favorite hypothetical James Bond, it’s a safe bet that she could outsmug Craig, outdrink Connery, and outlast Lazenby. 

• MISSION: IMPOSSIBLE. Let’s relieve Tom Cruise of jet-hugging duty and let Agent Charlize hunt down snipers at the opera in Mission: Impossible.

At the very least, she’s a shoo-in for that rumored all X-chromosome Ocean’s ElevenWhich action franchise should Charlize Theron anchor instead of Fast 8?

Wednesday
Feb102016

Valentine's - (500) Days of Summer 

We're celebrating Valentine's Day this week with odes to some of our favorite romantic movie moments. First, here's Murtada on the musical number in (500) Days of Summer.

 

The first time with the person you love. It's all what you’ve dreamed it would be. The next morning you wake up giddy, but …what to do. Why of course dance to Hall and Oates' "You Make My Dreams Come True" on your way to work, with the whole world as your own chorus, marching band and fan mob rolled into one. That’s what happens to Tom (Joseph Gordon Levitt) after Summer (Zooey Deschanel) rocks his world.

What a show-off! Maybe even a braggart. Gordon Levitt gets congratulated by everyone he passes and literally scores a goal. Yet somehow it’s not off putting but utterly charming. Part of that is due to the character and the performance. Most of the appeal though is because we’ve all wanted to share our exuberance with the whole world after a particularly lovey dovey moment. Or you know right after the first time with a new love.

The scene becomes a delightful expression of the exhilaration of love. Blending dancing, animation and cultural refrences (Hello Han Solo!), it also comes at exactly the right time in the story, elevating the stakes and making - spoiler alert - the eventual heartbreak even more painful.

Happy Valentine’s

What are some of your favorite romantic musical numbers? And do you forgive (500) Days of Summer for bringing Chloe Grace Moretz into our lives?

Wednesday
Feb102016

The Grace of Keanu Reeves 

TODAY'S MUST READ ELSEWHERE
Our sometimes contributor Angelica Bastien wrote a great piece for Bright Wall / Dark Room called "The Grace of Keanu Reeves" in which she argues against the common dismissals of his acting ability. As a longtime fan of Keanu (Point Break/Private Idaho being the peak era of devotion) this was a joy to read.

One of her greatest points deals with "the crossroads of virile and vulnerable, territory previously charted by actors as legendary as Montgomery Clift, James Dean, and Paul Newman. But there's a difference.

These actors often seem to fight against the lustful gaze of the camera, while Keanu supplants himself to it. Where they seem cynical, disinterested, or too wounded as a romantic lead, Keanu is utterly open.

In "Point Break," he’s a hotshot with a gun and a badge. But he’s also an object of lust for the camera (and audience), with a disarmingly open smile. Furthermore, without the help of a woman—the short-haired pixie vixen surfer Tyler (Lori Petty)—he wouldn’t be able to integrate himself into the gang of robbers/surfers led by Bodhi (Patrick Swayze). This artful dynamic—a woman of greater skill guiding a passive man into a world beyond his imagination—develops even further in "The Matrix" (1999). Some of this, of course, exists on a plot level. But Keanu tends to let his scene partners take the lead, becoming almost a tabula rasa on which they (and we) can project our ideas of what it means to be a hero, a man, a modern action star. 

Do check it out. And share your feelings about Keanu in the comments. This article brought the guilt down that I have yet to see John Wick (2014).