Secret Messages: "Play Me"


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I assume by now that you've read Interview Magazine's much talked about interview with Joaquin Phoenix in which he hates on the utter bullshit of awards season?
A lot of people have already (and might continue to) lost their minds over this but Serious (Male) Thespians are allowed to get away with trashing the prize they're in the running for. See also: Marlon Brando, George C Scott and others throughout entertainment history. It's the actresses and the less Serious Thespians that have to tread carefully and bat their eyelashes at voters, play a smart hand and shake the right ones, and kiss the babies. The only time this other group (i.e. the less acclaimed talents or the actors with vaginas) can refuse to play the game and still be awarded for it is if they've garnered an unassailable legendary reputation (think Katharine Hepburn who, like Woody Allen, couldn't be bothered to attend her Oscar ceremonies) or delivered work so seismic that voters wouldn't have been able to ignore it and still feel even remotely like they've ever once contemplated the word "Best" in any real way (think Mo'Nique in Precious)
The only reason to worry about Phoenix's nomination chances are the depth of the leading actor field, not his personal statements.
Alexa here. I recently got my husband an anniversary gift of Will Ferrell's mug on a wine glass; romantic, I know, but it met with so much success (and an endless stream of Anchorman quotes over our bottle) that I thought I should post a plug for its maker. Tara Hamlin specializes in painting celebrities on wine goblets, and she is talented enough to pull off what seems at first like a silly concept. The selection in her shop is immense, but she will also do custom work: I spied that she is completing a custom Tom Hardy goblet for a lucky someone. Here is a sampling of her more interesting film stars. Drink up; they're only $20 each!
Dunaway and Beatty as Bonnie and Clyde
A glass Gosling
Click for Tracy and Hepburn, Richard Dreyfuss and more...
[Editors Note: For today's episode of Oscar Horrors, I invited award-winning writer Manuel Muñoz ("What You See in the Dark" "The Faith Healer of Olive Avenue") to join us. I've gave all the contributors a list of every Oscar nomination from the horror genre and they chose their own subjects. -Nathaniel R.]
Here Lies... Agnes Moorehead in Hush...Hush, Sweet Charlotte (1964)
Hush…Hush, Sweet Charlotte is either Grand Guignol catnip or the most ridiculous Scooby Doo plot ever, depending on your level of generosity. The film lacks the sustained camp thrills of its kissing cousins What Ever Happened to Baby Jane? and Strait-Jacket. But it remains obligatory viewing, whether to fulfill your quota of the era’s is-she-crazy suspense vehicles starring Hollywood’s aging belles, or to check out Oscar offerings with peculiarly high nomination counts. Charlotte picked up seven (yes, seven) Oscar nods and while you might shrug off most of them as applause for technical show, a major Supporting Actress bid (and maybe an almost-win) came with the fourth and final invite to the big dance for Agnes Moorehead as
But first, the tawdry beginnings. Set on a once sunny Louisiana estate in 1927, the film introduces us to a young Charlotte, whose father doesn’t approve of the news he’s heard from her secret suitor. At an elaborate party (and in one of the most nimbly arranged sequences of the film), things get downright bloody, and Charlotte emerges from the shadows with one of the most conspicuously stained dresses ever to stun a crowd.
Fast forward decades later, and our fun begins.