Portugal chooses "The Metamorphosis of Birds" for Oscar

by Cláudio Alves

When reading the list of films shortlisted for the Portuguese Oscar submission, I confess I was a tad disheartened. Only two of the six films had even been released when the finalists were announced, and I only had watched one of them. The other happens to be a project that reeks of exploitation, which I wasn't enthusiastic about promoting. At least, the film I did see, Catarina Vasconcelos' The Metamorphosis of Birds, was one I loved, going so far as voting for it as one of the best unreleased films on last year's Team Experience Awards. As luck would have it, the voting body responsible for the submission fell for it too…

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Tweetweek: Dune 2 and other social media obsessions

Three tweets that made us giggle...

Less Dune Part Two talk, more 2 Barb 2 Star talk.

— Chris Feil (@chrisvfeil) October 27, 2021

If a movie has to be watched then it isn’t a good movie

— C. Mason Wells (@cmasonwells) October 26, 2021

Let's stop making movies until we've seen all the old ones.

— Dave Kehr (@dave_kehr) October 26, 2021

More after the jump including Derek Cianfrance, Paul Verhoeven, and lots of Dune and Dune Part Two jokes...

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Now Playing: "Last Night in Soho" and more...

by Nathaniel R

"Do you like scary movies?"
Glamorous mod movies?
Psycho thrillers?
Ghost stories?
Actress twinning movies (a la Persona, Mulholland Drive, Black Swan)?

I wish we could report that Last Night in Soho would satisfy all those disparate urges or even a single one of them. But alas...

I first saw the movie in Venice and though that was just under two months ago, this ghost story haunts as one of the worst of the year. Was I unduly harsh with a "D" from the Venice review? From the review...

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Winona Ryder @ 50: "Girl Interrupted"

We've been celebrating Winona Ryder all week for her 50th birthday

by Matt St Clair

During this pandemic, I’ve thought a lot about the climactic scene in Girl, Interrupted (1999) where Susanna Kaysen (Winona Ryder) is in the tunnels of Claymoore, confronting Lisa (Angelina Jolie) for pressing her buttons and trying to force her to feel the same amount of misery she does. As Susanna contemplates how the overall world is a cruel, inhuman place, she still proclaims, “I’d rather be in it!” 

At first glance, that proclamation is confusing. For Susanna, Claymoore and its thick walls are initially an escape from the cruel outside world. But between the specialists surrounding her generalizing what she’s feeling, and Lisa who acts as a confidante before proving that misery loves company, Susanna realizes that Claymoore isn’t entirely different from the world. Ultimately, she decides she’d rather be miserable yet out in the open than miserable and locked away...

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How Had I Never Seen..."Dune"?

by Cláudio Alves

Audiences are here for Denis Villeneuve's take of Frank Herbert's Dune – its first half, to be specific. Box office numbers already guaranteed the filming of its sequel, and now there are even talks of a third movie, adapting the second book in the series, Dune Messiah. As the world goes mad for spice and space twinks, Goth nuns, and more made-up sci-fi terminology than you can shake a stick at, it feels like a good time to look at the last big-screen adaptation of Herbert's genre-defining novel. While much hated by its maker, David Lynch's Dune has gained quite the cult following over the years. Indeed, researching this piece, I came across plenty of retrospective defenses of the movie's merits, passionate screeds against its maligned critical reputation.

Does the flick earn such reappraisals, or were the initial reactions right all along? Well…

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