Sundance: "The Last Black Man in San Francisco"

Murtada Elfadl reporting from Sundance

While watching The Last Black Man in San Francisco - a gorgeous, specific, and fantastical fable of a film with a decidedly assured tone - I kept thinking of Oprah Winfrey’s introduction of Precious  star Gabourey Sidibe at the Oscars. “Where did that come from?”, “Where did you learn how to do that?” I was asking these questions of writer/director Joe Talbot and writer/actor Jimmie Fails. They had collaborated on a short film before, but this is their feature debut. How did they spring out of the gate so exceptionally?

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Sundance Short Film Winners - clues to *next" year's Oscar list?

by Nathaniel R

Sheila Vand at SundanceWe hope you've been enjoying our coverage of Sundance this year. Our two men on the ground (Murtada and Abe) have already reviewed 10 films. Sundance wraps up next Sunday, February 3rd but we've already got our first bit of award news. A three person jury comprised of Iranian-American actress Sheila Vand (We the Animals, A Girl Walks Home Alone at Night), Obie award-winning playwright/filmmaker Young Jean Lee, and filmmaker Carter Smith (who won at Sundance 12 years ago for his gay short Bugcrush), have picked the winning shorts of the festival. Six of the seven films honored were by people of color, five were from women, and two from filmmakers who identify as LGBTQ. (Yes, Sundance has made huge diversity efforts these past few years... and they've put their money where their mouth is, both in their film selections and in press badges, even subsidizing minority journalists to combat the inequities in entertainment journalism).

Sundance is an Oscar-qualifying festival which means you might hear about a few of these shorts next year about this time if they're very lucky...

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Watch at Home: Boy Erased, The Wife, RBG, and First Man

What's newly available for home viewing on DVD or Blu-Ray? Herewith a quick survey of new releases from the past two weeks.

DVD/Blu-Ray
• Boy Erased - It didn't end up with any Oscar nods but it's worth seeing, especially if you or someone you love ever had to put up with the evils of conversion therapy or religious repression of natural sexuality.
• First Man - It shares with Mary Poppins Returns the distinction of being the most-nom'ed movie this season that's not up for Best Picture. But that still feels stingy for a movie this well crafted, technically speaking. How on earth and outerspace did it miss in Best Original Score? The mind boggles. 
• The Wife - Glenn Close's 7th Oscar bid is, contrary to internet belief, a movie that exists and that people saw. The very fact that some corners of the internet bitch about it is blatant ageism...

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Soundtracking: The "Alone Yet Not Alone" Snafu

by Chris Feil

A moment that will live in Oscar infamy, it happened so fast we could barely take in the joy of “Oscar nominee June Squibb” as a realized concept. Five years ago Cheryl Boone Isaacs, standing next to Chris Hemsworth, downshifted from announcing supporting acting categories into the much more low-pressure Original Song category. And then unleashed chaos onto announcement morning.

What the hell was “Alone Yet Not Alone” from Alone Yet Not Alone?

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Who will win Supporting Actress? Who should win?

2018 may well go down in history as the most volatile supporting actress race since 2007 (wherein four different women won the 5 televised prizes: Globes, Critics Choice, SAG, BAFTA, and Oscar). If you'll recall that historic year, those five prizes went, in order, to Cate Blanchett (I'm Not There), Amy Ryan (Gone Baby Gone), Ruby Dee (American Gangster),and the final two went to Tilda Swinton (Michael Clayton). The only Oscar nominee that year that didn't win a televised prize was little Saoirse Ronan (Atonement). Saoirse even lost the "Young Actress" prize at Critics Choice but she got the last laugh, already being considered a Great by her early twenties with two more nominations since then and momentum for a win should the right role come along and she's still just 24 years old...

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