"ACS: The Assassination of Gianni Versace", Episode 2

by Jorge Molina

Last week’s premiere episode planted the seeds for the plot and the thematic elements we will follow all season: Andrew Cunanan’s simultaneous magnetic charm and deep sense of isolation, Gianni Versace’s obsession with living fully and beautifully, and Donatella’s practical approach to both fashion and her brother.

In the second episode we dive deeper into each of these, stepping back to the months before Cunanan assassinated Versace to get a sense of the mental and emotional state that each of the players found themselves in before the tragedy...

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"Hereditary" and Toni Collette Lurking

by Chris Feil

This year has made for a quiet Sundance Film Festival, no? While there seems to be less word on major deals and potential Oscar players in the year to come, one premiere that has quickly become must-see material is Ari Aster's horror debut Hereditary. Cryptic reviews have promised genuine genre scares and (much to our excitement) a worthy showcase for Toni Collette. Collette's co-stars include Ann Dowd and Gabriel Byrne.

The film centers on a family after the death of their not-so-beloved grandmother. Her artist daughter (played by Collette) deals with the increasingly spooky fallout...

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Lady Bird Eye Candy

Jason from MNPP here to goose our mid-afternoons real quick with that there brand new Entertainment Weekly cover image of Lady Bird's superstar trifecta of Oscar nominees Laurie Metcalf, Saoirse Ronan, and the Creator herself, Greta Gerwig. Love the silver, love the talent, love love love. What do you guys think - can Lady Bird win Best Picture? Better question - can Lady Bird win anything?

(I mean besides Team Experience's Awards, because we have sense.)

Blueprints: The Nominees for Best Original Screenplay

With the Oscar nominations finally announced, Jorge takes a deep dive into the nominees for Best Original Screenplay.

We all rose to the crack of dawn on Tuesday morning to hear Tiffany Haddish give the most upbeat and energetic nomination announcements in recent memory. One of the best picked categories was Best Original Screenplay. Even though there were no real surprises, it showcases a range of diversity not often seen: among the nominees is a Pakistani, a Mexican, a black man, and three women. Three of those people were also nominated for Best Director.

So let’s do a quick roundup on the nominees, their writers, their past history with Oscar, and what scene might have helped land them that nomination... 

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Months of Meryl: The Seduction of Joe Tynan (1979)

Hi, we’re John and Matt and, icymi, we are watching every single live-action film starring Streep.

#4 — Karen Traynor, a Southern political operative who has an affair with a popular senator.

JOHN: I can’t even imagine what it must have felt like to be an actressexual in 1979, the year when Meryl Streep catapulted herself from that interesting, up-and-coming actress of The Deer Hunter, the Holocaust miniseries (which brought her first Emmy win), and the New York theater scene, to first-class movie star, appearing in three successful films and winning her first Oscar for the year’s highest-grosser and Best Picture champ, Kramer vs. Kramer. But let’s not get too ahead of ourselves; buried in the middle of all this impressive acclaim is perhaps Streep’s least-known triumph of her early period: Jerry Schatzberg’s The Seduction of Joe Tynan.

This story of a liberal senator (Alan Alda, who also penned the script) struggling to balance political ambitions with family life, is a keen, sophisticated relic from a time when studio movies were risky, inspired, and targeted towards an adult audience, free of gimmicks or condescension. They were capable of making bank to boot.

In Joe Tynan, Streep plays Karen Traynor, a Louisiana lawyer who, while aiding Tynan’s campaign against a racist Supreme Court nominee (Remember when racism disqualified you from office?), begins a fling with Alda’s fast-rising political star...

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