Reader's Choice: Babette's Feast (1987)

This weekend's topic, currently streaming on HBOMax and Criterion Channel, was chosen by readers. This article contains spoilers so if you've never seen the film, correct that first.

for such a delicious movie, the first shot of people and food isn't very appetizing!by Nathaniel R

How far does the "foodie" movie subgenre stretch back? It's difficult to tell from the internet alone, which tends to think movies of all genres began in the 1980s; online "best of all time" lists are of little use when you're curious about film history. We know at least that the subgenre was in full swing by the 1990s with arthouse hits such as Like Water for Chocolate, Eat Drink Man Woman, and Big Night arriving semi-annually. Was the watershed moment, at least for US moviegoers, bout a half a year stretch between the fall of 1987 and the spring of 1988? In that time the hilarious Japanese "ramen western" Tampopo (1985) was slowly collecting its fult following and Denmark's Babette's Feast was a hit at arthouse theaters and took home the Oscar.

Whether or not Babette's Feast was the first truly popular foodie title with movieogers, it was at least a grand appetizer or sensational first course for the now robust subgenre...

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Reader's Choice - Let's watch _____ together

Thank you for egging me on to finally watch Babette's Feast. T'was yummy. On April 14th we'll be discussing Fatal Attraction (1987) as there's a television adaptation coming up AND I owe a reader a piece on that and he's not going to be ignored, Dan! But until then you can pick our film of the week collectively. What should we watch next week and discuss by Friday, March 31st? 

This time we'll do an early star vehicle from one of our recent Oscar players. To make it more unexpected the requirement is that the movie came out in the 1990s and have zero Oscar nods. So which will it be? 

online polls

Doc Corner: Gianfranco Rosi's 'In Viaggio'

By Glenn Dunks

I will be honest with you. I initially had no real desire to watch In Viaggio: The Travels of Pope Francis. I believe my words were “because of the whole pope thing”, which I personally think is entirely fair. Especially after another European filmmaker, Wim Wenders, had his own Pope Francis doc not too long ago. It does, however, prove to be a much more interesting than initial perceptions would have suggested. And, to be honest, director Gainfranco Rosi—a director whose work only seems to be getting better and better (which is saying quite a lot)—deserves better than a ‘thanks, but no thanks.’ After all, I don’t think any other filmmaker can claim both a Golden Bear and a Golden Lion for works of non-fiction.

Rosi’s film is not the immersive experience that recent works like Notturno and Fire at Sea were, but it was probably never going to be. Reset expectations then, and we have In Viaggio, a surprising documentary built almost entirely out of archival footage as Pope Francis jet-sets around the world. Again, it’s better than it sounds.

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What's next for the recently Oscar-nominated: Pt 1 - Writer/Directors

With the 95th Academy Awards wrapped, it's time to look to the future. Herewith a quick little series about what's in store for the recently nominated. Let's start with the writer/directors.

EDWARD BERGER
The 52 year old director behind Germany's latest Oscar winner, All Quiet on the Western Front, was surely thisclose to snagging an Oscar nomination for his directing (given how well the film did across the board) but he had to make due with sharing a writing nomination. His credits to date have largely been on German television but he'd already made inroads into Hollywood prior to the World War I Oscar magnet, directing episodes of two Showtime series, Your Honor and Patrick Melrose.

Let's just say he's very busy. He's already shot a remake of Alfred Hitchcock's The 39 Steps (as a miniseries) starring Benedict Cumbatch. Around the time of the Oscar nomination he was also shooting a religious thriller Conclave...

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Drag Race RuCap: “Wigloose: The Rusical!”

CLÁUDIO ALVES: Praise be the 90-minute episode, the Rusical team, the queens of season 15, and the politically prescient writers who saw the current anti-drag policies coming a year in advance. Praise be to everyone! “Wigloose” is the episode of the year so far, which is saying something when you consider the utter mediocrity of its LSFYL. Then again, nobody should’ve had to fight for their lives this week. Even more than in the original “Daytona Winds,” the queens delivered excellence across the board. Sure, some did better than others, and the runway could break ties, but the talent is so evident it’s hard to keep euphoria at bay. And yet, after last year’s non-elimination-palooza, I can see why the producers and Ru herself might want to keep things tight. I’m sad, but I get it. 

NICK TAYLOR: Praise be to the singers who actually interpreted all of those songs, too. I think the sheer brilliance of last week’s tooth-and-nail LSFYL and the performances in this week’s Rusical should (and, in a prior season, absolutely would) have prevented anyone from going home. Lord knows Marcia probably would’ve won this episode. Heaven Bacon was tailor-made for her...

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