Quick Takes on Threequels: Ant-Man & Magic Mike

by Nathaniel R

Paul Rudd vs Jonathan Majors in "Quantumania"

Forever behind, always catching up. Herewith two spontaneous reviews of threequels that came out during Oscar madness that we never got around to talking about (as they weren't related to that all-consuming golden season): Marvel's Ant-Man and the Wasp: Quantumania and Steven Soderbergh's trilogy-closing Magic Mike's Last Dance...

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What's on your cinematic mind?

It's that post-Oscar lull. Are you even thinking about movies or catching up with tv or... reading a book (gasp)? The final few weeks of Oscar madness always have us losing track of what's in cinemas so we'll try to catch up this week. 

'Babette's Feast' next Thursday!

Thank you for voting in the readers poll about what movie we should talk about next week (Thursday March 23rd). So please watch Babette's Feast (1987) before that day. It's only 102 minutes long which used to be a normal movie length but now will feel like a short film! The Oscar-winning foodie classic is currently streaming on both HBOMax and Criterion and is also available to rent on most platforms if you don't have those services.

Somehow I've never seen it despite being a) really into Scandinavian things b) obsessed with the Best International Feature Film category and c) fascinated that Denmark has become Hollywood's "favourite" country other than Germany in the past two decades (if this keeps up those two countries will be to the 21st century what Italy/France were to the Oscars of the 20th century)

SXSW: Kiersey Clemons captivates in ‘The Young Wife’

by Abe Friedtanzer

Kiersey Clemons is a superb talent who has proven her ability in films like Hearts Beat Loud and Asking for It. She is once again magnetic in writer-director Tayarisha Poe’s follow-up to Selah and the Spades as a bride that no one seems to truly notice or care about being happy. The Young Wife isn’t nearly as depressing or foreboding as another miserable wedding movie, Melancholia, but there’s still a sense something could go seriously wrong at any moment, and only its title character would notice.

Onscreen text invites audiences to the party - it’s not a wedding - of Celestina (Clemons) and River (Leon Bridges). A horde of people descend on Celestina’s home, each arriving with their own energy and distinctly ignoring the vibe she’d like to have on her big day...

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SXSW: The Impact of the Pandemic on "Food and Country"

by Abe Friedtanzer

There are many ways in which the COVID-19 pandemic has forever changed the world. Among the hardest-hit industries has been food, with in-person restaurants closed for an extended period of time and many typically available items scarcely found throughout the early months of the pandemic. The road to recovery has been a difficult one and has sadly forced many longtime establishments to shutter permanently. Festival Favorite documentary Food and Country, stopping at SXSW after its premiere at Sundance, looks at the deeper history of food in America and the tectonic shift that has recently happened.

Food writer Ruth Reichl is the guide for this educational journey, one that starts decades ago when quick cooking was advertised as the new hot thing...

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