Emmy FYC: Aubrey Plaza's multiplicity in "Legion"

We're sharing our dream Emmy nominations as balloting is in progress. Here's Ben Miller...

TV creator Noah Hawley broke onto the scene quickly with the first season of Fargo.  After delivering a stellar superior second season, he was given the freedom to develop whatever he wanted at FX.  Born from that freedom was Legion.  Borrowing from its X-Men source material, Legion crafted its own little niche in prestige television.  No other series, save The Leftovers, was weirder and more divisive in its execution. 

Legion follows David (Dan Stevens), a mutant with telepathic abilities stuck in an insane asylum who finds love and conspiracy as he discovers he might (or might not) be insane.  His best friend in the asylum is Lenny, played by Aubrey Plaza.  Following a series of mind-bending events, Lenny is killed.  This isn’t much of a spoiler as it happens in the first episode.

After Lenny dies, Plaza comes to life...

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Interview: Emmanuelle Devos on Playing a Grieving Woman in 'Moka' and Looking Back at Two Decades of Work

By Jose Solís.

 

Emmanuelle Devos puts her sunglasses on. We are sitting in a room surrounded by marble busts and large windows, and she finds the light too bright. There surrounded by art pieces and posters of her new film Moka, she has never looked more like a movie star. And yet, her effortless grace and warm smile make her equally earthy. She speaks in a soft voice, laughs a lot, and has bright answers to all my questions. She was in New York to celebrate the opening of Frédéric Mermoud’s Moka, in which she plays Diane, a woman trying to avenge the death of her child at the hands of a merciless driver. She comes to believe she found the culprit and it turns out to be Marlène, played by Nathalie Baye. What follows is a psychological game in which we see Diane become both appalled and attracted by this woman.

Besides the opening of Moka, Devos is the center of a retrospective at FIAF’s CinéSalon, which over the course of the summer will screen eight of her best known works including Read My Lips, Violette and My Sex Life...or How I Got Into an Argument. I noticed Devos was using a Manhattan Theatre Club plastic cup as a repurposed mug for her herbal tea (you gotta love that unlike most patrons who trash those immediately after consuming their beverages, Devos wanted to extend its life) and upon finding out she had attended a performance of The Little Foxes I asked her what she thought about the play...

Read the interview after the jump. 

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Pride Month Doc Corner: 'Political Animals'

We are continuing this Pride Month series of documentaries about queer issues. After last week's look at the life of Armistead Maupin, we detour into politics with Political Animals.

It’s just a matter of fact that men are the predominant voice of cinematic history. This is hardly surprising given that men are the predominant voice of history in general, but this of course means that the stories of women make up a frustratingly small portion of those told on the silver screen (even if we may curate our own viewing experiences to counteract this). The same can sadly be said about queer cinema where films about LGBTIQ women and by women (gay or otherwise) are without a doubt outnumbered by those by and about men.

It’s wonderful then to see Political Animals, a film that seeks to take a side-step away from the more famous names of gay politicians and activists like Harvey Milk, Larry Kramer, Cleve Jones and Barney Frank and focuses on the openly gay women from the halls of American politics. In particular, four women from California whose long and exhausting efforts in the face of bigotry across generations (although, quite telling, almost exclusively from older white men) slowly yet surely chipped away at government homophobia.

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New Linklater Film to Open NYFF

Chris here. You may think it's a little early to start prepping for fall film festival season, but New York Film Festival wants to prove you wrong. The festival just announced its opening film and it's one we've heard surprisingly little about: Richard Linklater's Last Flag Flying.

The film will be a spiritual sequel of sorts to Hal Ashby's The Last Detail, with Bryan Cranston taking over Jack Nicholson's reins. Cranston stars with Laurence Fishburne and Steve Carell, and the men head off on a coastal road trip after Carell's son dies while serving overseas in Iraq. If this sounds on the treacly side, we can count on Linklater to give it some verve. Plus if NYFF has the confidence in the film to announce its major placement several months away, the Texan filmmaker could have something special coming our way.

The film will open in the Thanksgiving corridor on November 17, so distributor Amazon is likely gunning for Oscar consideration. Previous NYFF openers range from last year's nominated 13th to all-around dud The Walk, so we'll be curious to see how the film lands. Could this be Linklater's post-Boyhood return to Oscar graces?

Emmy FYC: Justin Theroux in "The Leftovers"

For the next two weeks with Emmy nominating ballots in progress Team Experience will be sharing personal favorites. Here's Eric Blume...

When you talk about Justin Theroux, inevitably you turn to the subject of fairness.  On one level, is it fair to the rest of us mortals that Justin Theroux looks like this... 

Then again, it’s exactly because Justin Theroux looks like that that he is grossly undervalued.   Usually, if someone who looked like that was even just able to spell his own name, he would be fawned over.  But in the acting game, male beauty is rebuffed, and awards bodies tend to eschew acknowledgement if the male actor isn’t an everyman.

Part of the glory, ironically, of Theroux’s acting in HBO’s The Leftovers is that he so deeply inhabits the everyman, in the true sense of that term.  The trajectory for his character, Kevin, was of loving husband and father, trying to protect and save his family, as men do.  He couldn’t understand how to bring his family together, how to truly be vulnerable enough to connect.  And Theroux’s physical power was the perfect foil for his paralyzing inner fear...

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