"How to Talk to Girls at Parties" Tease x 3

Chris here. Slightly lost in all of the Cannes hullabaloo is John Cameron Mitchell's directorial return to the cinema with How to Talk to Girls at Parties (though not completely lost considering its part of Nicole Kidman's Cannes foursome). Granted, other than some tantalizing set photos ages ago, we haven't heard much on what to expect from this Neil Gaiman adaptation. But now non-festival goers have their first look at what Mitchell and co. has in store for us with three tiny teasers. They may be brief, but ooh boy are they wild:

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Interview: James Ivory on "Maurice" Turning 30

By Jose Solís.

 
Can you believe Maurice came out 30 years ago? James Ivory’s film adaptation of E.M. Forster’s novel was released in the fall of 1987, a year after the Oscar winning A Room with a View. While it was never as celebrated as the former, throughout the years it’s come to be more highly regarded for its groundbreaking LGBTQ romance, and as the film that launched Hugh Grant’s screen career.

The tale of forbidden love between the title character (played by James Wilby) and a male servant (Rupert Graves) is filled with pithy dialogue, handsome actors and a then unparalleled sensuality when it comes to conveying gay romance. Its influence can be seen in countless films that came after it, yet for decades it remained the happiest of LGBTQ screen romances. That's a position I discussed with Mr. Ivory as the film is being re-released in theaters this weekend in a 4K restoration to celebrate its landmark anniversary. (If you're in NYC it's showing at the newly renovated Quad Cinema which has its own rich history of showing LGBTQ cinema).

Our interview follows:

JOSE: You’ve mentioned you enjoy watching your films...

JAMES IVORY: I enjoy watching them on the big screen, let me put it that way. What I like to do is see them big, especially after I haven’t seen them in a while.

JOSE: Have you re-discovered anything about Maurice having seen it recently?...

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"Get Away from Her, You Bitch!": Revisiting the Alien Saga

By Spencer Coile 

The tagline for the first Alien film, short and deeply frightening, reads "In space no one can hear you scream." Written in tiny font, it is placed on the poster for Ridley Scott's first venture into the Alien-universe beneath what we soon learn is the egg from which the menacing title creature is born. The image is simple but punchy, rather like the power and artistry emerging from Alien, in very much the same way the monsters pop out of humans' chests. On paper, the series is simple. But only on paper. Revisiting the world of Ellen Ripley and co. as a lead-up to the release of Alien: Covenant this weekend, one thought kept running through my mind: these films are disurbing, because they get at the root of what it means to be a human, to be a monster, and to make sacrifices that benefit oursevles, but also the greater good. What may have started out as a cut-and-paste psychological horror from 1979 soon became a story that is deeply compelling and worthy of examination.

So let's put on our space helmets, grab our flame-throwers, and start exploring the storytelling of the Alien saga...  

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Beauty Break: Happy 90th Birthday to the Grauman's Chinese!

One of my favorite places in Hollywood turned 90 years old today. The Grauman's Chinese Theater, which often houses premieres and events, opened on this day in 1927, so its centennial is just ten years away. It's currently known as the TCL Theater and was called the Mann Theater before that but it's still popularly known as Grauman's. You can rename something as perks for modern corporations but sometimes the original name hangs around (as well as it should). Don't even get me started on beautiful Broadway theaters chucking their iconic stage giant names for "American Airlines Theater" or whatnot. DO NOT GET ME STARTED. 

The Grauman's most familiar pop culture aspect is its large collection of cement tiles out front bearing the handprints of movie stars from all eras. So it's time for a Beauty Break. Which of these ceremonies after the jump do you most wish you had been at? 

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Stage Door: "Six Degrees of Separation" Revived

Stage Door bringing you intermittent theater reviews when we manage to get there. Here's Nathaniel R

It's so basic to binge plays during Tony season as opposed to a more sensible and committed once-a-month diet of live theater. Alas, just as the more familiar mainstream obsession of the Oscar circus encourages studios to backload their releases to the last quarter of the year, most of the "big" theater shows open as late as they can for Tony consideration. This makes April and May a madhouse of theater-going for those who care about such things. Because most of the musicals are too expensive, I've been catching up with the plays. We've already covered The Little Foxes (a must see) and the Pulitzer-winning economic tragedy Sweat. So let's talk Six Degrees of Separation nominated for 2 Tonys: Best Revival of a Play and Best Leading Actor (Corey Hawkins).

"Chaos, control. Chaos, control. You like, you like?"

That's Stockard Channing's most sweetly funny line reading (among thousands of exquisite ones) in the 1993 movie adaptation of this stage classic. That was also, roughly, my reaction to the Broadway revival with Allison Janney, John Benjamin Hickey, and Corey Hawkins (Straight Outta Compton), taking over the roles Channing, Donald Sutherland, and Will Smith played onscreen...

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