Review: "Everything, Everything"

by Chris Feil

It’s not summer without at least once piece of romantic counter-programming, and for the most part Everything, Everything is a cut above the last few years’ offerings. There is a surprising amount of imagination in this tale of teenage love, and more genuine feeling. Its sappier side is kept at a softer level throughout, more concerned with showing the intricacies of blossoming young love than pulling your emotional strings. The film is more organic and modest in its emotional beats, until it turns its back on its own strengths.

Newly eighteen Maddy (The Hunger Games’s Amandla Stenberg) has been homebound her whole life, suffering from SCID, a genetical disorder that makes her essentially allergic to the world at large...

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Tweetweek: Lotsa Cannes Action, Political LOLs, Sarandon x 2

A roundup as we do. It's so hard to keep up during Cannes! 

The #Cannes2017 press badge comes with amusing button that roughly translates, "I did not understand it, but the film was really good." pic.twitter.com/4eB9ZcppKm

— Peter Howell (@peterhowellfilm) May 16, 2017

More tweets after the jump including Cannes mania, White House exorcisms, Netflix divisiveness, and beautiful actresses of course. They're kind of a staple here, okay?...

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Thomas Vinterberg returns with "The Commune"

This review originally ran in September 2016 from the Toronto International Film Festival. With the film finally in theaters in select cities starting today (and available to rent on Amazon), we didn't want you to miss it...

Thomas Vinterberg first came to fame with the Dogme 95 masterpiece The Celebration (1998) which was an international success reaping Golden Globe and BAFTA nominations for Foreign Film. Oscar famously snubbed it during their long stretch of controversial years in the 90s and 00s where they regularly ignored major critical darlings eventually prompting reforms to the selection process in the late Aughts. Vinterberg was eventually nominated with another international success The Hunt (2012) and after his English language sleeper success Far From the Madding Crowd (2015) it's safe to say he's on quite a roll currently. 

For years people had suggested to Vinterberg that he make a film about commune life since he had grown up in one as a child in the 70s...

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Three Games for the News: Denzel and the Mias

by Murtada

News is coming at us so fast from the 70th Cannes, currently unspooling, that we can hardly keep up. Let’s then take a moment then to ruminate on a film that might screen at the 72nd edition in May of 2019...

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Hugh Jackman's P.T. Barnum Kicks Off The Party in "Greatest Showman" Images

by Daniel Crooke 

Between stints of slicing and dicing the big screen – let alone the ADR booth – as Wolverine, Hugh Jackman’s carved out a comfortable career for himself over the years as a jack-of-all-trades song-and-dance man. In fact, his greatest feats of awards success have all revolved around his fleet feet and tenacious tenor: a Tony Award for The Boy From Oz, his sole Oscar nomination for Les Miserables, and, of course, his instantly iconic turn hosting the 2008 Academy Awards. In light of Entertainment Weekly’s recently released photo spread from his upcoming P.T. Barnum (original!) musical The Greatest Showman, the question begs itself. Will Jackman land once more with Oscar for his latest tripping of the light fantastic?

More images and info after the jump... 

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