Best Picture in Black-and-White: 2022 Edition

by Cláudio Alves

Remember when Bong Joon-ho and NEON did a special re-release of Parasite in black-and-white? Since then, it's been an awards season tradition to imagine what the Academy's Best Picture nominees would look like devoid of color. This exercise is based chiefly on silly fun since there's more to black-and-white cinema than just turning the saturation dials down. However, it sometimes reveals exciting things about the films at hand. Whose cinematography relies the most on chromatic contrast? What picture would survive the best in monochrome, mayhap even excel? Last year, The Power of the Dog proved a silvery revelation, calling to mind midcentury revisionist westerns. Let's see if this batch of nominees includes a similar success…

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Oscar Volley: Look at that -- Best Picture is actually a good time!

Team Experience has been pairing or tripling up to discuss the Oscar categories. Here's the (presumed) final award of Sunday night with Elisa Giudici, Nathaniel R, and Eric Blume...

NATHANIEL: Hello team. The final category. Best Picture is such a big big topic, 1434 minutes big. Or 24 and a half hours big if you wanted to watch all the films back to back... though, really, why would you? That's a lot of movie and it's also a lot of Movie-Movie since these mostly aren't shy and self-effacing films. With the exception of Women Talking, if all of these movies were at a party together they'd each try to be the life of it. Or at least life-adjacent. Banshees of Inisherin might just gab away in a corner and The Fabelmans might just watch everyone / everything... but quite enthusiastically! 

I picture Avatar The Way of Water arriving first, because it can't be bothered with a schedule and eager to scope out the scene and really become the vibe. TAR will arrive last with a big flourish and bold gestures expecting the party to shape-shift around it. I'm starting with a party-theme because I am willing myself to stay positive...

And also because I confess I really love a full half of these movies (which is rare). I think we all know who is leaving the festivities with the most party favors from that naked gold host but we don't have to start there.

Please enter this party festively and tell me what you think of the room...

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T'was the night before Oscar...

... are you ready for your Oscar night parties tomorrow? We're keeping it super low key this year chez moi though I miss the salad days of huge parties and more time to devote to Oscar mania. But it is what it is. Time marches on and things change. But while we have a few days to go to wrap up this particular Oscar season given that there is always the need for a bit of post-mortem, I wanted to go over my personal predictions quickly since you've read the Team Predictions and the Oscar Volleys. I feel less secure than usual... and that's fun! Unpredictable Oscar nights are much more interesting.

Here are very quick notes on each category. Links go to the Oscar charts for that category. If a category has a "lock" by it that means any other winner would be a total shock. Categories in red are true mysteries. It really feels like multiple outcomes (not just two) are possible so those envelope tears will be exciting... 

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SXSW: The High Cost of Insulin in ‘Pay or Die’

By Abe Friedtanzer

It should surprise virtually no one that there are tremendous issues with the healthcare system in the United States today, and that pharmaceutical and insurance companies are a big part of those problems. The award-winning limited series Dopesick showed just how detrimental the prescription of excessively powerful drugs can be. A new documentary premiering at SXSW, Pay or Die, looks at another side of the coin: the exorbitant cost of medication necessary to a person’s survival and the dire consequences of falling short…

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Oscar Volley: Is production design best or most this year?

Team Experience has been pairing up to discuss Oscar categories. Here's Cláudio and Mark talking Best Production Design. Totally my fault that this went up late but enjoy this digestif since we just talked Best Picture - Editor

CLÁUDIO: Since the start of our new era of an expanded Best Picture ballot, it's become harder and harder for movies not nominated for the big category to win elsewhere. Even so, it's not unusual to see one sole production succeeding against the apparent odds, nabbing a couple of prizes in categories dominated by more beloved titles. This year that could be the case for Babylon in Best Production Design. After its BAFTA victory, I'm inclined to predict the Chazelle's polarizing chronicle of Old Hollywood, but the mightiness of Best Picture nominees Avatar: The Way of Water, All Quiet on the Western Front, Elvis, and The Fabelmans looms large over the race...

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