"You think just because I'm a movie star I don't have feelings."

...well, you're wrong!"

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Review: "Free Fire"

by Chris Feil

At first look, Ben Wheatley’s Free Fire seems like another Tarantino retread, all snarky hyper-violence with a wink that we’ve seen dozens of times - and to some degree it is. But the film isn’t so much the macho wankfest it will be shrugged off as, nor the cornucopia of gun adoration that the marketing promises. Where Free Fire delights, even charms, is by finding its thrills in the shady repartee and double crosses between criminals rather than the bloodshed. 

Guns do play the central role in the film’s “deal gone wrong”, but they aren't responsible for what makes things go south...

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Tribeca 2017: Super Dark Times

by Jason Adams

There was this boy named Donnie that was a year below me in High School that I was in love with in that way teenagers are always in love with impossible things. He was a wrestler in the mold of the an Apollo statue, and he was correspondingly popular – even though he was a year younger than me he hung out with the popular kids in my class, and all of them together had it in common that they had no time for the likes of me. I used to go to wrestling meets just to watch him – I’d skulk in the bleachers, trying not to be noticed, as he sauntered, full singlet, in spotlights. I heard a few years after graduation that Donnie was killed in a car accident – it’s likely he and I never spoke, but when I think of High School, I still think of him.

Stylish and moody and deeply sad, Super Dark Times brought back rushes of memories like this – of high school tinged through black times; youth and beauty all muffled and dark...

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Tribeca 2017: Hounds of Love

by Jason Adams

Even people who profess to like horror movies don’t always like it when horror movies make them really uncomfortable. It’s why you see F grade Cinema-scores for truly disturbing flicks like Wolf Creek  - we want to be scared in a fun way, but we don’t want to waltz with actual despair. There’s a scene in Wes Craven’s  Last House on the Left that made me feel so awful it still haunts me to this day.

Hounds of Love, the first film from Aussie director Ben Young, waltzes with such awfulness, and might just announce a real talent a la Craven too...

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Best Actress - April Foolish Oscar Predix

We always save the best category for last.

The April Foolish Oscar predictions are officially complete with the BEST ACTRESS chart which has just gone up. So many talent women. So much luscious actressing to come. We cannot wait to see these performances, wherever they happen to fall on the chart. Predictions are for fun and do not indicate who we're rooting for ever -- we try not to root for anything without actually seeing the films because "may the best performance win!" and we don't know what that will be yet, now do we? This year the April Foolish crystal ball says "all previous nominees" but that's largely because it does not appear to be a year where many women who aren't previous nominees have managed to land leading roles. But we shall see. 

Answer me these questions three:

1. Which actress's double feature are you most excited to see? The busy choices are: Jessica Chastain (A Woman Walks Ahead, Molly's Game), Kate Winslet (Wonder Wheel, The Mountain Between Us), Sally Hawkins (Maudie, The Shape of Water), and Charlize Theron (Tully, Atomic Blonde). Let's leave the very busy Nicole Kidman out of this survey since the size of her roles aren't totally obvious this year.

2. Do you think Annette Bening has momentum due to that near-miss last season (those sometimes build goodwill) or do you think 20th Century Women is irrelevant to this year's prediction equation?

3. Which performance are you convinced will be great sight unseen? ...and vice versa if you're feeling irritable today.

ICYMI 
Past articles on this new Oscar race
Last year's Oscars, the full index