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Sunday
Dec042016

The 42nd Annual LAFCA Winners !

The Los Angeles Film Critics Association stretches back to 1975, a very great year in cinema history with one of Oscar's all time best Best Picture lineups (Dog Day Afternoon, One Flew Over the Cuckoo's Nest, Nashville, Barry Lyndon, and Jaws). They gave four of those pictures awards in their first year, ignoring only Jaws. Though we normally despair that all film critics awards seem to be viewed through the prism of Oscar influence or prediction (critics groups should have their own identity / agenda or else what good are they?) in the LAFCA's case it's difficult to avoid. Los Angeles is an industry town and these are their local critics. So go crazy when you're looking at this list and want to think of it in terms of Oscar; It's easy to argue that its the single critics list that Oscar voters take most seriously since the bulk of the membership lives there.  You can especially see this influence lately in LAFCA's choices for "career achievement" which are not so infrequently named as Honorary Oscar winners the following year or three thereafter as happened recently with Anne V Coates, Gena Rowlands, and Frederick Wiseman!

For a refresher last year's big LAFCA winners were Spotlight and Mad Max Fury Road which were of course very popular with Oscar, too. They sometimes get creative in the Best Actress category but their Best Picture winner tends to go to an obvious and highly competitive future Best Picture nominee or winner with rare exceptions like WALL•E (2008), American Splendor (2003), or Do The Right Thing (1989).

This year's prizes were bathed in Moonlight though La La Land put up a fight.

LAFCA WINNERS (AND TRIVIA) 

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Sunday
Dec042016

Baby Groot Pushing Buttons, Stealing Teasers

Guardians of The Galaxy Volume 2 arrives in five months time. Baby Groot steals this new teaser though we'll surely have more of them in which the others try to steal it back. Good luck with that.

The last Guardians took the world by surprise to become the third biggest global and domestic hit of its year (despite next to zero brand recognition before it arrived) and two Oscar nominations (Makeup and Visual Effects). Volume 2 won't have its element of surprise but what do you think the outcome will be? 

Saturday
Dec032016

Interview: Pavel Giroud on Cuban Oscar Submission 'The Companion'

By Jose Solis.

Cuba’s Oscar entry The Companion, will surely be seen with new eyes with the recent death of Fidel Castro, as more stories about his decades long regime will come to the surface. Directed by Pavel Giroud, the film is set in a sanatorium in the outskirts of Havana, where HIV positive people were sent to live in the 1980s in an effort of the government to try and contain the epidemic. Each of the patients was assigned a companion, who would report on their behaviors and habits (no smoking or drinking allowed!), one of them is former boxer Horacio (Latin Grammy winner Yotuel Romero) who seeks another chance at glory, while he has to look after the rebellious Daniel (Armando Miguel). The two men develop an unlikely friendship which helps as the channel through which we see other subplots unfold, all of which contribute to helping audiences come up with a more complete portrait of what it was like to live in Cuba. Without resorting to sensationalization, the film both celebrates the country and criticizes the regime in which health came at the price of liberty. I spoke to director Giroud about cult Cuban musicals, his research for the film, and what it’s like to be the first Oscar submission after Cuba and the US have normalized diplomatic relations.

Read the interview after the jump. 

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Saturday
Dec032016

Amusing Film Tweets o' the Week

many more after the jump...

 

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Friday
Dec022016

Sight & Sound's Top 20

So many lists and awards announcements this week you'd think it was... oh, yes, it is December. Sight and Sound enter the fray now with their top 20 which is a mix of expected auteur worship titles, festival films that may or may not ever actually open. It's also very now. The oldest title here is the great German continuous shot film Victoria (which premiered at festivals last year -- we nominated it for cinematography in 2015) but almost everything else just opened or hasn't opened yet! It's to be expected but also deeply frustrating that distributors never really catch up to film buzz...

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