TIFF: Strange Weather and Handsome Devil

Nathaniel R reporting from the Toronto International Film Festival

Despite the buzz from festivals usually circling around pre-sold films and major Oscar hopefuls, there are always minor gems to be found amongst the clutter which are still seeking distribution. Here are two I hope get picked up, a very accessible Irish boarding school drama (without the benefit of any big name to sell it) and an American indie starring Oscar winner Holly Hunter.

Strange Weather
(Dir. Katherine Dieckmann, US)
Take a look at that still above. Now look way to your out of focus far right. See the girl in pink tank and jean shorts? That's Carrie Coon (Gone Girl, The Leftovers), one of the best actresses working who is still not a household name or an Emmy or Oscar nominee! But, yes, movie still providers to festival guides, Holly Hunter is the draw here. She plays Darcy Baylor, a bohemian mother of meager means (a Holly specialty - see also Thirteen) who lost her only child to suicide years before the film begins. She has never quite been the same and her fierce best friend (Carrie Coon), her best friend's girlfriend (Andrene Ward-Hammond who is also in Loving this year) and her ex-boyfriend (a soulful Kim Coates from Sons of Anarchy) are concerned about her all over again when a couple of chance encounters reveal something she didn't know about the day he died. Though the plot can be (okay is) convoluted, the writing is otherwise strong with well defined characters, great conversations (it's partially a road trip movie), and a ineffable central arc that Holly Hunter has no trouble selling because she is Holly Hunter and goddamnit we don't appreciate her enough. Though there are a couple of bumpy patches in this road with wonky cuts, shots, and transitions -- perhaps budget trouble? -- and that aforementioned convoluted story might be difficult if you're not into the actresses. But if you aren't, your loss! I could have watched these characters/actors for another hour. I'll take a spinoff series with Carrie and her lesbian lover please! B/B- 

Handsome Devil 
(Dir. John Butler, Ireland)
This Irish boarding school drama about a redhead student who cares nothing for sports at a rugby-mad school is sweet goodhearted fun. It risks being a little 'This is a Teen Movie!' annoying and unrealistic in its construction (complete with occasionally snarky narration) but the friendship at its center between music-loving Ned (Fionn O'Shea) and strong and silent rugby star Conor (Nicholas Galitzine) is really well done and fills up the heart of this accessible mainstream charmer about "otherness." The undervalued / always terrific Andrew Scott (Pride) plays the gay teacher who encourages Ned & Conor in their odd couple friendship and their off-sport pursuits. You know we've come a long way when a movie with a rather large LGBT element is not even listed with a key word of LGBT in the festival guide! (Director John Butler made one previous feature called The Bachelor Weekend which we reviewed a couple of years ago which also starred Andrew Scott. He's made a leap forward with this second feature.)  B

Review: Bridget Jones's Baby

by Eric Blume

Everyone’s favorite contemporary British heroine is back:  Bridget Jones (Renée Zellweger) is now successful, at her ideal weight, and alas still single.  In Bridget Jones’s Baby, she has two surprising one-night stands with different men:  an American dating guru (Patrick Dempsey) and her former flame Mark Darcy (Colin Firth).  Then she’s pregnant:  who could the father be?  Will we see misunderstandings and shenanigans along the lines of a typical Three’s Company episode?  Unfortunately, yes…yes, we do.

The original 2001 Bridget Jones’s Diary remains a mini-classic of its kind:  one of the most dignified and intelligent of its genre (romantic comedy), yet it also transcends the genre, truly plumbing some depth (as mainstream movies go) about accepting who you really are, and understanding what love actually is.  It went beyond your typical “boy and girl like each other because they’re in a movie together as leads” mentality and went to the heart of the characters’ specifics.  With sharp, interesting acting from its three leads (Zellweger, Firth, and Hugh Grant), the film had snap and verve; it felt vital.

Diary’s skilled director, Sharon Maguire, didn’t return for the first sequel (Beyond Reason) but is back in the chair for Baby...

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Emmys 2016 - Why Keri Russell should win Best Lead Actress in a Drama Series

Here’s Lynn Lee, with a closer look at the newcomer and underdog of the six Emmy nominees for Best Lead Actress in a drama:

When I first started watching The Americans, I was blown away by one actor, and one actor alone: Matthew Rhys, as the male half of a pair of KGB operatives hiding in plain sight in the suburbs of Reagan-era Washington, D.C.  Oh, the rest of the cast was strong, too, but Rhys—whom I’d never previously seen in anything—left everyone else in the dust, including Keri Russell as his partner in espionage.  She was good, I thought, but not quite at the level of her co-star.

Flash forward three seasons, and Russell’s more than made up that gap.  Not only does she now easily hold her own opposite Rhys, there are times when she surpasses him...

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RuPaul's Drag Race All Stars E4 - Drag Spoof-quels

By Chris Feil

First thing's first: a hearty condragulations to RuPaul on that Outstanding Reality Host Emmy! The win felt richly deserved after nearly ten seasons of giving us the best competition reality show and her long legacy as a television personality. Now if we can only get the show itself recognized, as well.

After the immediate fallout of Alyssa sending Ginger home last week, the heat was on Miss Edwards for flipping the script on sending the queen with the harshest critiques home. Her defense on keeping Katya on the basis of consistency (being top 2 the previous week, whereas Ginger never registered) fell on deaf ears. Here's the thing: even if they're basing it off judges critique, it's still open to interpretation by the deciding competitor. These girls are acting like their given hard data on who to send home and ignoring how the narrowed field may require them to rethink that strategy.

This week's challenge paired the girls off for drag movie sequels to some of our favorites here at The Film Experience...

... except don't expect anything too familiar to the originals. Licensing sure is expensive!

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Lovesick Brides to Be at TIFF

Nathaniel reporting from the last weekend at TIFF where brides-to-be are in the air. It's easy to see little mini-festivals blossom within the overall festival you're watching. Sometimes it happens quite by accident as with three films I caught recently (two of which might be fighting for Oscar foreign film nods). All feature female protagonists who pine for a man they thought they would marry before things went horribly wrong. We've already discussed François Ozon's Frantz. In that film the fiancee is already dead when the movie begins but in these next two films The Wedding Ring from Niger and Sand Storm from Israel, both of the young women begin the movie with a combination of dread and hope: will they be able to marry the man they loved who they met in a liberal university setting or does their conservative rural village community have other futures in mind? Both films are narrative debuts by female directors. In addition to their romantic dramas these two films speak to the clash of modernity and tradition, West and East, and especially to gender roles with young women chafing at the expectations placed on them to be subservient to whims of the patriarchy...

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