Oscar Volley: Will “Best Cinematography” make history?

The Oscar Volleys continue. Today, ERIC BLUME and CLÁUDIO ALVES discuss the potentially historic race for Best Cinematography.

With SINNERS, Autumn Durald Arkapaw might become the first woman to win the Best Cinematography Oscar. | © Warner Bros.

ERIC: Hi Cláudio, I'm the lucky man who gets to talk to you about one of Oscar's most exciting categories, Best Cinematography.  Except, for me, it is not a very exciting category this year.  Usually, this branch has at least one or two truly inspired nominations that feel exclusive to their expertise.  This year, much like the Production Design category I just discussed with Ben, I feel like we broke more into the "default" films that popped up in every category. 

What's your initial impression of the five nominees:  Frankenstein, Marty Supreme, One Battle After Another, Sinners, and Train Dreams?

CLÁUDIO: My initial reaction is that the cinematographers branch should collectively see an optometrist, while the Academy at large needs to watch more movies than the twelve or so titles left contending for a Best Picture nod at the end of December. Alas, that is not the world we live in…

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They've Got Character!

by Nathaniel R

Hedda, Ronaldo, Rumi, and Remmick were some of the most memorable characters this year

In my mad rush to complete the annual Film Bitch Awards before Oscar night, I have completed the "character" pages. Each year I eagerly await meeting new divas, heroes, sexpots, and villains in the movie theaters and then celebrating them this way.  Supersized or heightened characters tend to make more of a difference in genre pictures, but you'll sometimes find indelible characters that fit these rather broad labels in comedies and dramas, too...

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Oscar Volley: "Best Supporting Actress" is a fun, fantastically chaotic Free-For-All!

The Oscar Volleys continue. NICK TAYLOR and ERIC BLUME discuss the ever volatile race for the Best Supporting Actress Oscar.

Amy Madigan in WEAPONS | © Warner Bros.

NICK:  Hello Eric! I’m writing you the day after the Actor Awards announced their winners. Amy Madigan took their Supporting Actress prize for her pristine turn in Weapons, while Wunmi Mosaku can add Sinners’ Best Ensemble award to her shelf. It’s a three-way race between them and Teyana Taylor’s commanding turn in One Battle After Another, and I for one couldn’t be happier. Hell, Inga Ibsdottir Lilleass and Elle Fanning are better also-rans than most of the past decade’s undisputed champions.

After several years in a row of middling lineups, this is the best Supporting Actress field since 2020, maybe even 2016. There aren’t even any leads (or categorically ambiguous) to dampen our fun. In a year with plenty of outside contenders and tantalizing non-starters, all five women earned their nominations fair and square, without feeling preordained. I’m still debating if Taylor or Madigan will go all the way, and while I ponder the fate of all things, let me ask you: How do you feel about this category, Eric? Where do you think the winds are blowing?

ERIC:  Nick, I agree wholeheartedly that this is the best field we've had in many years, not a lame performance in the bunch!  Which is why I'm personally a bit dismayed that the two performances I feel are the strongest (Sentimental Value's Inga and Elle) are the two that seem out of the running for a win...

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Split Decision: “Train Dreams”

In the Split Decision series, two of our writers face off on an Oscar-nominated movie one loves and the other doesn't. Today, JUAN CARLOS OJANO and CLÁUDIO ALVES discuss Train Dreams...

JUAN CARLOS: So why don't you like Train Dreams?

CLÁUDIO: Seriously, that's how you start our convo?

I guess it's an appropriately blunt opening to argue over a blunt movie that wears the costume of subtlety and gentleness without quite pulling it off. Well, in my opinion, of course, since being the one organizing this series has made me well aware that everyone on the team likes Train Dreams. And, to be fair, the picture's grown on me to the point I'm actually rooting for it in the Best Cinematography race and wouldn't even be mad if it pulled off an unprecedented victory in Best Original Song. It's a picture full of great elements that ultimately falters under the weight of one or two major failures, some misbegotten choices that collapse the potential it might have had in different circumstances…

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Oscar Volley: “Best Actor” will be a nail-biter to the bitter end

The Oscar Volleys continue. Today, CLÁUDIO ALVES and EUROCHEESE discuss the Oscar race for Best Actor.

Timothée Chalamet in MARTY SUPREME | © A24

CLÁUDIO: Last year in movies turned out to be an odd one for me. Mostly because, when I looked at my spreadsheets and lists to make up a ballot, the male acting categories felt markedly richer than their female counterparts. This never happens, not to me, at least. Yet, here we are. And while the supporting acting races don't necessarily show this - the Supporting Actress quintet AMPAS chose is one of the strongest we've had in years, mayhap decades - the leads bear the truth of the matter quite starkly.

In other words, I'm surprisingly happy to be discussing Best Actor rather than Best Actress in this year's volleys. I'm even happier to be doing it with you, Eurocheese! Are you similarly enthused?

EUROCHEESE: Same! I could have easily filled ten Actress slots the prior year, but last year saw a slew of brilliant male leads, making the limit to five a difficult choice. I can't complain about the choices the Academy made here - all five deserve their names in this lineup...

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