Best of 2025: Bi Gan dreams the death and “Resurrection” of cinema

by Cláudio Alves

Before dropping my top ten of 2025, sometime near the end of the season, there are a bunch of excellent films that have gone unreviewed at TFE. Let’s fix that…

With Warner Bros. for sale and Netflix as its most likely buyer, cinephiles worldwide are despairing over the future of the theatrical experience. As monopolies keep forming stateside, Hollywood seems bound to reach a breaking point any time soon, and the effects are already being felt beyond borders. And then there’s AI and a rising devaluing of human artistry, the production of content above all else. That said, to speak of the end feels premature, foolish even. Even if the mainstream American movie industry as we know it ceases to be, cinema is bigger than that. Indeed, it’s an art form still in its infancy, still transforming and coming into itself. If death is coming, it manifests as transformation and, in metamorphosis, there’s longevity that beckons hope. So, stop doomscrolling and hold tight to what you love, be it the medium itself or the communion of sitting in a dark room with others, facing the collective dream projected on a bright wall.

There’s a way to accept the pain of change without giving in to despair, to believe, to honor, to delight in the miracle of the moving image without falling into grief. Chinese wunderkind Bi Gan's latest, Resurrection, embodies such notions in ways few films have done. As it regards the past, it speaks to the present and the mystery of a future none of us can yet grasp. With equal parts adoration and sorrow, intellect and earnestness, sadness and a strange strain of fatalistic optimism, this multi-chaptered odyssey through the human senses whispers and screams: Cinema is dead. Long live cinema…

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AFI 100 Years… 100 Movies: An Overdue Update

by Juan Carlos Ojano

CITIZEN KANE (1941) was the top-placer in both editions.

I ended my 2025 by watching the remaining films from the AFI 100 Years… 100 Movies, both from the 1997 and the 2007 editions. From the egregiously racist The Birth of a Nation (1915) to the broodingly dark Blade Runner (1982), it was fulfilling to finally finish these films, an endeavor that I started back when I was in high school and just finished now in my 30s.

So this reminded me that AFI was supposed to do the 100 Movies list every ten years, but they only revisited it once, with 2017 marking its supposed update but crickets from the institute. While it is probably a longshot, 2027 marks another chance for the AFI to release an updated version of the list. For the 2007 version, the most recent films they considered were three films from 2005: Brokeback Mountain, Crash, and Good Night, and Good Luck.

 So with 2025 now over, let’s do an exercise: which films from 2006 to 2025 would most likely be considered to be added to an updated list should it happen soon? Let’s go…

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Happy New Year - May 2026 *Not* Be A Disaster!

If you were CINEMA itself, what would your New Year's Resolutions be?

Can't wait to hear your answers...

Will "One Battle..." or "Sinners" Tie or Break Oscar Records?

by Nathaniel R

Can One Battle After Another defeat the Oscar Nomination Champs?

When France's Spanish-language trans musical Emilia Perez scored 13 nominations last January I felt an impending dread. The dread spoketh so... "If even this bizarre and divisive non-Hollywood film nearly broke the all time nomination record (14), then it's only a matter of time before it falls!" This is a terrifying development for those of us who cherish the spreading of wealth. If you love more than one or two movies a year it's downright heartbreaking. To date in Oscar's nearly century-long history, only three films have scored 14 nominations across available Oscar categories: All About Eve (1950), Titanic (1997), and La La Land (2016). This season honoring the films of 2025 One Battle After Another and Sinners will try to join or surpass them. The first new category in ages (Casting) could help them match or break that record. But will they pull it off?

Since we've just updated every single Oscar chart with late December predictions, it seems like the ideal time to investigate. Let's do that after the jump...

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A lot of (potential) variety this year in "Best Live-Action Short"

by Nathaniel R

Miriam Margoyles stars in "A FRIEND OF DOROTHY"

Each year after the Oscar shortlists are announced we try and dive in to the shorts categories (as well as the others that use a winnowing process). The shorts are undercovered in media but who can blame anyone given that it's difficult to know when where or if you'll ever have access to the titles. At any rate, there are some titles in each of the "specialty" Oscar categories that are easy to access. The Live Action Short category is often met with (deserved) criticism for being the "feel bad" category of the Oscars. Remember that year where every nominee was about something awful happening to a child?

But this year's finalist list has quite a lot of variety. This diversity of aesthetic purpose, emotional appeal, and genre, could well be an illusion. The Academy might pick pick the five heaviest and saddest shorts from this list of 15 but at the moment it's easy to imagine a nominated quintet that has a little something for everyone...

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