Beauty vs Beast: Daughter Dearest

Howdy, folks - Jason from MNPP here with this week's edition of "Beauty vs Beast" is which we'll be celebrating the 61st birthday of the great Debra Winger. I assume most of you, being right and proper actressexuals, have seen the terrific documentary bearing her name Searching For Debra Winger, but if not, get on that. I haven't seen it since it came out in 2002 and part of me wonders if it's maybe, hopefully, begun to feel a bit dated? That film feeling dated can only be a good thing because it means roles for actresses are getting better. If nothing else, Winger herself has been working somewhat steadily over the past few years with recent roles on In Treatment and the Netflix series The Ranch.

All that said, we're really here today for Classic Winger...

PREVIOUSLY Two weeks back we celebrated the sexy time that is A Bigger Splash with a glance back at its original (and also sexy) incarnation, 1969's La Piscine - stuffing the ballot box like he did those speedos, Alain Delon carried off about 80% of your votes. Said Steven:

"Alain Delon>>>>>>>every young pretty boy out there in Hollywood."

The Furniture: Deadpool's Junk

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber on Deadpool, now available on DVD and Bluray

We tend to think of superhero movies as showcases for visual effects. Marvel, for example, has always been stuck in that one particular category at the Oscars. It can be hard to untangle CGI from physical sets, particularly when they're strung together by a deft editor. And if identifying individual elements can be difficult, assigning credit often seems even harder. As such, production design isn’t usually at the forefront of our constant national conversation around the Marvel Cinematic Universe.

Yet sometimes, even in the murky waters of big budget spectacle, the physical set outshines its digital embellishment. That’s certainly the case in Deadpool, a superhero action movie that was perhaps forced into more terrestrial creativity by its low budget of $58 million. For context, Captain America: Civil War cost about $250 million. Inevitably some of the film looks a bit cheap, particularly when it comes to the CG. Despite the low budget, the studio still clearly felt some pressure to put on the same bombastic show of digital force that comes at the end of every one of these movies. It's a bummer, frankly, because the physical set could easily have stood on its own.

This final clash between Deadpool (Ryan Reynolds) and Francis (Ed Skrein) takes place at a vast junkyard. [more...]

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Little Men: Poster and Trailer!

Manuel here. One of the films we're most excited about this summer here at TFE is Ira Sachs' Little Men. His last film Love is Strange was excellent. And think of how great his three new adult leads are.

Poster, trailer, and more after the jump...

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Whatever Happened to Baby Jessica

I'm gagging at this photo. Bette Davis and Jessica Lange at an AFI event in June 1983. (Thanks to Dan Callahan for sharing it.)  Which means this photo was taken just two months after Lange won her first Oscar (Tootsie... she'd eventually be a two-time winner like Bette) and shortly before Davis suffered from multiple strokes...

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Audiences didn't feel divided about Civil War

Only two new wide releases hit this weekend but there was only one Money Monster and it wasn't Money Monster but that superhero-filled Civil War. Naturally the good Captain didn't make room for them in his second weekend, planting himself like a tree. "No, you move." Speaking of plants with no give - The Jungle Book isn't budging either. The next two weekends will be a tougher test for both The Avenger's and Mowgli's staying power since five new multiplex friendly movies enter the fray soon: Angry Birds, The Nice Guys, and Neighbors 2: Sorority Rising are next (I'm hearing surprisingly good things about all three. WTF?); and for Memorial Day Weekend the Alice in Wonderland and X-Men sequels challenge all of them for summer box office dominance though they're sure to win the gaudy sweepstakes.

Which of those five upcoming pictures are you planning to see and what did you catch this weekend?

Arrows indicate losing or gaining screens

TOP WIDE RELEASES
01 Captain America: Civil War $72.6 (cum. $295.9) Review
🔻02 The Jungle Book $17.1 (cum. $311.1) Articles
03 Money Monster $14.7 NEW Jack O'Connell
04 Darkness $4.9 NEW
🔺05 Mother's Day $3.2 (cum. $28.7) 

TOP TEN LIMITED
Excluding previously wide.
🔺01 Sing Street $619K (cum. $1.9) Review
🔺02 The Man Who Knew Infinity $508K  (cum. $.9)
🔺03 Green Room $411K (cum. $2.7)
🔺04 The Meddler $372K (cum. $1)  Review
🔻05 Hologram for the King $233K (cum. $3.8) Review
06 The Lobster $190K NEW Reviewish
🔺07 A Bigger Splash $189K (cum. $.3) Reviewish
08 Love & Friendship $133K NEW Review
09 AmeriGeddon $131K NEW
🔻10 Compadres $150K (cum. $2.9)

 I saw Love & Friendship on Jose's recommendation and it was delightfully arch and funny. I especially enjoyed Chloe Sevigny's awful American accomplice to Lady Susan's shady lady antics. Then I returned to Civil War because my bestie wanted to see it. My opinion didn't budge an iota from the first time (which is generally not a good sign that the movie will continue to grow in estimation). In short: good movie but the least of the three Captain Americas, largely because it's much slower, longer (they've been jumping 10 extra minutes with each Cap movie!)  and loses the focus on the All American Super Soldier to set up multiple future franchises from Spider-Man: Homecoming to The Black Panther to Avengers: Infinity War Pts 1 & 2 (the latter two will be getting a title change and won't be Parts 1 and Parts 2 as the public has finally caught on to that cheat for extra dollars for one movie).