Nine Lists. Nine Days Til Oscar !

Oscar is only 9 days away! So it's time for 9 lists with the magic number 9. NINE. NINE. NINE. NINE. NINE. NINE. NINE. NINE. NINE.

According to this website there are 9 Irish nominees this year? Kiss them!
I can only find six though. Maybe they meant all Room & Brooklyn noms (6) plus actors (2) plus short film (1)? 

Best Picture Ed Guiney, Room 
Best Actress Saoirse Ronan, Brooklyn
Best Actor Michael Fassbender, Steve Jobs
Best Director Lenny Abrahamson, Room  
Best Adapted Screenplay Emma Donoghue, Room
Best Live Action Short Benjamin Cleary, Stutterer 

The 9 best movies of all time that received exactly 9 nominations (in chronological order, *indicates Best Picture winner)
1941 Citizen Kane
1951 A Place in the Sun
1969 They Shoot Horses Don't They?
1979 All That Jazz
1979 Kramer vs Kramer *
1992 Howards End
2002 The Hours
2009 The Hurt Locker*
2013 12 Years a Slave*

more after the jump...

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Strike a Poster

It's always boggling to consider how many people's noses a poster has had to pass under in order to get approved, and how they still are often more abysmal than you could have imagined. The floating head syndrome, men with their back to the camera, or a couple back to back are the usual unimaginative posters that fly by. But this week we seem to have been treated to three posters that have gone above and beyond the call of duty to be really really stupid.

Three disasters for three genres (horror, fantasy, dance) after the jump...

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Our First Glimpse at "Absolutely Fabulous: The Movie"

Forget that Civil War between our favorite Avengers and the mayhem of the Suicide Squad, this summer's biggest superheros are coming armed in LaCroix and vodka. You know who I'm talking about, don't you, sweetie? Eh, darling?

Behold the briefest of glimpses for cult adaptation Absolutely Fabulous: The Movie! While we may not get much more than a hint of the French Riviera-set plot, it's clear that Edina and Patsy are still up their old tricks of boozing and flirting.

Obviously, there isn't enough yet to give this the full YNMS treatment, but a cigarette-drenched summer fling with Eddi and Pats will be welcome against noisier competition. We'll be treated to the original series cast - aren't you just thrilled to see Jane Horrocks and Julia Sawalha in anything? - and Jennifer Saunders has long been promising big laughs with her script. For now, we'll forget about the promised cameos by Chris Colfer and Kim Kardashian, along with the shaky later seasons of the series. With recent popcorn entertainment dominated by nostalgia and throwbacks, here's one that feels appropriately silly and fun.

Absolutely Fabulous: The Movie opens July 1!

Jóhann Jóhannsson Picks Ten Scary Scores

Glenn here. Was it just me or was Jóhann Jóhannsson’s nomination this year for his original score to Sicarioone of the highlights of the lot? That film didn’t quite take off the way many, myself included, thought it ought to have, but its three nominations are nothing to sneeze at in all honestly for such a prickly, devisive film. Jóhannsson’s nomination, however, sticks out. Not necessarily because of the quality of the work – although, clearly, it’s quite an accomplishment – but because Jóhannsson’s work in the Denis Villeneuve thriller marks such a diversion from his work on The Theory of Everything for which he was also Oscar-nominated. He probably even came close to a win for that on his first try (he did take out the Golden Globe).

It can sometimes get a bit tiresome when the same composers appear year-in-year-out for work that is remarkably similar to their own work. For instance, it was what made the difference between Alexandre Desplat’s The Grand Budapest Hotel being a wonderful nomination and Alexandre Desplat’s The Imitation Game being a bit of a shrug. Let’s be honest, there’s not much to compare within the lush orchestral arrangements of The Theory of Everything and the bone-crushingly intense soundscapes of Sicario and that makes both of his Oscar nominations exciting and makes me anticipate his next work. One hopes that if this Icelander keeps getting high profile gigs that he continues to be as eclectic as these two suggest he can be.

If you have seen the film and heard his work to Sicario then you will guess Jóhannsson knows a thing or two about scary scores. You don’t compose “The Beast” (or the rest of that movie's score for that matter) and not get to boast about that. So when I came across a list of “the best 10 scariest soundtracks” compiled by Jóhannsson, I knew I should share it. There’s horror disco, sinister synths, and legends of the craft. I have included a few of his choices after the jump, but check out Dummy Magazine for the rest as well as his own thoughts on the music.

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Q&A: Actressexual Longings & Carol Gender-Flipped

It's another Q & A. Ask it and it shall be er... might be answered. When I started typing this week I couldn't stop and before I know it there were thousands and thousands of words. So that takes care of two Q&As .

Here's the first half of the mad scribblings typings then.

What is your favorite non-nominated performance from each of the five titans of the acting nominations? (Meryl Streep, Katharine Hepburn, Jack Nicholson, Bette Davis and Laurence Olivier) - SEAN

NATHANIEL: Oh this is a tough one since those people were Oscared for breathing. Okay. Let's take them in reverse order of preference as actors...

Sir Laurence Olivier. Weirdly I was just watching As You Like It (1936) just the other day. I wasn't all that impressed though he definitely had an easier time with the material and the medium than the other stagebound performers. I have seen several of his non-nominated films, mostly from when I was very young so I don't remember them well. Spartacus? Dracula? That Hamilton Woman? I have no idea. I'm not a Sir Larry person at all! I almost always prefer his co-stars even in his biggest hits.

Katharine Hepburn. Bringing Up Baby (1938) is such a comic jewel. Mid 30s to Early 40s is best with Hepburn. 

Jack Nicholson. The Shining (1980). Sure he goes big but the nightmare requires that level of commitment to devilish abandon. He does supersized devilish abandon in Witches of Eastwick (1987) as well but in the latter case it's distracting since the women are already sparking so much. Take it down, Jack.

Bette Davis. I confess: I haven't seen all that many of her non-nominated performances. I don't think she's very good in Hush Hush Sweet Charlotte or her late camp work and not very memorable in Three on a Match. Hmmm. Maybe The Great Lie (1941)? But Mary Astor performs Grand Theft Movie in that one. What a knockout star turn.

Meryl Streep. Easy. The Hours (2002). "I seem to be... unravelling."

lots more after the jump

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