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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Entries in Laura Linney (12)

Thursday
Sep172026

TIFF 51: Best Actress Watch – “Being Heumann” and “Onwards and Sideways”

by Eurocheese

Ruth Madeley might be a new Best Actress contender for her work in BEING HEUMANN.

Coming into the fall festivals, no category has been a larger question mark in the Oscar race than The Film Experience’s highest honor – Best Actress. Aside from a couple of clear frontrunners (see my comments on The Debut), there appears to be room for a number of new challengers to find their way into the race. How likely are some of the pictures debuting at Toronto to factor in? If these two world premieres are any indication, the race is heating up. There’s Being Heumann, starring a heroic Ruth Madeley, and Onwards and Sideways, with the lovely Laura Linney…

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Friday
May062022

Review: "Ozark" Comes to an End with Season Four

By Christopher James

Will Marty and Wendy Byrd's actions finally catch up with them in?I didn’t think Ozark would be my latest binge. The Netflix crime drama was well lauded by the Emmys, winning 3 awards from 32 nominations over its past 4 seasons. In many ways, it seemed like the saturation point for “prestige TV,” an ultra-serious thriller with movie stars brooding in barely lit rooms. From the episodes I watched for Emmy coverage, it seemed like my suspicions were confirmed. However, when doing a fresh binge, the show’s personality and verve shone through the murky cinematography. The pilot sums up the central conflict the best, Ozark is about the clash of two worlds: the upper class city finance family and the brash locals they undermine at their own risk.

It all comes to an end with the final seven episodes of season four, which just dropped on Netflix. As the poster claims, the end revolves around one question: can the Byrds officially go clean?

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Tuesday
Jul202021

Almost There: Jim Carrey in "The Truman Show"

After a two-week hiatus, the Almost There series is back!

by Cláudio Alves

Blessed with an elastic face that can as easily twist into a clownish visage or a mask of tragedy, Jim Carrey is an actor prone to exaggeration. His maximalist tendencies don't always work, but they're sure to leave a lasting impression, whether playing up his funnyman routine or trying another register. While his legacy is built on comedies, awards bodies have responded better to Carrey when he's stretching himself as a dramatic performer. After his star rose with vertiginous speed in the mid-90s, the actor's first real foray into the Oscar race happened in 1998. It was then that, working with director Peter Weir, Carrey found the point where sitcom disintegrates into existential crisis, using his comedic skills to trace an odyssey of self-discovery. Despite AMPAS' marked disinterest, The Truman Show is one of Jim Carrey's greatest achievements…

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Wednesday
May192021

You Can Count On Me: Fraternal Cinema

In preparation for Thursday's Smackdown Team Experience is traveling back to 2000.


by Cláudio Alves

Mainstream cinema, such as it is, has an understandable fondness for the portrayal of interpersonal relationships. That's what happens when narrative cinema dominates and character-based drama is the rule. Nevertheless, it's interesting to note how some bonds are more privileged than others in storytelling. Romantic love is common. Friendship has its own subgenres. Parents and children are at the center of many tales. Enemies, rivals, hateful adversaries have their place too. But sibling relationships, though very common in life, are very rarely at the forefront of any given motion picture. Consequentially, when such a film appears, there's an added value to its existence. At least, that's how I feel.

Kenneth Lonergan's debut feature, You Can Count On Me, is probably one of the best examples of this rare fraternal cinema…

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Sunday
Aug232020

Emmy Review: Lead Actress in a Drama

By Abe Friedtanzer

Last year’s winner in this highly competitive category – Jodie Comer – is back after her show, Killing Eve, performed much better than most thought it would. This race will surely be close, with a defending champion, three potential new victors, and one dark horse surprise (who I think may just win). 

I’ll try to avoid major plot details in my analysis – but if you'd like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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