2022 Emmy Category Analysis: Drama Directing & Writing Categories

By Abe Friedtanzer

Julia Garner in the series finale of Ozark "A Hard Way To Go"

The directing and writing categories for drama this year have seven slots each and both honor the same five shows, with one additional series thrown into the writing race. It’s become increasingly rare for shows that aren’t nominated for Best Drama Series to make the cut in either category. Indeed, for the second consecutive year, none managed that feat. The only shows that managed multiple nods in either of these categories this year were Yellowjackets  with two writing nominations and Succession with 3 directing nominations. Fun trivia: Succession keeps matching its season number to its number of directing nominations (Season 1: 1 nod; Season 2: 2 nods; Season 3: 3 nods) While Succession won the directing race for season two, it has won the writing Drama Emmy for season 1 and 2 which makes it the frontrunner in each category again. But let’s look at what else is in the mix. 

Brief descriptions of the nominees below - click on the episode titles for spoiler-filled reviews…

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Review: "Ozark" Comes to an End with Season Four

By Christopher James

Will Marty and Wendy Byrd's actions finally catch up with them in?I didn’t think Ozark would be my latest binge. The Netflix crime drama was well lauded by the Emmys, winning 3 awards from 32 nominations over its past 4 seasons. In many ways, it seemed like the saturation point for “prestige TV,” an ultra-serious thriller with movie stars brooding in barely lit rooms. From the episodes I watched for Emmy coverage, it seemed like my suspicions were confirmed. However, when doing a fresh binge, the show’s personality and verve shone through the murky cinematography. The pilot sums up the central conflict the best, Ozark is about the clash of two worlds: the upper class city finance family and the brash locals they undermine at their own risk.

It all comes to an end with the final seven episodes of season four, which just dropped on Netflix. As the poster claims, the end revolves around one question: can the Byrds officially go clean?

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Review: "Thunder Force" (Netflix)

by Christopher James

Longtime friends McCarthy and Spencer in "Thunder Force."Melissa McCarthy and Octavia Spencer are already acting superheroes. Over their long careers, they’ve stolen scenes from the best, been nominated for Oscars (with Spencer winning in 2011), and headlined comedy, drama and horror films. There’s nothing these women can’t do… until now. Thunder Force is their kryptonite. There’s no superpower in their arsenal that can save this comedy, which is completely devoid of laughs. 

Thunder Force takes place in a world much like our own. The main difference: mysterious intergalactic rays touched down in the 80s and gave a few bad apples superpowers. These super individuals, called Miscreants, use their powers to terrorize everyone in sight. If only bad guys are given powers, how are the good guys ever going to prevail?

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Emmy Review: Lead Actor in a Drama

By Abe Friedtanzer

Will Succession produce a Best Actor winner? There are two options.

This was going to be the year that Bob Odenkirk finally took home an Emmy for Better Call Saul on his fifth try with a slam dunk episode submission of “Bagman.” But, like Richard Madden for Bodyguard last year, the expected frontrunner got snubbed altogether, leaving the field totally open. There are six great choices for the win. Half this field is new, and this is actually one of the first times that Golden Globe winner Brian Cox and Critics Choice winner Jeremy Strong are nominated against each other, which sets up a major showdown not unlike the one that happens between their characters on Succession. 

I’ll try to avoid major plot details in my analysis – but if you'd like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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Emmy Review: Guest Actor in a Drama

By Juan Carlos Ojano

While the Comedy Guest categories are exciting, the Drama Guest categories are just hard to decipher. Last year’s winner, Bradley Whitford for The Handmaid’s Tale, was bumped up to regular supporting (and is actually nominated there). Meanwhile, none of his co-stars submitted in this category made it. Only two of the nominees are from Drama Series contenders and one of them was a surprise inclusion. One nominee is already on his fourth consecutive nomination playing the same role in the same series. Another nominee is actually a giving a lead performance. 

With no obvious frontrunner in sight, let’s consider each nominee...

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