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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Wednesday
Nov232022

"Kidmania, Summer 2023 Edition" courtesy of AFI

by Nathaniel R

This just in. The goddess Nicole Kidman will receive what the AFI calls "The Highest Honor in American Cinema" next summer. That honor is the AFI Lifetime Achievement Award. She'll be the first Australian so honored. Take that Cate Blanchett! She's also only the 11th actress they've ever honored in this way...

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Tuesday
Nov222022

Oscar Volleys: Best Editing is a Category that Doesn't Know What it Wants to Be

Team Experience will be discussing each Oscar category as we head into the precurosrs. Here's Nick Taylor and Ben Miller with the first volley...

the 4 most recent movies to be nominated for editing that WEREN'T nominated for Best Picture.

BEN: Alright Nick, since I'm starting this conversation, I'll get on a soapbox. I hate what this category has turned into. It used to be a really cool category that highlighted the most underrated aspect of the filmmaking process. Instead, it's turned into Best Picture Redux.  In the last ten years, there have been 50 nominees for Best Editing. Only four were not nominated for Best Picture. When did this category get so lazy? Why, of all categories, is this one so linked to Best Picture... 

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Tuesday
Nov222022

What did you see this week... or are you waiting for Thanksgiving like Hollywood?

By Nathaniel R

It was a strange weekend for moviegoers. Hollywood wanted to give Black Panther 2 ample room and it's not quite thanksgiving so only two new wide releases risked opening: The Menu and She Said. The former did okay and the latter struggled. In limited release a slightly similar story but just remove a few 0s as Bones and All and The Inspection both opened on a handful of screens. In both box office skirmishes, moviegoers tended to chose the violent option. Violent thrills are really what sells movie tickets these days, with or without vfx budgets. We wish the general moviegoer had wider taste, but it is what it is...

Weekend Box Office (actuals)
November 18th-20th
🔺 = new or expanding /  ★ = Recommended
WIDE (OVER 800 SCREENS) LIMITED / PLATFORM 
BLACK PANTHER WAKANDA FOREVER BONES AND ALL
1 BLACK PANTHER WAKANDA FOREVER $66.4 (cum. $287.1) TILL $228k (cum. $8.5) 656 screens
 

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Tuesday
Nov222022

'Everything Everywhere' and all over the Spirit Award Nominations

by Nathaniel R

A24's restless inventive sleeper hit Everything Everywhere All At Once continues to win. It's now the leader at the 38th annuel Independent Spirit Awards with 8 nominations and all four of its principal actors were nominated. In second place is Tár with seven nominations. Aftersun missed a couple categories we thought it might hit but it still did very well with five nominations overall.  Love for the rest of the eligible movies was more measured but Bones and All, The Inspection, The Cathedral, and Women Talking also showed up in a few places. 

Since the Spirit Awards have a budget cap ($30 million now) many key potential Oscar players weren't eligible including most Netflix titles as well as presumed Oscar players like The Fabelmans, Banshees of Inisherin, Empire of Light   and naturally all of the spectacle blockbusters. The Spirit Awards rule also deny international cinema the chance to compete in major categories, relegating them to a single "international" category... 

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Tuesday
Nov222022

Almost There: Paul Dano in "Love & Mercy"

by Cláudio Alves

Paul Dano's film career has been awards-adjacent since the very beginning. At seventeen, he won the Best Debut Performance Spirit Award for his work in L.I.E. Five years later, he was one of the stars of Little Miss Sunshine, the first of three Best Picture Oscar nominees in the actor's filmography. Still, though the Academy regularly loves Dano's movies, they have never shown any affection for Dano himself. That might change this year with The Fabelmans, where the actor portrays a fictionalized version of Steven Spielberg's dad in what's bound to be one of the season's biggest award magnets.

To celebrate the actor's achievements and potential first Oscar nomination, let's look back to the last time Dano was on the Academy's radar. In 2015, he almost category frauded his way to a Supporting Actor nomination for his work as Brian Wilson in Bill Pohlad's Love & Mercy

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