The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
It's an open thread as your host is otherwise slammed at the moment. Are Oscar's all that's on your mind or are you a non-conformist this week and otherwise cinematically preoccupied? Do tell in the comments.
P.S. Just as I posted this news broke that Nate Parker's slave rebellion drama The Birth of a Nation, the Sundance sensation,has a release date now. It'll be a wide release (!) on October 7th, 2016 from Fox Searchlight. October is a good month for Oscar releases.
Time for more Film Bitch Categories. We're almost done*. Click away for the nominees in two more scene categories involving music.
Films featured in this round include (deep breath now): Chi-Raq, Ex-Machina, Girlhood, I'll See You In My Dreams, The Last Five Years, Magic Mike XXL, A Pigeon Sat on a Branch Reflecting on Existence, Ricki & the Flash, Straight Outta Compton, and Victoria
*Only eight more categories to go... Best Scenes (not featured in these categories), Opening and Closing Scenes, Title Sequence, Sex Scenes, Best Kisses, and Best Actor and Best Actress in Limited or Cameo Roles... (which generally means no more than 2 scenes). We'll name our gold, silver, and bronze medalists on Friday/Saturday.
Manuel is working his way through all the LGBT-themed HBO productions.
Last week we played a fun game of Oscar What If… imagining how Roger Spottiswoode’s And the Band Played On might have shifted the supporting actor and actress categories at the 1993 Academy Awards had it been released theatrically. This week we’re jumping ten years ahead and looking at the 2003 Oscar acting races and trying to suss out whether Jane Anderson’s Normal (which we discussed in depth a while back) could have made waves in the Best Actor and Best Supporting Actress categories.
Given that it was released the same year as the towering Angels in America it’s not surprising that Anderson’s Normal (based on her own play) went home empty-handed from all the end of year awards handed out despite featuring two dazzling performances that are usually awards-bait gold: Tom Wilkinson plays Roy Applewood who embarks on a transition to become the person he’s always known herself to be: Ruth; while Lange played his supportive wife, Irma. Indulge me if you will in imagining this Sundance Film Festival-screening title making it to theaters across the country and mounting campaigns that could have jockeyed for nominations the year Lord of the Rings: Return of the King swept the Oscars.
Anne Marie is tracking Judy Garland's career through musical numbers...
The Movie: Listen, Darling (MGM, 1938) The Songwriter: James F. Hanley (Music & Lyrics) The Players: Judy Garland, Freddie Bartholemew, Mary Astor, Walter Pidgeon, directed by Edwin L. Marin
The Story: No rise to stardom is without its setbacks. Despite Judy Garland's continuing success teaming up with established stars like Mickey Rooney and Fanny Brice, Listen, Darling marked Judy's first box office disappointment.
Though Judy and Freddie were stars in their own right, when starring in a film together, their chemistry was nil. As a result, the thin 70 minute musical comedy fizzled at the box office, ultimately losing $200,000.
Nonetheless, Listen, Darling did introduce the public to another Judy Garland standard. Though young Judy had been singing "Zing! Went The Strings Of My Heart" for years - she actually auditioned for MGM with the song - this 1938 film and a 1939 Decca record added the song to Judy's public repertoire. Judy made the Hit Parade, and would go on to perform and re-record the song throughout her career. Even if Listen, Darling wasn't a hit, Judy Garland and her zing-y song were.
AND JUST LIKE THAT... Academy Award voting has wrapped. So there's nothing left but the big show, the gowns, the accceptance speeches, and the post-mortem frenzy. Which also means February is basically a wrap since the next week is like Brigadoon... only its magic is annual instead of once every 100 years.
15 highlights from Jan/Feb ICYMI
• Original Song Ranking all 80 winners of Best Original Song • Brooklyn TV Bound Why do I keep seeing a Period Facts of Life here with Julie Walters as Mrs Garrett? • Best Actor It's the Year of the Ham. But how do you like your meat? • Q&A the popular series returned with a Leonaro DiCaprio episode • You Can Count on Me the most popular entry in our Sundance retrospective • Silence of the Lambs a five part baton-pass revisit. Did you enjoy? • Costume Design Beauty Break the Oscar nominees + 2 Nathaniel favorites • Podcast Nathaniel & Nick on the best work from this year's Best Directors and Best Actresses before this current nomination • Pansexual my Ass on Deadpool's bark / no bite • Nathaniel's Top Ten List for 2015 • The Witch is the first must-see of 2016 • Best Screenplay which nominee is the most quotable? • Production Design analysis of the nominees • Forgotten Valentine How good is The Painted Veil (2006)? Very good • Agent Carter the sure-to-be-cancelled show went Hollywood and got even better
And between Nathaniel and Jose we conducted over 50 interviews this past film year! Hope you enjoyed. Please do like us on Facebook and sign up for a forthcoming weekly newsletter (we really are going to do one this year -- starting very soon) so you don't miss anything.
COMING THURSDAY: Final Oscar Predictions COMING FRIDAY: Film Bitch Awards Finale COMING SATURDAY: Indie Spirit Awards COMING SUNDAY: You know what. Duh
COMING IN MARCH: Oscar Post-Mortem, the return of Hit Me With Your Best Shot each Tuesday (kicking off with Ghostbusters on March 8th) Zootopia, Sally Field, Zack Snyder's Batman v Superman, and a look back at Oscar winner Mercedes McCambridge for her Centennial
Wednesday, February 24, 2016 at 3:57PM 
