Almost There: Paul Dano in "Love & Mercy"

by Cláudio Alves

Paul Dano's film career has been awards-adjacent since the very beginning. At seventeen, he won the Best Debut Performance Spirit Award for his work in L.I.E. Five years later, he was one of the stars of Little Miss Sunshine, the first of three Best Picture Oscar nominees in the actor's filmography. Still, though the Academy regularly loves Dano's movies, they have never shown any affection for Dano himself. That might change this year with The Fabelmans, where the actor portrays a fictionalized version of Steven Spielberg's dad in what's bound to be one of the season's biggest award magnets.

To celebrate the actor's achievements and potential first Oscar nomination, let's look back to the last time Dano was on the Academy's radar. In 2015, he almost category frauded his way to a Supporting Actor nomination for his work as Brian Wilson in Bill Pohlad's Love & Mercy…

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International Feature Race - Part 1. The Numbers, Genres, and Trivia

by Nathaniel R

Can "Decision to Leave" become the second nominee from South Korea?

We can no longer wait around twiddling our thumbs for the Academy's official press releases. AMPAS used to be so prompt with the Best International Feature Film category. In the past few years they've dropped the ball. The deadline for submission was six weeks ago and though Academy members have already been screening the films for a month there's still no press release from AMPAS about the "official list". If they continue this unfortunate new habit that means that nearly a hundred films each year will fail to get two months of media attention that they fully deserve before most of them are eliminated. The Academy will narrow down this year's 92 accepted submissions to just 15 on December 21st (barely a month away). And from those 15 they'll announce the 5 nominees on January 24th. You can see the current predictions here and the full charts detailing all 92 contenders. We assume that Malta's entry, Carmen, was not accepted due to too much English language since it's the only submission from our research that's not on their screening list. 

Anyway, if you smoosh all 92 films together into one imaginary film you'd get something like the following:

A family drama, with a political angle (and probably involving immigration of some kind), which comes from a early to mid-career director who is still rising. The film will be trilingual with dialogue in Arabic, French, and Spanish. It will be 107 minutes long. 

We'll adjust the following stats and trivia IF Oscar's official press release begs to differ by a film or two (which sometimes happens) whenever it arrives. Or maybe they just won't release it this year? So Let's talk stats, trivia, genres, and themes...

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Review: "Black Panther: Wakanda Forever"

by Nathaniel R

Presenting a task as impossible as hiding a futuristic country for centuries in Sub-Saharan Africa. Imagine having to follow up the phenomenon of Marvel's Black Panther (2018) which, like most explosive zeitgeist events, had ultra precise perfectly timed ingredients and arrived at the exact moment in culture when all of them would be most appreciated. Now imagine having to follow that up without its charismatic leading man, lost to cancer at the young peak of an already impressive career. Director Ryan Coogler was in an unenviable position. It's no surprise, then, that the sequel to Marvel's most popular solo adventure is a bit wobbly on arrival. Never mind that the sequel must bear the weight of all the absurd expectations and make sense of T'Challa's absence while trying to find new legs on both land AND at sea. Thank god for the latter. Whatever the movie's faults, it's not from attempting a simplistic retread...

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Review: Skolimowski's "EO" is a miracle!

by Cláudio Alves

Can donkeys dream of heaven? One hopes so, for they need not search for hell in sleepy fantasy – they live it every day, wide awake. A world defined by human cruelty demands dreams of something better, something beyond the pain. Is it peace, love, a state of joy? Maybe it's red.

EO all starts in red. Bathed in scarlet light, skin touches fur, human hands over the animal's body, a trance-like choreography that's both intimate and public. There's a closeness to these touches that transcends their physical softness, a beauty that's more than mere performance for circus audiences – it's that heaven we spoke about, but maybe it's hell, too. Red will linger, a memory, perhaps a reverie. Dreams are nightmares by another name, and so is EO, both nightmare and dream right from the beginning…

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The Refreshingly Modern Marriages of "She Said"

By Ben Miller

There are plenty of things to like about Maria Schrader’s She Said, but one of the most impressive things is the relationships of the main characters. So many heavy, important things happen in the film, the marriages of Jodi Kantor (Zoe Kazan) and Megan Twohey (Carey Mulligan) gets lost in the shuffle. It’s so rare, it’s almost revolutionary. It shouldn’t be ignored

Over a number of months, Kantor and Twohey investigate Harvey Weinstein’s numerous instances of sexual harassment of his female employees. This consists of business trips, long hours, and calls in the middle of the night or weekends. The film goes out of its way to show both women continuing to be mothers to their children and wives to their husbands. Here’s the refreshing part: it’s no big deal...

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