always the open thread

Whenever I panic at the lack of comments on an entire day's worth of goodies like Cannes beauties, fun movie trailers, and throwbacks to beloved or divisive movies. I think "What is Meryl Streep up to?". Streep is like Adivan for high anxiety blogging. Find some way to post about Streep and all will be well again! But all is quiet on the Streep front and I had a really rough stressful week off-blog so instead I'm just staring at this photo of Streep kissing Kidman like it's a paper bag to hyperventilate into.

Always the years. Always the love. Always The Hours.

What has your week been like? What's on your cinematic mind?

YNMS: Shaun the Sheep Movie (and more from Aardman)

Tim here. If it’s possible for a little boutique studio with the most self-selecting audience imaginable to engage in a “media blitz” Aardman Animations (creators of Chicken Run and the Wallace & Gromit shorts) is having a very media-blitz sort of a day. 

First, they’ve released the first image from Early Man, director Nick Park’s upcoming caveman adventure that’s currently pre-selling distribution rights at Cannes (it will be Park’s first directorial effort since the Oscar-nominated 2008 short A Matter of Loaf and Death; I imagine that I’m not alone in finding his return to filmmaking something of a religious event).

Next up, Lionsgate has released the poster and trailer for their release of Aardman’s impending feature, Shaun the Sheep Movie (yes, that’s its actual, grammatically disastrous title). After the jump we break the trailer down using TFE's famed and authoritative Yes No Maybe So system.

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Women's Pictures - Sofia Coppola's Marie Antoinette

Who knew a period piece about Marie Antoinette would be Sofia Coppola's most controversial movie? Basically, whether or not you like Coppola's 2006 Marie Antoinette boils down to how you feel about anachronisms. Anachronistic details - modern fashion in a period piece, pop music played at a ball, a much-maligned pair of lavender Converse sneakers - are by design attention-grabbing. Like equally flamboyant directors Baz Luhrman and Quentin Tarantino, Sofia Coppola’s purpose is to jar audiences in the present, setting up a stylized world where (hopefully) audiences can relate more closely to people who lived decades or centuries ago. Coppola uses anachronisms to help the audience appreciate the rebellious streak of Marie Antoinette’s hedonism.

Surprisingly, the first half of the film plays along the standard genre rules of the period piece. 14-year-old Marie (Kirsten Dunst) is introduced as a child playing with puppies, stripped - literally - of her Austrian possessions at the border of Austria and France, and quickly married to the equally immature Dauphin Louis (Jason Schwartzman). Coppola’s ability to make the foreign both exciting and isolating is powerfully used during these early scenes. The lavishness of the receiving tent turns claustrophobic when Marie is forced to disrobe for examination by a cold courtier. Likewise, the beautiful bustle of Versailles’s court becomes ridiculous and invasive. In a cringe-inducing scene, Marie is left standing naked as the same courtier explains that dressing involves half the court and a lot of ceremony. After she is publicly shamed for failing to produce an heir (the Dauphin has intimacy issues), the contradiction of Marie’s life as a monarch is clear: she has no privacy, but she is alone.

Under such heavy scrutiny, it’s no wonder Marie rebels...

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Cannes Red Carpet 2: Dystopian Glamour + Illicit Flats

We return to Cannes glamour...

NATHANIEL: It has been a full week since the last Red Carpet conversation which is INEXCUSABLE, this being Cannes but the sheer volume of dresses (and I'm not talking about size though there is some of that) but quantity have made it rather daunting. So let's discuss 11 looks today.

Before we get to the lineups, I don't much care for white dresses at events unless someone is getting hitched so Zoe Kravitz is the only one out of an original multiperson white lineup I was going to do. Because I think the extension braids totally complete the look.

JOSE: Rooney Mara corners the market on bridal couture on the red carpet in my opinion, but Zoe looks really nice too! I wish she would've worn this in Mad Max instead of looking so dirty. That movie did nothing for my OCD. I wanted to hand everyone a gallon of Purell

NATHANIEL:  I love that her name in Fury Road was "Toast the Knowing".... LOL. You can't expect toast to not have that scrape off burnt layer though personally i think Zoe and her fellow rogue sex slaves looked pretty immaculate considering the white wraps and that they were riding UNDERNEATH A FUEL TRUCK.

JOSE: They needed more Valentino though! Have they learned nothing from looking glamorous in dystopia? Madonna pulls it off in Ghosttown beautifully...

MARGARET: Zoe clearly understands this, making up for it by rocking Valentino here. In white gowns, especially ones this simple, the pressure is on the hair and makeup to sell the look and she nailed it on both counts.

10 MORE LOOKS AFTER THE JUMP...

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They a-link, damnit! It's a miracle.

The Wrap Maggie Gyllenhaal is "too old" at 37 to play onscreen love of a 55 year old actor? Gross!
Empire Juno's mom and daughter Janney & Page reuniting for the comedy Tallulah
Antagony & Ecstasy shares a killer review of one of my fav Best Picture winners Grand Hotel - loved every sentence of this
Nick's Flick Picks revisits Georgia (1995) as part of its Cannes retrospective. Have you ever seen it?  It's a goodie. Mare Winningham, guys
Nick's Flick Picks and the terribly underseen Angels & Insects - amazing costumes
Awards Daily handicaps Oscar chances of Cannes players with Carol and Youth getting top marks for AMPAS likelihood 
The Film Stage looks at Lucretia Martel's next one, Zama, as it begins filming
Salon compares the first seasons of Daredevil & The Flash. Which show wins?

Towleroad plans are afoot to make a stage musical of the Elton John biopic starring Tom Hardy called Rocket Man. Um... shouldn't they actually make the movie first before worrying about adapting it? 
Variety in case you hadn't heard: Roger Deakins will shoot the Bladerunner sequel (so at least it will look pretty and get one Oscar nomination)
CHUD has an index of photo glimpses of Suicide Squad from Harley getting wet to the Joker at gunpoint 

Mad Mania
Gothamist the last scene of every Mad Men season. Matthew Weiner approached each season with its last visual in mind 
Slate 10 great images from Mad Men over the years - the show that always looked more like a great movie than "television" 
Film School Rejects where to see the Mad Men cast members next - new projects! 
AV Club an illustrated guide to Mad Max warlords from the Toecutter to Immortan Joe 
Jezebel offers up hilarious mocking of vulnerable masculinity in the face of Mad Max Fury Road

Charlize Theron menstruated all over my masculinity! 

....and finally the Imperator Furiosa tribute fans of both Mad Max Fury Road and The Unbreakable Kimmy Schmidt didn't know they wanted but now can't live with out. 

They alive, damnit!