Revisiting Rebecca (Pt 4) the Original Gone Girl

Previously on Revisiting Rebecca -  Nathaniel introduced us to our nameless heroine whose youthful, clumsy charm lands her the brooding Maxim de Winter. Abstew attended their nuptials and the first of the second Mrs. de Winter's trials at Manderley. Then Anne Marie ventured into Rebecca's room to see how deep Mrs. Danvers obsession goes. Will our mousy leading lady ever find the peace and love she desires at Manderley or will the ghost of Rebecca prove too great an obstacle?

Part 4 by Angelica Jade Bastién

We begin where Anne Marie left off, with #2 (aka The Second and Less Fabulous Mrs. de Winter) getting her wish for a costume ball. After failing to come up with a costume to her liking Mrs. Danvers offers to help. But, #2 soon learns that Mrs. Danvers version of help is quite dangerous. 

1:16:06 Costume balls, much like Halloween, allow people to become what they deeply want to be even if it’s just for an evening. For #2 this is especially true as she takes Mrs. Danvers advice and dresses up as Lady Caroline de Winter based on one of the many family portraits that punctuate the walls of Manderley. Lady Caroline represents everything #2 is not: poised, beautiful, disarming. 

While some of our team hasn't warmed to Joan Fontaine in this nameless role, I agree with Anne Marie's estimations. Fontaine perfectly embodies her. When we first see #2 in her costume she is nervous with desire, unsure of her decision. She carries herself with a sort of clumsiness I remember from my high school years; trying to have some sort of grace but instead bristling against the confines of early womanhood. Which makes me wonder how old is #2 supposed to be exactly? [More...]

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Links on the Bubble

Variety Baz Luhrmann has found his lead for his Netflix music series The Get Down. It's an unknown singer songwriter named Herizen Guardiola 
THR 13 shows on the bubble. They'll be renewed or cancelled by early May. I'm rooting so hard for Agent Carter but you never know
The Guardian Matthew Vaughn (The Kingsman) to reboot Flash Gordon. Oh dear
/Film that was quick - Daredevil (Charlie Cox) will officially be in Avengers: Infinity Wars movie in some capacity. But that's like a billion superhero movies away so we'll see if it comes to pass

Awards Daily Meryl Streep does everything: she's now written a foreword to a new cookbook
THR industry folks rank New York's film critics 
Variety rave reviews for Imelda Staunton's Mama Rose in London's current revival of Gypsy
Comic Alliance the Wonder Woman film lost its director (Michelle McLaren) and now has a new one Patty Jenkins -- the same Jenkins who was supposed to do Thor and didn't. Ah musical chairs
Time the list of 100 Most Influential People is out. Movie peeps that made the list: Richard Linklater, Julianne Moore, Bradley Cooper, Chris Nolan, and Chris Pratt 

LGBT Interest
Out also has an annual power list out. While most of the showbiz entries lean heavily towards TV there are a few movie players: Megan Ellison, Scott Rudin, Lee Daniels (though he surely made the list due to Empire), Dustin Lance Black and Ellen Page.
New Now Next the 13 greatest sissies of all time from Quentin Crisp (you must read his writing about movies) to Liberace

SJP a few days ago in NYC

MNPP Rock Hudson's ex lover speaks
The New Civil Rights Movement (long read) "Maybe Yesterday, But Not Tonight" on gay marriage and the inner and outer turbulence of our changing world

Finally
It's not news per se since we've known about it for a long time but it's now official that Sarah Jessica Parker is returning to HBO Comedy series stardom with Divorce. SJP is fearless. Think of the way people treat Madonna. Once women are past a certain age people want them to disappear. Only the brave soldier on so I hope this series is brilliant and all best wishes her way. But can we talk about how rude it was for Gothamist to illustrate the news of this series order by HBO with a photo of Sarah caressing her husband Matthew Broderick's face? 

Ask Nathaniel

Our new banner is in honor of last week's "question of the week" from Fadhil. He wanted actors at the movies or people eating food. I figured it was harder to convey actors at the movies in tiny banner photos. So food. Sustenance. Deliciousness it is.

What's your question this week? I'll pick a handful to answer, maybe more. Food questions welcome.

The Internet Awakens

Not that it ever sleeps. But the arrival of a Star Wars: The Force Awakens teaser, a second one, shook things up. I mean Chris Hayes on MSNBC, the host of a political news hour, devoted a whole quarter hour to this trailer! At one point today all of my feeds were only Star Wars. I wasn't sure if it felt celebratory or oppressive and came to the conclusion that it was definitely both.

The heighth of my own personal Star Wars mania -- everyone seems to go through it though many never come out of it -- was 1983. One entire wall of my young bedroom was devoted to Return of the Jedi with posters, magazine pages, collectible film stills, you name it, stickied on. Princess Leia, Jabba the Hutt and (the shame the shame) ewoks took up the most space. Sorry Han & Chewie!

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Women's Pictures - Jane Campion's The Piano

The Piano contains many stories. It is a love story between two outsiders: a mute woman, and an uneducated man. It is an allegory about oppression: a white landowner in New Zealand treats his wife and the Maori people like children or property. It is a study of conflicted characters: a repressed, oppressive landowner; his passionate, mute wife; the lower class man who falls in love with her; and her wild, intelligent daughter. It is a warning about the hazards of refusing to listen: a failed marriage, a soured initial seduction, and the climax of the film are all spurred by lacking communication.  The Piano also has its roots in the fairy tale “Bluebeard;” a sinister story about a newlywed who discovers that her husband murders his wives. But as we’ve seen, Jane Campion doesn’t do easy fairy tale morality.

Campion’s story opens with the only words we will hear its main character speak:

The voice you hear is not my speaking voice - but my mind's voice. I have not spoken since I was six years old. No one knows why - not even me...

Ada (Holly Hunter) is a mute Scottish woman shipped to Victorian New Zealand to marry a stranger, Alisdair (Sam Neill). Ada carries with her the two possessions that make up her voice: her headstrong daughter (Anna Paquin), and her piano. Alisdair leaves the piano, to Ada’s dismay, but a former whaler named George (Harvey Keitel) senses the piano’s importance, and shelters it in his house. He uses it to start an affair with Ada. Considering that this is a story set in the Victorian era, it is a welcome surprise that Campion refuses to make Ada a victim of anything (except maybe circumstance). But that initial image, the piano on the beach, lingers. The incongruous image of a piano on a beach sets the theme for the film - melancholy, and tinged with magical realism.

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