The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
The Barrymores and the Hustons. Two dynasties that over decades and generations left their legacy on stage and screen, taking their place as acting royalty. It's fitting that the classic tale of the young cinder girl that manages to actually become royalty would finally bring these two families together on film. Other than a 1939 documentary about the history of America called Land of Liberty which contained footage of John and Lionel Barrymore and Walter Huston (and if you look at the cast list from IMDB, apparently every star in Hollywood at the time...), it was 1998's Ever After thatmarked the first time a member of the Barrymore family acted alongside a member of the Huston family. And for Drew Barrymore and Anjelica Huston, representing their respective families, the pairing proved to be as enchanting as the timeless tale.
Unlike the other magical, musical versions of Cinderella that we've been discussing, in this version, made during the height of late '90s "Girl Power" our main character is far from passive and pet mice aren't trying to help win her the love of a prince. Renamed Danielle de Barbarac, you are more likely to find her reading a tattered copy of Sir Thomas More's Utopia and debating the worth of all human beings than you are to see her harmonizing with songbirds. Tough, determined, and able to fend for herself, thank you very much (punches, daggers, and apple throwing employed when need be), at one point in the film she even rescues the prince (Dougray Scott) by throwing him over her back and carrying him away. Screenwriter Susannah Grant (Erin Brockovich) created a modern woman (that just happens to be living in the 16th century) for modern audiences perfectly embodied by modern-day Drew Barrymore. [More...]
It's that time again. An incredibly random collection of the week's best showbiz themed tweets. Or at least the best ones that we happened to see on our timeline at incredibly random times of the day. Herewith a dozen byte-sized amusements curated just for the TFE crowd for those with similarly truncated attention spans that made us laugh or think or nod this week.
Tim here. Team Experience is in the midst of unrolling our We Can’t Wait list, and Nathaniel has already devoted some attention to some of the more intriguing potential blockbusters that missed out on our top 15. And so now it falls to me as the Film Experience’s resident animation guy to draw your attention to some of the animated features set to show up in 2015. None of the big names here - I assume you’ll be able to find the new Pixar films without my help - this is all about some of the little titles that might otherwise slip between the cracks.
When Marnie Was There
The 20th, and perhaps the last theatrical film produced by Studio Ghibli, is about a lonely young woman sent to the country for her health, who befriends one of the locals, Marnie. But as the two spend time together, it becomes clear that something slightly paranormal is going on.
Arts Beat Kerry Washington to star in HBO film Confirmation about Anita Hill. Great casting Playbill Not that it was ever in doubt but Disney is officially at work on Frozen 2. Comics Alliance Robert Downey Jr presents a one arm kid Avengers fan with an Iron Man arm. Sweet Broadway World talks to the legendary Ben Vereen about new projects, Bob Fosse movies, and the return of the movie musical
D Listed Steve Carell as Fabio? Fabulous. Especially the low-fi hair blowing... which is particularly funny since we just saw the same "effect" in Paris is Burning Pajiba Courtney schools Lindsay Lohan on photoshop manipulation for her Instagram account Disney promises no more smoking in their films ever. That's fine but if they digitally erase the smoking in their archive like in 101 Dalmatians we will feel murderous /Film PETA wants new ending for Tim Burton's Dumbo remake and though we'd prefer the movie not be made at all, we'd like to co-sign this proposal Howard Stern Show I keep hearing this very lengthy Madonna interview is awesome but I haven't listened yet. I'm too busy mainlining "Rebel Heart" now that it's here in full (favs: Living For Love, Ghost Town, Rebel Heart, and I think I might love the totally filthy and juvenile Holy Water but I haven't decided yet) MNPP I never talk about John Barrowman since he doesn't make movies but I L-O-V-E him and here's Jason paying tribute in a crotch-grabbing way that I think Barrowman himself would enjoy
Unlike the rogue Babysitter who tired of the Club or Brenda when she finally stopped seeking Kelly's approval, Lydia Deetz was actually an original. And whether she was wearing a schoolgirl outfit stuffed with crinoline, a nondescript painter's smock, or a blood-red wedding dress to match her evil stepmother's, there was something aspirational about how few fucks she actually gave.
Empire Mania - Some Links, Several Thoughts Towleroad Some fan has made a video of Empire meant to ape the Dynasty opening. I appreciate the connection since I turned to the Boyfriend a few episodes of this show and said "I feel like this writer's room really studied Dynasty - best nighttime soap in forever." but this mashup is not really a great visual match. I grew up on Dynasty (my parents were horrified at how obsessed I was with it) and you have to have those vertical line splits and the sectional images for it to really read as Dynasty Reincarnated. Good Black News Ratings for the show are up for the record-breaking 9th straight week. It's now starting to rival TV's mega hit The Walking Dead (!!!) I'm so happy for Lee Daniels. But I hope he doesn't quit movies because we need him there with his crazy ass Paperboy/Precious/Butler provocations. Xfinity Jussie Smollett talks about "the closet" or rather his lack of one on Ellen. He's beyond adorable, really. And the third best reason to watch Empire after 1) Taraji of course 2) how worthy it is as a night time soap giant overall. (The Smolletts are so talented. Remember how great his sister Junee was on Friday Night Lights?) This is my favorite performance of Jussie's on Empire thus far. I may have listened to it four times as I was typing this.
"But what are the fourth and fifth best reasons to watch the show, Nathaniel?" you ask. SINCE YOU ASKED. 4) the music . 5) the guest stars are fabulous. Courtney Love and Naomi Campbell were superbly well cast and just killing it to cite two examples. Though we probably shouldn't mention new guest star Jennifer Hudson. That girl cannot act, sorry AMPAS. The past 9 years have proven otherwise. Great voice, though.
What a difference four years make! Well, four years and three movies. The disadvantage of having only a single month to cover a director’s entire body of work is that we have to cherry pick individual films representative of overall trends. So, even though Ida Lupino spent the period between 1949 and 1953 directing three (and a half) films which would fall under the category of women’s pictures that we advocated for so strongly last week, we now have to skip forward to the next moment in her career: film noir. However, while Lupino stopped making films featuring exclusively female protagonists, she maintained her commitment to mixing truth and drama in her stylish thriller, The Hitch-Hiker.
The film opens with a title card to inform the viewer that The Hitch-Hiker is “...the true story of a man and a gun and a car.” Surprisingly, despite the Motion Picture Production Code’s prohibition of true crime stories, The Hitch-Hiker actually is based on fact: in 1951, two hunters were kidnapped by killer Billy Cook. Cook forced the two men to drive him to Baja California, where he was recognized and apprehended by Mexican police. In order to tell this tale of survival and murder, Lupino circumvented the Production Code two ways: First, by changing just enough of the facts and names to give the story plausible deniability (and added drama). Second, by hiding violence in shadow and suggestion as only film noir can.